Archive for June, 2009

Citroen GT: Fantasy to become Reality?

Tuesday, June 30th, 2009

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Citroen came to London last week to show off their GT concept which had been designed for the new Grand Turismo ‘street circuit’ featured in Gran Turismo 5 – the new PLAYSTATION 3 driving game.

The virtual-​​turned-​​reality supercar ‘swapped pixels for Piccadilly’ as put lovingly by the Citroen Press Office, as it swept through the world famous circus, toured Regent Street, rounded Trafalgar Square and cruised down the Mall past Buckingham Palace.

The result of a partnership between Citroën and Sony Computer Entertainment, the GT by CITROËN concept measures nearly five metres long and just over a metre high with a wire-​​frame design featuring rear air-​​diffuser, horizontal LED headlamps, gull wing doors and diamond-​​effect 21s.

The cabin offers “a refined racing exper­ience” with copper, steel and black leather finishes combined with hi-​​tech racing controls.

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Now, according to reports in the mainstream motoring press Citroen has decided to put the GT supercar concept into limited production.

The project was believed to have been given the green light last week by the company’s product boss Vincent Besson. Only six Citroen GTs will be made, and rumour has it that the car will cost around £1.1 million pounds.

Virtual reality has begun to play more and more into the hands of the real-​​time engineers of existence.

Shame the strato­spheric price tag makes it about as likely that you will drive the GT as you will upload yourself into the Playstation and win Gran Turismo in a 512 BB.

Trabant: Communist Chic?

Monday, June 29th, 2009

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Now we are all up for purity, simplicity and stripped-​​down function­ality in our cars. We like to drive, after all, rather than sit in a cossetted virtual envir­onment redolent of bubble economies and the ubiquitous pixel. But it’s fairly difficult to get our heads around why the Trabant – relic of cold war-​​era command economies and the ubiquitous desire to get the hell out of the Communist bloc — retains an enduring appeal.

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But is it so difficult to under­stand? This nice example of the Trabi Delux: complete with colour co-​​coded steel hubs, branded mudflaps and an appealing two tone champagne colour, undoutedbly has some tangential coolness about it. It might struggle to get up to fifty on a good day and with a prevailing wind you’ll be able to smell the two stoke engine’s fumes in Leipzig, but it remains, despite ourselves kind of cute.

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Millions of these little monsters were produced in the DDR (the misnamed German Democratic Republic) between 1957 until the wall came down in 1989. They had a steel monocoque chassis and were front wheel drive, but the body panels were made from a recycled material called Duroplast, which, appar­ently, lessened the East German state-​​owned manufacturer’s need for expensive steel imports.

This particular car was snapped in the parking space of the Chairman of Bath and North East Somerset Council. Is the love of a retro car is the only communist sympathy the councillor is harbouring? Or could it be that we are we about to see the good burghers of Bath turn a deeper shade of red?

Hybrid Landrover On the Way?

Thursday, June 25th, 2009

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Any regular Influx reader will confirm that we in these offices love Land Rover. In fact, we are midway through an exper­iment to prove that despite envir­on­mental imper­atives, practical consid­er­a­tions and spiralling running costs, a Discovery 3 is the most practical motor to take a bunch of young bucks to the ends of these islands for action, adventure and general on and off-​​road fun.

But the fact remains that there is increasing pressure on the venerable Solihull company to get up to speed and produce a hybrid vehicle. Lst year’s LRX concept (pictured) was the first volley in an initi­ative, that, according to Auto Express,last week, is about to take flight with a little help from Her Majesty’s Government.

Reports suggest that LR will delve into Jaguar’s well-​​developed box of technical tricks which is rumored to soon include both hybrid and extended-​​range EV techno­logies. Land Rover’s electric drive rear axle is supposedly on the LRX menu, which would work alongside Landy’s brilliant Terrain Response System to put power to the ground wherever possible.

While Land Rover is due to roll out stop/​start technology on all of its models with immediate effect to lessen impact tangibly, the LRX would not be launched for at least two years.

But: do would you really have to buy a Hybrid baby-​​Landy to be an envir­on­mentally ethical devotee of the Green Oval? After all, we calcu­lated that in a fifteen hundred mile round trip from the Westcountry to the North Coast of Scotland, we spent £350 in Diesel and emitted a total of around 373Kgms of O2. Divide that by four and you’ve got around 93Kgms per head. Now square that away with the amount of Carbon Dioxide emitted by one plane journey. Throw the cost per head of £90 per head into the mix, as well as costs (and emissions) of airport transfers, excess baggage and the nastiness of budget, cattle-​​class flying and It’s a no brainer.

The Discovery beats the plane hands down in ethics, costs and practic­ality. Let alone aesthetics and fun!

The thing is about Land Rovers is that if you use them for the right job, then they are superb bits of technology, engin­eering and practical motoring that cannae be beat.

Let’s hope that whatever happens with the Baby Lecky Landy, that Solihull doesn’t lose sight of that funda­mental fact. And let’s also hope that the car that emerges from the LRX adventure looks as good as the concept.

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The Art of Keith Weesner

Thursday, June 25th, 2009

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If you want to see a genuinely creative contem­porary artist tapping into the history of American car culture, you could do a lot worse than to check out the work of Keith Weesner.

