Posts Tagged ‘USA’

Joe Goode's Car Calendar

Wednesday, January 27th, 2010

Joe Goode car calendar

We at Influx towers are always looking at inter­esting ways of presenting stories of people and their cars.

And in the daily hunt for things that inspire us, we recently stumbled upon Joe Goode’s simple but lovely way of presenting a calendar.

The piece dates from the end of the  1960s. All he did was photo­graph twelve of his friends in a simple square format in their cars. There’s nothing partic­u­larly inter­esting about the individual photos in themselves. For a while we were scratching our heads trying to work out what is so nice about this little piece of incedental automotive art.

Then, it dawned on us. What makes this little piece of inter­esting is the variety of design in each individual car. That individu­ality seems to reflect and feed back upon the person­ality of the person sitting in the car.

The obvious question is: if you attempted to replicate this project in twelve straight-​​ahead contem­porary cars, would the piece be half as interesting?

Rest assured in a spirit of exper­i­ment­ation we’re going to try to do just that.

Watch this space for 2010 update of Joe’s forty year old offering.

Future Shock?

Thursday, December 17th, 2009

I’d rather try crossing a river on a path of bobbing soap cakes than make predic­tions about the car of tomorrow. The footing would be far safer.” So said Harley Earl, head of General Motor’s famous ‘Art and Colour’ section and the man who created the first futur­istic concept car, the sensa­tional Buick Y-​​job of 1938. Earl had his ideas in an office called ‘the hatchery’ which had no windows or telephone and a fake name on the door so he wouldn’t be disturbed. He worked there for over twenty years and did more than anyone else to stimulate our obsession with the car of the future.

The Buick Y Job of 1938 not only had a silly name, but encapsulated an American vision of the future that was postponed only by the Nazis

The Buick Y Job of 1938 not only had a silly name, but encap­su­lated an American vision of the future that was postponed only by the Nazis

But by the time he retired he plainly didn’t think much of his – or anyone else’s – ability to predict how cars would look or function in ten or twenty years’ time. He was right: the history of the future of the car is littered with hopeless or plain embar­rassing predic­tions. We can have a chuckle at Ford’s mad fifties plans for a nuclear-​​powered runabout, but with the car currently under­going its most radical trans­form­ation as we search for a replacement for the internal combustion engine, we’d be wise to be neither too sceptical nor too credulous about what we might be driving in a decade’s time.

The availability of Uranium refuelling proved to be a sticking point for the Ford Nucleon. Combined of course with the possibility of multiple=

The avail­ab­ility of Uranium refuelling proved to be a sticking point for the Ford Nucleon. Combined of course with the possib­ility of multiple roadside apocalypses

Predictions about the future of transport are usually wildly optim­istic, but one early belief went the other way. In the 1820s the speed of steam locomotives such as Stephenson’s Rocket started to exceed that of a galloping horse, the fastest speed sustained by man by that time. Many believed that travelling any faster would cause us to turn to mush, and that trains would never be able exceed around 40mph. In Britain, of course, this prediction turned out to be largely accurate, but for very different reasons.

bird

And what is it about flying cars? Half of the predic­tions about the future of transport seem to involve them. Over 30 patents for flying cars have been filed in the United States alone; the first was the Curtiss Autoplane of 1917. The most credible was probably the Convaircar of 1947, a light­weight, stream­lined coupe with a detachable wing and propeller unit that could be left at the landing strip, allowing the car to be driven as normal. Built by an estab­lished aviation firm and the work of Henry Dreyfuss, one of America’s greatest indus­trial designers, the Convaircar completed several long test flights but later crashed. The bad publicity and high price — around $1500, plus wings — killed the project.

flyers

That radio­active Ford was called the Nucleon: revealed in 1958 it had its own on-​​board nuclear reactor and was good for 5000 miles between uranium fill-​​ups. Quite what would happen in the event of a heavy shunt was never really examined. Other examples of future-​​gazing Ford silliness include the ’61 Gyron, a two-​​wheel car balanced by a gyroscope, and the Leva Car, which was effect­ively a 500mph hover­craft with no brakes. Needless to say, neither actually functioned. The best-​​known Ford concept of the period is the ’55 Lincoln Futura. Built by Italian coach­builder Ghia and fully driveable, it was sold to Californian ‘kustom-​​kar’ builder George Barris and rotted in his yard for years before he painted it black and turned it into the Batmobile in ’66.

