Posts Tagged ‘Citroen’

Citroen DS Wagon

Monday, September 19th, 2011

There’s a subtly and sophist­ic­ation in the great, grand design of the DS that makes so many contem­porary attempts at stylish automotive pennery look sophmoreish in the extreme.

When thinking about the goddess, though, we can’t help musing about what a brilliant addition to anyone’s life an estate version would be.

Apparently the stretched version of the DS was known as either the ‘Safari’, ‘La Familiale’ or plain old ‘Wagon’.

But whatever you named it, there was a grandeur to the vision of the DS that had everyone from the man in the street to high falutin’ philo­sophers like Roland Barthes frothing at the mouth.

We can see what all the fuss was about.

So much was changed by the vision of the designer of these amazing cars — and to this day they can turn heads and take the breathe away.

Analogue Auto ABCs

Monday, April 4th, 2011

Of all the inter­esting stumble-​​upons that we have, er, stumbled upon recently, we think this beautiful little set of drawings is up there with the best.

Published in France some time in the 1960 the book is a a nice example automotive art before the Apple Mac came and swept pen and crayon aside forever.

We haven’t been able to find much in the way of info about who author or publisher might be. Perhaps some of our readers who fetishise automotive ephemera might be able to help with that.

We reckon this pre-​​digital showcase of line and colour has a colourful vibrancy and fascin­ating appeal that is lacking in a lot of the contem­porary stuff…

thanks to The William Brown Project

Gabriel Orozco

Monday, February 14th, 2011

On the day that the world finally gets to read journ­alists’ first hand accounts of what the new British supercar is actually like to drive (see Influx writer Ben Oliver’s splendid account of hanging with the MP4 12C and Jenson Button here) we thought we’d focus on an incredible piece of Franco-​​Latin artistic imagin­eering , rather than the genius piece of passionate engin­eering released today from the boys at Woking. Call us contrary, but there you go.

Gabriel Orozco is a sculptor who’s a bit on the whacky side. He likes to take everyday objects – cat-​​food tins, yoghurt lids etc – and alter them, ever so slightly, to reveal something different about them: to find a way of seeing.

Take his Citroën DS that he sliced into thirds and removed the centre to exaggerate the little Sixties motor’s stream lining. Why? Because as a child the artist – seduced by racing and fast cars – imagined that any car could be faster if only it were a little thinner.

In the way of all artists this piece is shrouded in layer upon layer of context. DS is pronounced déesse, meaning goddess in French. The result is a sculpture that is at once clunky and sleek, in limbo somewhere between Noddy’s ride and a light­ening quick aerody­namic Formula 1 car.

Curious? Pop along to London’s Tate Modern to witness the beauti­fully spliced freak before April 25.

Stussy Does Cars

Wednesday, January 5th, 2011

West coast designer surfer Shawn Stussy has made a veritable industry out of hip-​​hop favoured steez. But he has also been known to be an aficionado of coolness when applied to cars.

His well viewed blog has for a long time now been a regular go-​​to when trawling the WWW for inter­esting material. But we had to make extra special note when we came across the great man’s latest line of T-​​Shirts.

Might be too late for Christmas lists by now, but hunt these beauties down if you want to represent you passion for motors.

What next for WRC?

Tuesday, November 16th, 2010

Hold the front page! This weekend French savant Sebastien Loeb won the final stage of this year’s WRC in the Forests of Wales.

It may not be exactly a surprise, but it is fitting that the man who has dominated the sport’s current formula should finish the season on top — because the two litre turbocharged setup that has been at the forefront of world rallying is to end this year.

The changes are detailed at the WRC’s site here.

Beyond the techno­geekery, it seems that the changes are not exactly revolu­tionary, to say the least.

If only, though, the FIA would bow to every petrol head’s secret wish — and bring back the brutal and dangerous group B phenomena that charac­terised the sport’s spectacular apogee in the 1980s.

We can’t corrob­orate our claims that the reintro­duction of the no-​​holds-​​barred formula would represent universal appeal and put the sport at the forefront of things once more — but we reckon there is a massive constituency of folk out there who would love a return to balls-​​out bonkersness.

After all, without a modicum of danger, and a whiff of brutality, isn’t motor­sport a contra­diction in terms?

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Geneva Salon Roundup

Monday, March 8th, 2010

The 918 takes the classic Spyder fomat and plugs it into the 21st century

I’m not the greatest lover of motor shows. They’re all titil­lation and no consum­mation. I’ve never really under­stood their appeal in the same way I don’t get strip clubs. Just looking at cars is the same as looking at an attractive member of the opposite sex; very pleasant, as far as it goes, but you only get about ten per cent of the pleasure that should be had.

And it may be also that motor shows will wither away. The British show was once one of the most important but has effect­ively died off. Even the mighty Detroit, Tokyo and Frankfurt shows have been clobbered by the recession: non-​​attendance by a big carmaker at one of those was once unthinkable, but as the recession struck they bailed out in such numbers that last year’s Tokyo show was almost cancelled.

But it’s superfast broadband that might finally kill the motor show. Why would you travel for hours to a grim part of town to traipse around a draughty exhib­ition hall when you’ll be able to download hi-​​def, 3D renderings of the latest models which you can configure with your choice of colour and trim, look at without the backs of other people’s heads getting in the way, and then get into (virtually), start up and drive?

