Posts Tagged ‘Classic’

Modern Classic: Ford Capri

Wednesday, November 16th, 2011

Photography: Influx/​Magneto

I couldn’t afford a Mustang”, says 26-​​year-​​old Capri owner Pete Wallwork from Truro, Cornwall. I had asked the bike mechanic, BMX rider, barber and photo­grapher the obvious question. Why would a young gun be attracted to a Dagenham bred pastiche of American Muscle from the eighties?

I am actually really into American muscle cars, but there’s something unique about the Capri that is just as inter­esting, for me at least. There’s nothing like it in terms of British cars. There’s something about its shape, it’s attitude that just appeals to me.”

For a young man, Pete has surprising exper­ience of the hero of stylish blue-​​collar motoring. “I bought my first Capri for £200 when I was 17. It was a 2.0 litre S and it was just rotting in someone’s front garden so I took it off his hands.” Like many young lovers of old cars, the lust for a particular flavour of steel and grease came through the family thread. “My granddad always had Fords, and was always tinkering away with bits and pieces in his yard. So it’s not surprising that I would go for something like a Capri in the end.”

Pet’s current ride, a 1986 Mk 3, has its own character in itself. Its various modific­a­tions and stylistic tweaks produce a suitably badass aspect. “ I’ve never had so many people turn their heads and take notice. When I drive through town we get a lot of attention.“

The exhaust note probably has something to do with it. “The engine is actually a ‘Pinto’ two-​​litre bored out to 2.1. It’s got twin 45 Webers and an upgraded ‘beast’ exhaust, too.” The result of these wholly appro­priate modific­a­tions is a car that sounds properly strong and heavy, rather than all mouth-​​no trousers bark.

She drives really nicely, with the combin­ation of the engine and the rear axle from a 2.8i”. So what you see is genuine rarity in the big picture of British motoring. A mini GT that feels as if it’s meant to be driven over long distances, with real enthusiasm.

And the styling of this car reflects the visceral nature of its guts. Flared arches, clean black paintjob and slot mags complete the picture perfectly. “The car was actually originally a laser in white,”, Pete goes on, “ it came with the RS x-​​pack, factory produced fibre­glass arches. They wed to the steel beauti­fully.” That grille is from an earlier version of the car too,. Pete thinks it’s from a late MK1, but can’t be sure. Opinions anyone?

But whatever the hotch-​​potch of the car’s elements, it retains its pure bred DNA, that of a aspir­a­tional hang-​​dog, an Essex reared mongrel that pops its collar and never hides its light beneath a bushel. And that’s why we like Pete’s Capri.

Retro Audi Love

Thursday, November 3rd, 2011

Audi make great cars. Audi make some superb cars. We had a go in a partic­u­larly cool RS5 Coupé the other day and it was a winner in every way It looked great, drove spectac­u­larly — but there was something missing, and it got us thinking.

It always surprises me that Audi haven’t bought out an unashamed retro model, unless of course you count the TT. Perhaps retro is the wrong word. Perhaps we mean something simple, something not pushed forward by technology, but by something approx­im­ating ‘levity’.

Because of all the current manufac­turing companies out there who are making successful cars, they poten­tially have one of the richest design heritages on which they might draw.

There are many good reasons for the conver­gence of good design, both across the car universe and within brands themselves. The argument goes within successful ateliers: why break winning formulae and risk alien­ating hard won loyalists with creative indulgence?

It might be under­standable, but it doesn’t mean you have to like it. The truth is that the consequences of replic­ating successful design are streets awash with dully familiar shapes, rakes clusters and textures.

We’re extra fond of Audi’s middle period. We love the cold war feel to their boxy designs. We love the way that they assume nothing but provide unexpected delight Now that even the once quirky, ground­breaking TT seems to be wrought from the same style sheet as everything else Audi currently build, we’re hankering for something game-​​changing.

But that might be just us.

We thought we’d share some nice images of older Audis, as we as our twisted opinions…

250 LM Pininfarina Stradale Speciale

Wednesday, November 2nd, 2011

Last summer at the Silverstone Classic we were lucky enough to get up close and personal with a race prepped 250 LM. It was, predictably, an erotic exper­ience we won’t quickly forget.

But when we stumbled across this SS version we were blown away and had to share.