Harley Earl's explorations at GM were hugely influential

Harley Earl’s explor­a­tions at GM were hugely influential

But despite his self-​​deprecation, Harley Earl regularly almost got it right. His greatest concepts were the three Firebirds, shown between 1954 and ’58. Like other designers of the jet-​​age Earl was obsessed with aircraft. Unlike the Convaircar the Firebirds couldn’t actually fly, but they looked like they might; all had jet-​​style fuselages, gas turbine engines and Firebird III had seven fins and separate bubble canopies for driver and passenger. But in some respects these concepts really did predict the cars we drive today, with light­weight titanium bodies, keyless entry, rear reversing cameras and features that bear a remarkable simil­arity to modern sat-​​nav, I-​​drive and collision-​​avoidance systems.

Mr Barris may have known how to pen a cool car, but his jackets rocked too

Mr Barris may have known how to pen a cool car, but his jackets rocked too

The latest attempt to predict the future is the Government-​​commissioned Foresight report on transport in 2055. It sets out a series of different scenarios, which include everything from self-​​driving mobile offices to driverless buses we summon by PDA. Its gloomier predic­tions see a dystopian world in which journeys are rationed by carbon credits, and ‘tribal’ communities compete for energy resources after oil runs out, the banking system fails and society collapses. Maybe you ought to switch off your computer and go out for a drive, while you still can.

But we’d rather look to the future with a little of that fifties optimism. There’s no question that the car will be forced to change quickly and radically, whether through excess carbon dioxide or insuf­fi­cient oil. The race to find a replacement for petrol and diesel engines is being run right now, but it’s a marathon rather than a sprint, and the new techno­logies that seem to be in front now might not even make the finishing line.

Is the Tesla Roadster an exciting glimpse of a potentially sustainable automotive future – or little more than a rich man's trifle?

Is the Tesla Roadster an exciting glimpse of a poten­tially sustainable automotive future – or little more than a rich man’s trifle?

But we have been able to test all these competing new techno­logies, if only in prototype form in some cases, and they’re mostly exciting. Take the Tesla Roadster, the all-​​electric supercar you can actually go out and buy now, albeit at an eye-​​watering six-​​figure price tag. It will out-​​drag some Ferraris and Lamborghinis to 60mph, its absurd, instant, warp-​​drive accel­er­ation made to feel all the more Star-​​Trek by the silence in which it’s produced.

Or there’s the Honda FCX Clarity, the world’s first ‘commercially-​​available’ hydrogen fuel cell vehicle. It’s a sexy, stream­lined four-​​seat hatchback with a decent boot and a useful 270-​​mile range. 200 lucky customers will get to lease them, though at a very heavily subsidized rate: the tech is still too expensive to go on sale.

1958- Harley Earl with  GM Firebirds I-II-III

But the cost is steadily declining, and when it comes down far enough for Honda to sell them alongside – or maybe instead of – its regular line-​​up by around 2020, we’ll all get to exper­ience the entirely new kind of driving pleasure it offers. It doesn’t rely on noise or speed or image: it simply marries the same uncon­strained mobility we enjoy now with the utterly guilt-​​free conscience that comes from emitting nothing but water from the tailpipe. And it’s as silent as the Tesla; inner and outer peace combined.

The future of motoring – or an ultra expensive dead-end?

The future of motoring – or an ultra expensive dead-​​end?