Of all the brushmen currently carrying forward the flame of hot rod culture, he’s doing the work with the most depth.

Playing with the clichés without throwing the baby out with the bath water, there’s a real sense of texture to his airbrush work. Obtuse refer­ences and allusions to fine art are all there.

But best of all he under­lines the perennial associ­ation with California, cars and girls.

Power to his line.

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Vauxhall Concepts & Insignia VXR @ Goodwood

Tuesday, June 23rd, 2009

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Vauxhall will use this year’s Goodwood Festival of Speed to unveil the all-​​new, 325 horsepower Insignia VXR for the first time in the UK, and provide visitors with the chance to see two stunning historic concepts that have not been exhibited in public for many years.

The high-​​performance version of this year’s European Car of the Year winner will be displayed in the popular Supercar Paddock throughout the event, which runs from July 3 – 5, ahead of its official media launch the following week.

In time-​​honoured FoS tradition, the Insignia VXR – which has just completed a final 10,000 kilometre shakedown at the Nürburgring – will demon­strate its excep­tional Adaptive 4X4 chassis twice a day at 9.00am and 1.25pm on Goodwood’s notori­ously tricky hillclimb course.

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Joining the Insignia in the Supercar Paddock will be Vauxhall’s most powerful production car ever, the super­charged, rear-​​wheel-​​drive, 6.2-litre V8-​​engined VXR8 Bathurst S Edition. Rumour has it that the Bathurst has been commis­sioned to create a new ‘Smoke Gets in Your Eyes’ display in front of Goodwood House, although this has been strongly denied by officials…

In pride of place on the Cartier lawn, just across the way from the latest VXRs, will be two historic Vauxhall concepts that have not been seen outside its Luton-​​based Heritage Centre for nearly two decades.

Originally shown at the 1966 Geneva Salon, the XVR was largely the work of David Jones, Vauxhall’s charis­matic head of design in the 1960s. Featuring gullwing doors, pop-​​up headlights and all-​​independent suspension, the XVR’s unique dash treatment was used to test reaction to ideas he had for the later Firenza.

Joining the VXR will be another wholly in-​​house Vauxhall concept, the radical SRV (below). First shown at the 1970 Earls Court Motor Show, the sleek, imposing shape belies its four-​​door practic­ality. But with an aerofoil, electric self-​​levelling suspension and a ‘manometer’ to measure air pressure on the car’s hull, the SRV illus­trated a very particular brand of period futurism.

Here’s hoping the Insignia’s success can under­write the Luton based company’s future.

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Die-Cast Deora

Monday, June 22nd, 2009

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Few enthu­siasts of late sixties pop-​​culture wouldn’t get all het up by the Deora. Suitably psyche­delic in its Mattel Hot Wheels rendering, the tricked out Kustom surf wagon was penned by legendary designer Harry Bentley Bradley, and first came to life as an adapt­ation of a real life concept truck commis­sioned by Dodge, based on the perennial favourite the A100 pickup.

There has of course always been a dialogue between the imaginings of car designers and those that find life in miniature. And the Deora is one of the most appealing of all model cars that (almost) achieved a lasting full-​​size life of its own.

The design was a crystal­lisation of the surf boom time crossed with a tripped out design aesthetic. GM probably correctly made the judgment that the time wasn’t quite right for an off-​​the-​​peg surf wagon. Surfers would have to wait until the Honda Element for that, the lifestyle wagon launched for the US market four decades later.

The obsession with model Kustoms in general is brilliantly illus­trated by the lovingly detailed Redlines Online site.

Redlines is a really active forum for all inter­ested in model Kustoms, and features inter­views and profiles of leading designers, as well as collectors and other types of devotees of die-​​cast.

Watch this space for more focuses on great Kustoms toys that made it to the streets in various forms.

Ode to Leylandia

Wednesday, June 17th, 2009

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With dole queues length­ening, a generally despised Labour government and revolution arising in Iran, It feels like 1979 all over again! What better time, then, for a bit of remin­is­cence back to the days of British Leyland and the cars that populated our streets, reflecting the temper of the times.

Daimler Sovereigns were built to fit right in to the reserved parking space for directors and upper management at the factories and workshops of British industry. Fragrant with walnut and leather and resounding with the giggles of saucy secret­aries, the music of the fall of Empire jangled on its eight track stereo. Kiplinesque tones of self confidence radiated from its every sheaf of Sheffield steel.

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The P6 Rover, however, reflected the stoic compliance of the British middle classes. Its hunkered down, steady practic­ality whispered of the success of franchise-​​broking shopkeepers. English dream­s­capes populated by red brick Universities, Barratt Homes and steel-​​and-​​glass conser­vat­ories are evoked in its easy-​​to under­stand lines. The shape makes me think of Saturday night comfort TV in the form of On The Buses, Dad’s Army and Bruce Forsyth’s Generation Game. Give us a twirl, Anthea!

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The Morris Marina, last and resol­utely least, is the prolet­arian tin can to end them all. Modest, unassuming but in the right hands feisty and agressive, the Marina repres­ented the skilled working class for which it was marketed perfectly. It might be prone to overheating, corrosion and wasn’t exactly easy on the eye, but like the bloke who drove it, it knew its place.