Posts Tagged ‘Abarth’

Abarth/Bertone Collaborations

Thursday, July 21st, 2011

With people like Marcello Gandini and Giugiaro manning the studios, Bertone was arguably the defin­itive coach­builder in that incredibly creative period between 1965 – 75.

While the great era of futurist Supercars like the Miura and the Countach owes everything to the inner workings of Bertone at that time, the company made some signi­ficant innov­a­tions as far back as the early 1950s.

Collaborations with Abarth are some of the most interesting.

One look at the Abarth 1500 Biposto (top), which was penned by Franco Scaglione while a junior designer at Bertone, can confirm its influence on the BAT concepts for Alfa — and the subsequent swathe of futurist Americana that emanated from Detroit for the rest of the decade.

But you can see from the outrageous aero slickness in the Fiat 500 — based record-​​attempt car that there was more to the house of Bertone than scalloped wheel arches, chrome fins and nonfunc­tional flourishes.

And what about the seldom seen 750 (above) from 1956? How about this for a sort of Batman-​​like take on the Sunbeam Alpine?

Concept Corner #2

Thursday, July 14th, 2011

We wondered for a while what this thing actually was.

But now, as you can see this exemplar of early seventies wedginess is clearly identified as an Abarth-​​Pinifarina collab­or­ation from 1970 — which appar­ently resides in Japan (see image below).

This car is one of those rarities around which there seems to be a shroud of mystery. We’re not even sure the Gallery Abarth, which, appar­ently, houses it, actually exists.

Can’t find out the who, how, what and why of this car — so if anyone can fill in the details out there, please drop a comment or two.

Abarth Love

Tuesday, May 31st, 2011

Something about Abarth’s Lunacy that reached its heights in the little 695 carlo converted Fiat from the sixties. Any manufac­turer who would strap an oversize engine into a production car and solve the cooling issue by leaving the boot open is good enough for us. Apparently there was an aero advantage in the rake of the sprung bonnet — so the apparent ungain­liness produced a racing advantage too — of around ten KM/​h in the top end. We’ve also had a perennial and irrational soft spot for the brutush and boxy Fiat 130 Abarth.

This was the sort of car from the seventies driven by that man from middle management who wanted to get down with his bad self and sniff something of those playboy days of yore. Lovely. There’s something in this bodgit-​​and-​​scarper mentality that appeals endlessly — especially when you look at the cult of perfection that exists in most contem­porary cars. While the current crop of Abarth editions are a little lacking in that rough round the edges appeal, they’re nicely silly and in these gloomy days, that can only serve to brighten up our lives. Let’s have a little more polished imper­fection, please.

Our Favourite Porsches

Thursday, May 12th, 2011

911 2.7 RS (1973)

Ok, let’s get the obvious one out of the way. This is arguably the all time collectors classic 911 and built for FIA Group 4 homolog­ation. If you are lucky enough to take a ride in one you will be stunned at the lightness and the tactile embrace of the stiffened suspension. I’d like mine in yellow please.

9144 (1970)

The first gener­ation VW collab­or­ation gets more appealing with age. Aimed squarely at the Californian market when it was released, it oozes a west coast style that is strangely inappro­priate off Highway 1. Madly progressive for the time, you have to think of the Alfa Spider duetto and the Karmann Ghia for its antecedents. But that rear end is one of the greatest in the history of car design and eclipsed that of either of them.

917 (1970)

Again, sort of obvious, the 917 in all of its manifest­a­tions is full of bombast, Wagnerian pomp — this 240 MPH racer was scarier than Colonel Kilgore and a Napalm-​​infused dawn. To think that it was actually homologated and some lunatics have driven them on the road is gobsmacking. The original Mulsanne muncher will never be surpassed.

356 B Carrera Abarth Coupé (1960)

This aluminium bodied collab­or­ation with Karlo Abarth managed to retain the signature line of the marque whilst adding something rakishly dynamic and different. It was brave of Herr Porsche to let go of some creative control — and Karl Abarth finally went ahead and commis­sioned ex-​​Bertone designer Franco Scaglione to build the original shells. Scaglione then appar­ently did a moonlight flit and offed with (some of) the money. A German-​​Italian collab­or­ation that ended as badly as that of Il Duce and the Führer. Both pairings left some handsome machinery that were great at their job.

Panamera Turbo (2009)

Ok. We don’t care what Clarkson & Hammond think of this car’s looks. It remains an incredible creation. It is infused with all the values of Porsche’s long history of innov­ation. A friend of ours let us have a blast recently and it drives like a huge, hugely fast 911 that’s loaded up with too many Knoodle. And in our opinion, it is at least as good looking as Aston Martin’s Rapide (from certain angles). If you’re into executive wafters, you will waft more execut­ively in this than anything else out there.

90803 Spyder (1970)

We fell in love with this thing after seeing it fly up the hill at Goodwood. It won the Targo Florio in 1970 and that graphic design is genius. Its average speed around Sicily was 140 KMH — and if you’ve ever seen the twisty roads of that beautiful island, you’ll know how incredible that is. It pushed 350 BHP and it only weighed 545KG fully loaded with fuel. That short wheelbase must have made it drive like a midget demon. Spectacular.

Mystery Pininfarina Curvitude

Monday, January 11th, 2010

Every now and then we stumble upon an image that beguils as well as excites.

Out of all the beautifully-​​rendered concept cars from the period of the late sixties and the early seventies, this is one of the most mysterious we’ve come across.

Looking closely at the badge on the rear three quarter panel you can see it says ‘Fiat Abarth 2000′ – and the Pininfarina log is in its usual place on the side panel toward the bow. But extensive consultation of our friend Mr Wikipedia, as well as Pininfarina and Abarth web manifest­a­tions, cannot shore up any record of what this car whatsoever.

Seems that the blogo­sphere has reached a similar fact-​​free postages of what is an undoubtedly one of those concepts that was influ­enced by and influ­enced in turn cars from designers like Bertone and Ghia and Zagato.

Almost all of the leading Italian coach-​​builders were outdoing one another in the audacity of their futur­istic designs. The era seemed to be all about pushing possib­il­ities of late 20th century motoring in exquis­itely curved steel.

The louvres on the engine cowling, the flip-​​top lid as well as the trumpet-​​like exhaust recall some more familiar exper­i­ments of the era – partic­u­larly Pininfarina’s own space-​​mobile the Modulo but this red beauty seems to exist on an entirely different plane.

Perhaps it was a hallu­cin­ation that crystal­lised in a fashion photographer’s lens – or perhaps there’s a gaping hole in our retro-​​motoring knowledge.

Any more inform­ation our dear readers may be able to offer is of course, more than welcome.