Posts Tagged ‘Art’

Calder and the CSL

Friday, February 26th, 2010

Now I know we might be accused of becoming a little obsessed with the rakish lines of the BMW CSL of late, and that we also bang on a little about the relationship between art and the car.

But indulge us on a little bit of Friday morning admiration.

Imagine being able to make a living from a) driving cars quickly, and b) from painting colourful creations, making mobiles and innovative scultpures in all the colours of the pallete. That's one thing that seem to us a healthy aspiration.

When you combine these two things, then something special just may happen.

When French gallerist and racing driver Hervé Poulain commissioned American born avant garde artist Calder to tag up his CSL in 1975, it was a stroke of genius in itself.

Calder's art was all about movement and colour in space - the man was after all in credited with the invention of the now kid-bedroom-standard 'mobile'.

Three strokes of genius. BMW's Poulain's and Calder himself.

That's what we call the art of the motor.

The Art of the Car (dboard)

Wednesday, February 17th, 2010

Italy-based British artist Chris Gilmour has to be one of the most meticulous cardboard engineers in the world.

His renderings of everything from a ’32 Ford Hotrod to the classic Cinquecento – and from a Vespa scooter to the delectable Aston Martin DB5 –make the strength of the original designs all the more powerful.

“The objects call up memories and emotions connected to our experience of these things…” the artist told an interviewer recently, “…many people assume that the works were ‘real’ things that had been painted or covered in paper”.

There is indeed a very strange leap in your mind when you first see Gilmour’s work. The cardboard cars seem to us a poignant homage to design and engineering values that are lost somewhere back in the twentieth century.

The fact that these pieces are made from materials regarded often as useless only adds to their power. They feel almost like a lament for devalued mechanical beauty.

http://www.chrisgilmour.com

LA Crash

Monday, February 1st, 2010

crash injury

No city in the world is more geared toward the motor car than Los Angeles.

It's a commonplace to discuss the fact that the vast majority of Angelino interactions take place through the windows of a car; that no one walks the streets except for the homeless and the insane; that the gridlocked future is happening right now in LA.

Mirko Martin, who originally hails from Germany, has been photographing the dystopia created by a city's over-reliance on cars since 2006.

There are 55 photos to date in his LA Crash series – and as well as featuring the twisted wreckage of Detroit steel, some of the most interesting images focus on the human reactions to mechanical collision.

Captured by chance encounters on LA's strangely familiar streets (you've seen them on a thousand  cop movies), they nonetheless appear as if stills from a movie set, bathed in the hyper-real light light of  Hollywood.

For the complete set, go to:

http://mirkomartin.com/lacrash001E.htm

taxi accident

Joe Goode’s Car Calendar

Wednesday, January 27th, 2010

Joe Goode car calendar

We at Influx towers are always looking at interesting ways of presenting stories of people and their cars.

And in the daily hunt for things that inspire us, we recently stumbled upon Joe Goode's simple but lovely way of presenting a calendar.

The piece dates from the end of the  1960s. All he did was photograph twelve of his friends in a simple square format in their cars. There's nothing particularly interesting about the individual photos in themselves. For a while we were scratching our heads trying to work out what is so nice about this little piece of incedental automotive art.

Then, it dawned on us. What makes this little piece of interesting is the variety of design in each individual car. That individuality seems to reflect and feed back upon the personality of the person sitting in the car.

The obvious question is: if you attempted to replicate this project in twelve straight-ahead contemporary cars, would the piece be half as interesting?

Rest assured in a spirit of experimentation we're going to try to do just that.

Watch this space for 2010 update of Joe's forty year old offering.

Art Car Parades

Wednesday, December 2nd, 2009

acp_manchester

More reasons to believe that cars are not only works of art in themselves, but a legitimate subject for artists who might normally not give a hoot about the beauty of industrially-wrought movement.

Walk the Plank’s illuminated Art Car Parades took over Manchester’s streets last Thursday (26th) and in Edinburgh on Saturday the 28th November.

Ben Wilson was one of three artists to be awarded commissioning money to create a mobile work of art, which joined the existing troupe of vehicles.

Ben's ARTIKCAR (below) is inspired by a child’s wooden toy car. The Pedal Powered vehicle is made from steel tubing, it steers by leaning and uses an innovative technology to illuminate the car.