Will hydrogen be the fuel of the future? We’ll heed Harley’s words, and won’t make that prediction. But we’ve been to the future, and can report back that it might not be as bad as some think.

Star Trek's colourful imaginary inspired many an American vision of the automotive future

Star Trek’s colourful imaginary inspired many an American vision of the automotive future

24 Hours of LeMons

Monday, November 23rd, 2009

24Hours_1

In the western states of America, with more space and cheaper fuel than the rest of us, a bunch of good old boys have been carrying on a nice little altern­ative endurance series that owes more to banger and stock car racing than the elegance of cocktails on the Mulsanne. The 24 Hours of LeMons, in an age where the beauty and utility of old cars are under­valued by officialdom, is just the sort of thing we want to bring to these islands.

Each LeMons race is for cars purchased, fixed up, and track-​​prepped for a total of 500 dollars or less. But before reaching the grid, drivers have to survive trials like the Personal-​​Injury-​​Lawyer Anti-​​Slalom, the Marxist-​​Valet Parking Challenge, and the Wide Open Throttle Rodthrowapalooza.

Twelve hours into the race, the car voted People’s Choice is called in and awarded a cash prize; simul­tan­eously, the car voted People’s Curse is called in and summarily destroyed. At the end of 24 hours, a gala awards ceremony plies the survivors with trophies, plaques, and four-​​figure purses in canvas bags full of nickels.

Races are scheduled all though next year, from Texas to California and back again. When will they bring the series to the UK? I have at at least two cars fully prepped and ready for entry. Check out the victory parade for some inspiring mods.

Camaro SS: '69 Indy Pace Car

Tuesday, September 1st, 2009

1969_Pacer

Now we might be accused of being a little obsessed at Influx towers with the year 1969. But dammit, it seems that so much cultural products of that very special year remains continually inter­esting, and spangled with the elusive stardust that is known as COOL.

The 1969 Camaro was chosen as the Official Pace Car for the 1969 running of the Indianapolis 500 and as the Official Car of the ‘500’ Festival. This was a repeat performance for Camaro since it had also been chosen as the 1967 Pace Car. To help them stand out on the large expanse of track, the 1969 pace cars were designed to be visible: Dover White RS/​SS convert­ibles with Hugger Orange Z28 style stripes and orange hound­stooth cloth seats.

All the deep info available on the video. But we just dig the car for it’s don’t give-​​a-​​crap attitude.

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Phantom Corsair

Monday, June 1st, 2009

corsair

The 1938 Phantom Corsair American heir Rust Heinz $24,000 to build — that’s $300,000 today — and he hoped to sell production versions for half that price. Unfortunately the ketchup king passed away shortly after this single prototype was made.

As for the Phantom Corsair, its futur­istic design was a huge influence on the designers of the day and many of its features would find their way onto production cars decades later.

The sweeping lines influ­enced the postwar gener­ation of American carmakers, whose techno­lo­gical chops had been hammered on the anvil of WW2.

The Corsair was only 147 cm high, the steel and aluminum body had no running boards, bumpers or door handles. You opened the doors using buttons on the outside and on the dash.

The chassis as well as the V8 engine was from the Cord 810, one of the most advanced designs of the 30s with front wheel driven, electrically operated four speed trans­mission. Running gear was independent and adjustable, and the super­charged engine could produce around 190 BHP.

The Corsair may have been a dream that died with its inventor, but the priceless orignal survives to this day in the National Auto Museum in Reno Nevada, as testament to an unmatched vision of an automotive tomorrow.

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Hot Rod Rebel

Wednesday, May 20th, 2009

landscape_11

If any car is quint­es­sen­tially Californian, then it is a tradi­tional bucket-​​bodied hotrod. And it doesn’t come much more tradi­tional than Guido Brenner’s stunning metal­flaked ride. Guido built the car he calls ‘the stinkin’ hotrod Lincoln’ from the ground up, piecing together an original steel body from a 1923 Model T Ford, a frame from a 1930 Model A. The rear end comes from a 1939 Mercury and the grille is from a 1937 Cadillac “She’s a real Mutt, Guido tells me, and while the finish is not 100 perfect, to me that is perfect, because she’s a tradi­tional hot rod and in the ‘twenties there was no such thing as perfection.

