Posts Tagged ‘Austin’
Thirty Reasons...
Friday, July 16th, 2010Stars of the Seventies
Friday, July 16th, 2010A few more muscle cars trickled out in ’71, but the Superbird’s massive rear wing marks the literal high-point of muscle car design, and also its swan-song.
1971 Lamborghini Countach concept

Why are all the best supercars – McLaren F1, Bugatti EB110 – launched into the teeth of recessions? Fortunately, the Countach’s incandescent styling meant it lasted into the nineties.
1972 Volvo VESC

This ESV embarrassed some of the bigger players who had taken a distinctly lax approach to their buyers’ health. Volvos have sold on safety ever since.
Just bloody awful: epitomized everything that was wrong with the British car industry. Some say there’s no such thing as a bad car now, but there was back then.
There had been hatchbacks before, but none looked as good, or mixed premium feel with affordable price like the Golf. Set the template that family cars still follow.
‘911’ and ‘Turbo’ put together have always seemed slightly tautological, and were certainly terrifying in these early cars. But 35 years on they’re still being made.
William Town’s insane styling is one of the stand-out designs of the decade. Digital dash and computer-controlled everything meant they broke down as much as they stood out.
At the Turin motor show Giugiaro unveiled a concept that would spawn not just a new car, but a whole new type of car.
It might have been launched in 1980 but the Audi Quattro – full of brawn but laced with new tech – was the ultimate expression of seventies automotive ethos. A truly modern performance car; still sensational to drive, and still inspiring current fast cars.
Cool Cars, Cool Music
Thursday, February 12th, 2009
OK we’re on a mission. It’s a geeky, music and car obsessed mission. The mission is to find the coolest album cover ever that has a car on the cover. There are of course absolutely thousands of artists over the course of rock music history that have chosen to feature motors on the artwork of their albums. What that means about the relationships between cars and music is anyone’s guess. No matter. For the purposes of this mission we’re looking for a combination of superb motors, superb artwork and superb music.
For hands-down non-negotiable cool, Donald Byrd and his famous Blue Note design has got to be one of the best examples ever. We know it’s the almost carnally-appealing Jaguar E-Type he’s leaning on, but can you tell the exact year and model? Answers from you experts on the comment boards please. The classic design is one of the most well known of the New York label’s groundbreaking art from the sixties and seventies, and set the standard for packaging design in the music industry as well as unbeatably slick sounds in the studio.
In sharp contrast to Donald’s achingly cool stance, check punk industrialists Throbbing Gristle’s jarringly conservative representation of a Morris Oxford. The Gristle have been known variously for the unnerving nature of their transgender front person Genesis P-Orridge and their seamless three hour sets of industrial noise, which make them about as MTV-friendly as a kick in the arse. The Gristle rock, and so does this album art.







































