Posts Tagged ‘Cafe racers’

The Art of Racing

Monday, April 26th, 2010

Stumbled across this really attractive line work over the weekend. Reminds us of what is often overlooked about the popularity of classic race bikes: their simplicity.

Illustrator Gianmarco Magnini evokes the raw, purpose­fulness of a racing classic in the lines and the duotone that he uses in his designs, which are available as collectible prints through his site.

There is a really strong graphic history of bike culture and in motor racing in general. And it’s not surprising. ‘Go faster stripes’ are essen­tially dynamic graphic art that have evolved to reflect the power and the glory of moving with mechanical speed.

Stick them on an under­powered family runabout and they’ll look stupid. But combine go faster stripes with stripped-​​down, purposeful design and you’ve got a classic racer.

German writer Sven Voelker recently published a very inter­esting book on the subject. A cool graphic paint job is as much about intim­id­ating the oppos­ition and inspiring the racing team to victory as it is about pure aesthetics.

New Book on the Cult of Café Racer

Tuesday, November 10th, 2009

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Of all the publishing houses dedicated to culture of cars and bikes, Veloce is surely the most prolific. This time, they’ve come up with something no bike obsessive and consumer of culture will be able to resist.

Alastair Walker’s book is a look back at the glory days of the Café Racer, from Friday night gatherings on London’s North Circular road, through the street specials craze of the Seventies, to the modern day revival.

From its roots in the ’59 Club, home-​​brewed specials and the creation of the Triton by Dave Degens, the Café Racer became the must-​​have Rockers’ motorbike. It then became the template for a new gener­ation of fast road riders in the 1970s, with the rise of Dunstall, Rickman, Seeley and many more bespoke bike builders.

The big factories jumped on the bandwagon too. Machines like the Moto Guzzi Le Mans Mk I, Ducati 900SS and the MV Agusta 750S all captured the spirit of the Café Racer. Then the slick, super fast, Japanese sport bikes of the 80s came along, and looked set to consign the Café Racer special to the history books.

But a revival had to happen. The Ace Café London re-​​opened, bike builders as diverse as Wakan, Fred Krugger, Nick Gale and Roland Sands all began to create lean, back-​​to-​​basics motor­cycles, but with their own unique twist on Café Racer heritage. From the Buell 1125 CR to the Guzzi V7 Sport, mainstream modern bikes have also re-​​discovered their street racing soul.

This is required reading for lovers of bikes with a beating heart.

image courtesy Deus Ex Machina.PAckshot

Deus Ex Machina

Tuesday, May 12th, 2009

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Australia’s image, even deep here in the heart of the 21st century isn’t really compatible with artful postmod­ernism. Nor is the motorbike itself partic­u­larly associated (in the UK at least) with the tendency to fetishise the object.

Our biking tradition is funda­mentally stained happily and perhaps eternally with the greasy rag. Free born Brits love bikes and dig the aesthetic of two wheeled speed – but the reflection tends to begin and end with the practic­al­ities of saddling up and riding hard.

Contrast our died-​​in-​​the-​​wool mentality with the way of approaching bike culture as typified by our antipodean friends at Deus bikes in Sydney.

Part design studio, bike workshop, part café (the type that serves lattes rather than fried brekkies), Deus is a self-​​conscious temple of all things bikey. They will sell you a classic bike and accom­pa­nying paraphernalia, and will design and build with you your very own bespoke mutant, from Café clones like the one pictured above) to Steve McQueen-​​ish Desert racers and back again.

The whole idea is the brainchild of a trio of Aussie creative ruffians, one of which helped create the icono­clastic, explos­ively successful and delight­fully subversive surf/​street brand Mambo.

Whatever English biker purists might think of it, these guys have tapped beauti­fully into an increas­ingly popular creed of inter­na­tional classic bike enthu­siast who appre­ciates the beauty of motor­cycle culture design and engin­eering at a whole other level.

Placing the retail Deus exper­ience in a beauti­fully designed space will generally helpfully migrate your passion for the classic side of motor­cycling to the realms of high culture.

Power to their leather-​​patched elbows. And make mine a mocaccino.

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The Cult of the Café Racer

Tuesday, April 28th, 2009

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Ok, I know. A true café racer shouldn’t have anything as preten­tious as a French accent anywhere near it. And alright, I know as well that at least the engine on a true ‘Caff’ racer should have been milled in the greasy environs of the West Midlands. But there was something about this image of a German man on his caffed up Honda CB500, liberated from a US-​​based enthu­siasts’ site , that summed up what my idea of a customised street racer out of the classic mould should be.

The whole idea of a café racer, of course, comes from the fifties, when greasers lathered up into a frenzy by Gene Vincent records from a transport café’s jukebox, would race from round­about to round­about for kicks. The obvious need to stay clear of alcoholic beverages meaning that a nice cuppa char served in your average transport café by the side of a British A-​​road was much more conducive as a meeting point than a local hostelry.

The classic café racer was a bike that had been modded for quickness surf-​​footedness — fifties and sixties examples aped the homologated road racers of the time. Long, flat stripped or chrome fuel tanks and small, one man seat right at the back of the frame were the most visible leitmotifs, along with dropped, ‘clip-​​on’ handlebars. The defin­itive machine in the early years was a hybridised beauty that was the progeny of a Norton frame and Triumph engined machine called “The Triton” (Triumph and Norton, geddit?).

The café racer cult has since the days when they were simply stripped-​​down mods, become a scene in itself, and acolytes of the scene fetishise all that is utilit­arian – even though it is often filtered through the lens of youth cult and the fashion business. Whatever the roots and the rhymes and the reasons, there’s something about the classic set up that brings us out in the need for English iron and unadul­terated grease.

Stay tuned for a fleshed out feature on our favourite sort of motorbike.

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