The rear three quarter profile brings out the heart­breaking lines, set off by that Scuderia style strip, the wire wheels and the dashingly gauche interior. But this thing would be as agress­ively dynamic as it is pretty.

The 250 LM made its official debut at the 1963 Paris Motorshow. The racing evolution of the hugely successful 250 series used a bored out 3.3 litre version of the GTO derived engine.

The homolog­ation author­ities at the time didn’t believe that Ferrari would be able to produce the required 100 cars for homolog­ation, so the 250 LM was only eligible to race in the prototype class.

And the little racer did very well indeed. In fact in 1964 ten victories were scored out of 35 entries and no less than five 250 LMs were entered in the 1965 24 Hours of Le Mans by privateers.

Almost too pretty for words, we’re sure you’ll agree and as immaculate as any car you’ll be lucky enough to encounter, anywhere.

Southsiders at Goodwood

Monday, October 31st, 2011


images: Southsiders

We might be a bit slow off the mark here, but this morning we stumbled across some of the nicest pictures we’ve ever seen coming from the Goodwood revival.

The images come from those fine folks at Southsiders MC, whose blog is on our regular roster of daily browses.

Every year the event is one of the most photo­graphed on the calender and is getting bigger every year.

This set is a testament to the worth of the slow, delib­erate process of larger format film photography.

Bravo Southsiders.

See the full set here.

Angouleme Onboard

Thursday, October 20th, 2011


full set of images from Ian Wilson here.

Every September vintage and classic racers gather in the historic hillside town of Angouleme, which straddles the beautiful Charente River.

At the hub of the town is an amazing 12th century cathedral, but during the middle weekend of September all eyes are on Circuit des Remparts, which has hosted the street race here since 1939.

The weekend opens on Friday with the Concours D’elegance, where the machinery can be ogled, lusted after and judged. Racing proper begins on Saturday and Sunday — and it’s the close up and personal, visceral nature of the tight circuit that brings such good enter­tainment — and great pictures too.

Check out the lovely onboard action from what looks like a venerable prewar car, which is really evocative of racing times past.

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Moggy Love

Wednesday, October 19th, 2011

The Morris Minor holds a peculiar kind of affection in British hearts. There’s something accessible, friendly and comforting about the design. As much as the Mini, the Minor is inter­woven into British culture, welded to the image of ourselves like perhaps no other single piece of English Iron.

It’s1973. My old man inherits an ancient moggy in black (of course) from his old man. It is ancient, so old that the indic­ators are those ones that physically drop out of the door pillars. This thing is rusted all around the sills and smells of turps and brick dust inside, the red leather seats fetid and torn.

Somewhere in my five year old mind I associate this car with the Blitz. Dodgy infant chronology notwith­standing there is something about this car that is plucky, resilient; something stoic and rooted in the English earth.

But the thing is about the moggy is that it has no power. When me, my baby sister and mum and dad are all loaded up it wheezes and chugs like an arthritic uncle, eliciting the odd backfire and a profanity or two from dad’s otherwise chaste mouth.

It is so badly under­powered that one Sunday, on the way over to my nan’s for the requisite roast, we fail to make it over the big hill that lay between our house and granny’s. Dad does the only thing he knows. He turns round sticks it in reverse, and we scale the hill backwards.

I don’t under­stand of course, that reverse is the lowest gear, and that the fact that we are going backward to go forward isn’t some exist­ential statement of retro­gressive intent.

No. I just think it is cool. I think that reversing over a huge hill is a way of looking back, knowing where you have been so that you are informed of your best way forward. And this strange fragment of automotive memory has stayed with me ever since.

Anyway, this is a nice little video that somehow captures exactly what is so appealing about the Morris Minor. Excuse my self indulgence.

Friday Bike Crush # 4

Friday, October 14th, 2011

Every now and then the distin­guished folk at RM Auctions come up with a doozy we can’t ignore.

We spotted this 1953 Maserati bike in the auction list for their forth­coming London event (26th October) and we had to share.

This is appar­ently one of the earliest motor­cycles to wear the trident badge — and was the product of a time just after the company had acquired the Bologna-​​based motor­cycle manufac­turer Italmoto. Maser then shifted production to their home in Modena.

Despite the lovely detailing of the bikes they made, like that on this little 125 single, the company only made two wheelers until 1960 — by which time the big Italian manufac­turers had made compet­ition very stiff indeed.

Lovely fodder for some weekend daydreaming…