The beast was hot out of the paintshop when I met Guido and car outside the Armory in San Francisco, where he works as the resident petrol head.

portrait_x1

The thing about the Hot Rodding community here in California (and pretty much all over the world), is that knowledge is hard-​​won, and passed down from person to person. At least the good stuff.

Some of the old guys don’t let everything out, you know, but I was able to prise out the sort of info about which frame might go with the right rear end, and what trans­mission would work with any particular engine.”

One thing is sure, weighing in at just a little under 1000lbs with an V12 flathead engine from a 1941 Lincoln Zephyr, the little ride flies. “It’s not too loud when she’s idling, he tells me, but when I put her out on the freeway it just roars, man!”

The idea of such a huge V12 (with pistons that are actually pretty small), was that it could produce a smooth but long-​​legged ride, perfect for longish distance cruises to car shows and club meets.

There is an extensive network of car clubs here in the Bay Area. I’ve been kicked out of two of them.”

The perfect rebel car for the perfect rebel rider.

portrait_11

If you do have a Hot Rod, call Adrian Flux for your insurance on 0800 089 0050.

The Art of Scott Pommier

Tuesday, May 5th, 2009

Toronto-​​based photo­grapher Scott Pommier began his photo­graphic career pointing his lens at skate­boarders. But more recently the biker culture of North America has found a pleasing home in his viewfinder. Scott’s biker pictures document the new media-​​sussed gener­ation of revhead that’s stalking the continent on stripped-​​down customised machines. In look and feel lines appear blurred between the realms of straight-​​ahead documentary and the cool aesthetic of fashion. The bikes take centre stage meanwhile, as totems of American freedom.

We spoke to to Scott and hit him with six simple questions.

Why photo­graphy?
It sprang from my love of skate­boarding. I used to flip through skate­board magazines endlessly. I didn’t really read them, I just looked at the pictures. Pretty early on, I decided that if I couldn’t make it as a profes­sional skate­boarder, being the photo­grapher would be pretty cool too. I think I may have wanted that to be my retirement plan after skate­boarding, I never quite got good enough to crack the pro ranks, so I got started on my retirement plan early.

Why motor­cycles?

You know, it’s actually the one part of my life I try not to really scrutinize or question. They don’t make any sense. I just wanted one. I remember visiting Vancouver when I lived in Toronto, and some friends I had out there had bikes. We were at the skatepark just getting ready to leave and they jumped on their bikes and I had to follow in my car. I felt like I was really missing something. that was when the seed was really planted.

Why Harley Davidson?

I didn’t start off looking to get a Harley. I just wanted a bike. I didn’t have anyone to ask about bikes so I just flipped through a cycle trader, and I’d just look through, and think, no…no…no, oh, that one I like, what’s that one. and it was always the sportsters. That was all I could afford, but they also just looked like a plain motor­cycle. I liked that. There were also lots of them around. It was big enough to take on the freeway, but it looked managable. When I moved to vancouver, all my café racer riding friends sorta rolled their eyes when I showed up with a ‘Harley.‘

V-​​Twin or V8?

As much as I like juice that tastes like Campbell’s Soup, nothing quite sounds like the rumble of knucklehead.

Canada or America?
I have a great fondness for each. Canada is home but America is home to a lot of my favourite things.

Film or digi?
Film by a mile. Shooting with a digital camera is a consession that I make when it’s necessary, when film is really not an option, but everything that I shoot for myself is on film. a lot of people have discussed and debated the pros and cons, there’s nothing I can really add to the conver­sation. But I know what’s right for the pictures that I want to take.