But if one show survives, I hope it’s Geneva. For a start it’s five minutes’ walk from the airport, so you can Sleazyjet in from anywhere. Second, it’s small enough that your feet won’t hurt by the end of the day. Third, despite the size, all the major carmakers and lots of insig­ni­ficant but insane ones are here: nobody bails on Geneva, yet.

I’ll get to the important cars of this year’s show in a moment, but those tiny, loopy tuning firms alone make Geneva worth the trip. You’ll see stuff you just won’t see elsewhere; really outrageous cars that it would be completely unacceptable to launch anywhere else. Thought the flagrant, aggressive SUV was a thing of the past? Oh no. Maybe it’s because Switzerland is neutral territory and non-​​EU that Hamann feels safe revealing its Range Rover Sport-​​based Conqueror II, or its BMW X6-​​based Tycoon Evo M. Carlsson brought its €429,000, 735bhp, Mercedes SL-​​based C25, whose envir­on­mental impact will be limited only by the fact that just one will be supplied to each of 25 countries. Swiss tuner Mansory has somehow managed to get hold of a Rolls-​​Royce Ghost already and pimped it with a shocking electric blue and gold paintjob, which looked even more garish alongside its more subtle but otherwise entirely pointless carbon-​​fibre bodied Mercedes G-​​wagen.

Ugliest was probably the Malaysian-​​made, V8-​​powered Bufori Geneva limo: slogan, ‘A Statement of Pride,’ though ‘a statement of staggering bad taste’ might be more truthful. Who in their right mind buys these things? Is Switzerland so awash with idle cash that these excres­cences are needed to soak it up? Even Bentley wasn’t immune, displaying a foul purple-​​and-​​cream Continental.

The design houses like Giugiaro have always used Geneva to show their own work, unfettered by the restric­tions of a commission from a big carmaker, and these cars are another good reason for coming. Pininfarina’s take on an Alfa spider is bewitching; Bertone’s Pandion, a variation on the same theme, more challenging. But you’ve never seen anything like the Pandion’s rear grille: a mad, asymmetric jumble of spikes, somewhere between a porcupine’s quills and broken glass. This is proper, free-​​thinking car design; you wonder if a big carmaker would have the balls to put it into production.

There were some great-​​looking cars from the major makers, though. The show-​​stopper was unques­tionably Porsche’s 918 Spyder. It was a genuine surprise; when the covers are whipped off new cars at motor shows they have almost always been leaked in advance or shown to car magazines so they can put them on their covers in time. But this was a genuine shock: a plug-​​in hybrid supercar with over 500bhp and a 3.2sec 0-​​60mph time, yet returning 90mpg and 70g/​km of CO2. Those figures are greener than a Prius, and Porsche is not in the habit – unlike some other car firms – of making claims it can’t prove. For once, looking was almost enough; the 918 manages to appear compact, delicate and light but raw and aggressive all at once. It also looked bored on that stand; bored being looked at when it’s built to be driven. And you just know it will be incan­descent to drive.

The most signi­ficant car of the show is probably Audi’s A1, because it sits at the nexus of a series of inter­con­nected trends. Audi is on a roll, despite the downturn. People want cool small cars again for a bunch of reasons and they want a premium badge. The Mini better watch out. Ford showed its new Focus, more signi­ficant than the A1 in terms of numbers, but the looks are a little Korean and you just know it will be more of the same from Ford; great dynamics, great quality, and a car that doesn’t treat the ‘ordinary’ driver like a schmo.

Alfa’s new, Focus-​​sized Giulietta was much better-​​looking, but like I said, the looks are only ten per cent of the appeal.
Elsewhere, like every other motor show for the past two years, pretty much every big carmaker had some sort of electric/​hybrid/​whatever concept on display, but there’s a big difference between just saying your new concept runs on manure and emits only butter­flies, and actually putting an appre­ciably greener car into profitable mass production.

And like every other motor show, Geneva’s halls are crammed with car-​​anoraks festooned with cameras and laden with brochures, with the garishly-​​dressed and bouffanted ‘valued clients’ being buttered up by the more exclusive carmakers (so that’s who buys a Bufori…), with teams of Chinese engineers taking digital pictures of obscure parts of the latest models, and with the angular, archi­tec­tural, intim­id­at­ingly beautiful stand-​​girls.

I’ve never quite under­stood this either; if a carmaker wants us to look at its new model, why does it distract us with beautiful women wearing very little? And why does the car industry continue to get away with a ‘marketing’ tactic that should have died off at the same time the Miss World contest was taken off TV? Maybe there’s a parallel with motor shows in general; maybe predic­tions of their demise are premature. A few more will die off, certainly. But if you don’t mind just looking, go to Geneva.

The Ten New Cars We'll Lust After in 2010

Thursday, December 17th, 2009

Stare into the crystal ball. The motoring industry tugs us in two direc­tions. On the one hand it fuses the heights of driving passion, design discernment and techno­lo­gical exactitude to produce the most dizzying hypercars of which we could ever have dreamed.

On the other meanwhile, that same passion and techno-​​savvy explores new ways of powering, driving and being on the road.

Somewhere in the middle lay the worse of marketing-​​led product launches and misguided nods to trend. Meet our heroes and villains of the next 12 months.