The illuminated Art Car Parades have been created and produced by outdoor arts specialists Walk the Plank Supported by Art Council England and will be presented in association with Manchester City Council and Edinburgh’s Homecoming celebrations.

Artkar_Parade_1

Evolution of a Classic: The 911

Wednesday, November 18th, 2009

1963 911 by Barbara Hulanicki

When the 911 first appeared at the Frankfurt show in the autumn of 1963, it was slated as a simply a better-handling, sportier replacement of the 356. Little did anyone realise that the 911 would become a symbol of all the good things about postwar Germany – and an enduring totem of discerning automotive design. From the swinging sixties to the nefarious noughties: the 911 has swung with a rear mounted, flat six engine.

porsche-74-boosted_Flip

The 1974 911 RS by Celyn

1974. Mankind had had enough of landing on the moon, Patchoui oil eased the come down from years of psychedelic abuse. Glam and prog rock was littering the airwaves and Britain had been plunged into the darkness of the three day week. The hair and flared music might have meant to cheer us up, but Porsche meanwhile upped the 911 ante with the introduction of the RS. The ducktail rear spoiler and a more race-oriented aspect was the aesthetic development, but it was bolstered by extra power and reduced weight with a thinner gauge steel and spartan interior. Fast, glamorous and almost absent from Britain's skint streets.

CraigsPorsche


1979 911 Turbo (930) by Craig Robinson

1979 was an epoch making year. In Britain Callaghan's government fell in the winter of discontent, the British public thereby installing Margaret Thatcher to power. The decade to come would see some of the most tumultuous cultural fractures of the century, but at the end of the seventies the quakes were stirring. In California a very young Bill Gates was negotiating his deal to tem Microsoft to IBM and Porsche introduced the first workable production Turbo charger. Generations of young boys have since lusted after a Porsche Turbo, and every manufacturer has attempted to ram it's engine full of wheezy power. Porsche did it first, and did it best.

Porsche_lowres

1987 Porsche 911 (959) by Arn0

In the mid eighties, greed was good. Not going to bore you with tales of stock market excess. It all went horribly wrong, but back in the eighties, it all seemed possible. Gordon Gecko would have dug Group B Rally, and so did Porsche. In a bid to qualify for the most outrageous motorsport ever homologated, Porsche began to develop a composite-shelled, twin-turboed hypercar with trick suspension and a dynamic design straight out of Battlestar Galactica. The 959 retailed at around a quarter of a million US dollars, but the company still made a huge loss on each unit. Yes, this was the Veyron of its day, and remains an incredibly fast child of its excessive times.

PORSCHE_GT3_Rs_web

2010 911 GT3 RS by Jane Anderson

2010. The credit crunch has assumed the texture more of smooth nougat than the hard honeycomb of 2008. You escaped the swathe of redundancies by switching from local derivative trading to a hedge-fund management firm. Bonus back in place, you decide to invest in the purest, meanest, most definitive Porsche 911 ever to have been produced. The GT3 RS brings all the threads of the last forty five years. Purity of purpose. Simplicity of design. Exactitude of engineering. And what's more, it's faster and more lairy than nearly all of the 911s that went before. Welcome to the future.

The Art of Shusei Nagaoka

Tuesday, November 17th, 2009

Cordia_3

Remember orchestral disco music? Remember prog rock? Well, if not, let me clue you up. Both of these much-maligned forms was characterised by the wearing of outrageous costumes, the rocking of over-long solos and excessive hairdos. That, and a strange aesthetic affinity with Science Fiction.

Think Russell Brand crossed with Bill Bailey, and you're getting close.

Acts who made it big in seventies, like Earth Wind and Fire, Deep Purple, The Sylvers and ELO all bought heavily into this look and feel.

And one of the chief arbiters of the look was Japanese artist Shusei Nagaoka.

Mitsubishi_Cordia

It comes as no surprise then, that the great man's delectably colourful airbrush work was utilised by the Japanese car industry.

I stumbled upon these ads for the Mitsubishi penned by Nagaoki: they formed part of the campaigns that promoted the Starion and the Cordia to be exact. Wether the relativel conservative design of each of the cars justified such outrageously colourful backdrops or not, we'll leave up to you.

Cordia_2

Either way, you've got to respect a man that can reimagine such a workaday design into the future, deep in space.

Thanks to Pink Tentacle for the scout.