Posts Tagged ‘Bikes’

The Cooling of the Classics

Friday, July 10th, 2009

A TONGUE-​​TIP TASTE OF CLASSIC BIKING: SAN FRANCISCO STYLE
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The thing is with modern bikes, is they’ve got no soul.” Rob, proprietor of the Ace Café in San Francisco’s Mission district, presides over one of the hubs of neo classicism of San Francisco’s biker community. “There’s nothing like a bit of English Iron to get the adrenalin going…” he laughs.

Rob is a twenty five year émigré from Liverpool who cherishes his accent as much as he does his hard won beer and wine license from the city of San Francisco. As he tells me this, he puts another beer down on the bar as another pod of black leather and denim-​​clad young bucks with sculpted features and a Friday vibe stream into the Ace.

On the walls are a series of homages to classic bike scenarios, Manx vistas, racer portraits, retro oil ads and admon­i­tions to the young and the reckless in the shape of back-​​to-​​back loops of On Any Sunday. “ Sure I’ve ridden Jap bikes, owned tons of them. But I keep going back to British machines, as well as the odd Italian. They’ve got something more to them than loads of revs and loads of technology.”

And Rob and the crew at the Ace are just part of a huge movement toward classic European bikes here in San Francisco. But the hipster capital of the world, ubiquit­ously wired, post ironic and self styled capital of the American left field, is at the vanguard of a global phenomenon that has as much to do with disil­lu­sionment as it has to do with a regen­er­ation of fashion sensibility.

Tony is a salesmen at Munroe Motors, on Valencia Street in the Mission, just round the corner from the Ace. “It’s unbelievable how popular Ducatis and Triumphs are becoming these days, “ he tells me as the slanted Californian light glints beauti­fully off the acreage of European steel lined up deliciously in the Munroe shopfront. “I think that it’s because people realise now that bikes are not only brilliant value and are relat­ively envir­on­mentally friendly, that European they are more craft-​​oriented and mechan­ically accessible than super high-​​tech bikes from Japan.”

But under­lying this trend toward getting back to mechanical integrity is an under­current of romance, an aesthetic rejection of all things electronic and over-​​designed. “As soon as I got on a Ducati I knew I’d never go back” Crash tells me. The worry­ingly monikered twenty eight year old graphic designer (who is also a bike riding instructor part time), and tells me of the beauty of his Ducati Classic Sport S (above).

In a sense the return to the classic in Biking in San Francisco is a nod to the general zeitgeist. While bikers will always be petrol­heads at heart, jump on a classically propor­tioned machine with passionate design and minim­alist electronics and you’ll evoke a simpler, less guilt ridden time when getting from A-​​to B was not only about having as much fun as possible, but was also about hand wrought, hard won expertise. In San Francisco biking parlance, Classic means European, and European means style. In San Francisco, the classics have been well and truly cooled. And what happens in USA happens soon amongst the Eurotrash. Watch this space. And fire up that Triumph.

Deus Ex Machina

Tuesday, May 12th, 2009

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Australia’s image, even deep here in the heart of the 21st century isn’t really compatible with artful postmod­ernism. Nor is the motorbike itself partic­u­larly associated (in the UK at least) with the tendency to fetishise the object.

Our biking tradition is funda­mentally stained happily and perhaps eternally with the greasy rag. Free born Brits love bikes and dig the aesthetic of two wheeled speed – but the reflection tends to begin and end with the practic­al­ities of saddling up and riding hard.

Contrast our died-​​in-​​the-​​wool mentality with the way of approaching bike culture as typified by our antipodean friends at Deus bikes in Sydney.

Part design studio, bike workshop, part café (the type that serves lattes rather than fried brekkies), Deus is a self-​​conscious temple of all things bikey. They will sell you a classic bike and accom­pa­nying paraphernalia, and will design and build with you your very own bespoke mutant, from Café clones like the one pictured above) to Steve McQueen-​​ish Desert racers and back again.

The whole idea is the brainchild of a trio of Aussie creative ruffians, one of which helped create the icono­clastic, explos­ively successful and delight­fully subversive surf/​street brand Mambo.

Whatever English biker purists might think of it, these guys have tapped beauti­fully into an increas­ingly popular creed of inter­na­tional classic bike enthu­siast who appre­ciates the beauty of motor­cycle culture design and engin­eering at a whole other level.

Placing the retail Deus exper­ience in a beauti­fully designed space will generally helpfully migrate your passion for the classic side of motor­cycling to the realms of high culture.

Power to their leather-​​patched elbows. And make mine a mocaccino.

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Electric Superbikes!

Friday, May 1st, 2009

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Whilst calcu­lating the emissions totals for our ongoing roadtrip in Scotland with a Landrover Discovery, we came across a news story about the world’s first fully emissions free superbike GP, which is scheduled for the Isle of Man this summer.

Problem is with electric powered bikes is, of course, the weight of the batteries. Size and heftiness has always made it difficult to make a nimble and aesthet­ically pleasing machine. Things might be moving on, however.

The bike pictured is the GP entry from Imperial College, London. Sponsored by Valence techno­logies (the folk who make the batteries), the bike will be ridden by Chris Palmer, three-​​time overall race winner at the Isle of Man TT. Chris also holds the lap records for the Billown Circuit and Mountain Course for the Ultra-​​Lightweight TT class.

The bike weighs in at 290kg and has a peak power output of 50hp, with the ability to accel­erate from 0-​​60mph in 4 seconds and go on to a top speed of 100mph. It has an impressive range of up to 150 miles. The electric motors have been mounted towards the rear, with the batteries occupying space previ­ously occupied by the engine and fuel tank, meaning the bike benefits from a lower centre of gravity.

The TTXGP will be integ­rated into the usual bonkers TT schedule in June, and will probably be giggled at by the hairy arsed grease­monkeys of the internally combusted pursuasion.

But surely, dragging your knee round the Island with nothing but the sound of benign whirring to disturb your flow would appeal to purists of the art of fast biking. Wouldn’t it?

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