Posts Tagged ‘Classics.’

Scaglietti Stories

Wednesday, March 16th, 2011

When we stumbled upon a picture of Scaglietti’s stunning Ferrari 750 Monza Spyder this morning it led us to want to share some of the work of a rather unsung master of coachwork.

Baring in mind that this is the designer responsible for the body of the 250 TR as well as the devel­opment of that of the 250 GTO — it’s surprising that his name is not as well known as many other designers.

Sergio Scaglietti began working in the motoring industry in 1933 — when he was barely into his teens — when his father died and the necessity of making a living weighed hard on his shoulders.

He began by repairing and rebodying other people’s cars — eventually in the 1950s founding his own carrozzeria and swiftly becoming the stylist-​​in-​​chief to Scuderia Ferrari. In this amazing period, Sergio’s gut-​​borne aesthetic for the flowing yet aggressive line resulted in some of the most gorgeous (and valuable) automotive construc­tions ever.

It was also during this period that he turned his hand to a number of short run projects, including a very distinctive pod of custom bodied Corvettes.

Perhaps the fact that selling his company to the Fiat Group in the sixties — and subsequently more or less disap­pearing from view: Scaglietti never moved on from his identity as a classic coach builder — never getting involved in the the messy businesses of either engin­eering or marketing — that he remains a relat­ively anonymous name in the grand history of Italian car styling.

We think also, that when Ferrari honoured his memory with the name of its 2+2 GT the 612 Scaglietti in 2004, didn’t do his name any favours. Despite the aesthet­ically challenged sensib­il­ities of its detractors, the 612 (soon to be replaced by the FF shooting brake) ‚it was never the best received car to bear the badge of the prancing horse.

We, though, always loved the Long legged 612. For some reason it never photo­graphs well. In the flesh, however, it is a real classic.

No matter. A quick look at the gallery can dispel any doubts remaining that Mr. Scaglietti new how to bend some of the most beautiful steel imaginable.

Moto Guzzi's Modern Classic

Thursday, March 3rd, 2011

Somewhere back in the mists of time I spent a lot of time dreaming of riding a Moto Guzzi Le Mans 850. I was at the harrowing cusp of adoles­cence at the time, so this bike was about as unattainable as Farrah Fawcett (images of both the Charlie’s Angel and the Guzzi adorned my bedroom wall at the time).

A new super­market opened directly opposite the place I lived, and the motorbike was on display as the first prize in some sort of promo­tional competition.

Needless to say, I got my dad to enter a couple of dozen times (as you had to be over eighteen to enter). Every day after school I would nip over to the super­market and stare at the thing. I would pull its levers when the security guard wasn’t looking, and run my gaze over the engine and the exhaust and those mag wheels as if I knew what I was looking at.

The cliché goes that first loves never die.

And I have to admit, every now and then I sit and trawl the web for images of this machine. Trying to work out what remains so appealing about the bike, it’s now obvious.

At the time of its release in 1976, the streets were awash to full fairing Japanese machines with a colour pallet full of yellows and red white and blue stripes. The Guzzi’s stretched out, bulbous pots and duotone meanness repres­ented everything other than that; everything exotic and desirable.

It repres­ented, in other words, getting the hell out of there. And that is what I wanted to get.

Ironic, really, that a thing as banal and spirit crushing as the local super­market should offer this powerful totem of escape as a promo­tional prize.

HD Classics from Japan

Tuesday, February 1st, 2011


image Nissan press

If modern Japanese classics are your thing, you have to take a look at this very beauti­fully made HD video from the people at JDM classics. Sometimes, looking at flat pictures fails to capture the true essence of a car’s design, especially on the WWW.

This video, on the other hand, with its super high-​​quality lensmanship, thoughful shot selection and unhurried edit, really brings out the best in these cars.

With everyone and their little brother wielding an HD camera these days, its refreshing to see someone put some time and effort into evoking some of the coolest analogue design ever to come out of the Land of the Rising Sun.

via Autoblog/​ JNC

Jaques Lafitte in a Ferrari F40LM

Friday, May 21st, 2010

Ferrari F40LM

You can keep your traction control. You can keep your Bluetooth-​​synched Sat Nav. You can keep your self dimming mirrors, your piped two-​​tone leather uphol­stery and eighteen speaker Bose system.

Give me a foot full of grunt with a heavy clutch, a ramrod straight shifter and an open expanse of bone dry tarmac.

That’s what I call an automotive experience.

Happy Friday, drive safely.

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Summer = Utility

Thursday, April 29th, 2010

About this time of year, with the back-​​to-​​back bank holidays and the blossom hanging heavy on the boughs, even the most committed drivers among us begin to think of the beauty of sports utility.

Despite the partly justified bad press that the four wheel drive behemoths known as SUVs have received of late, there remains a strong argument for their use. Especially if that use is actually for that which they were designed.

Just look at this mutant wagon (above). Woodied up and loaded down with all the add-​​ons known to man. It’s undoubtedly stylish and even cool in an ironic kind of way. Aerodynamics, we think, may have been affected by the lifeboat tackle and the BBQ extension. Pure King of the Hill.

And look, then, at one of our favourite pieces of beauti­fully boxy utility from American company International Harvester. IH was one of those companies that was founded in the protean energy of turn of the century America, and remains one of the venerated founding fathers of the American motor trade. The gorgeous little Scout (above) was their mainstay and has been credited with sparking the original SUV revolution. When kept pristine and preserved in its original state, the simplicity and no nonsense fun of the car shines through.

Even more brawny, rare and desireable is, though, IH’s Travelall. If you can find one this side of the pond it’ll be a miracle. But, what better than a Travelall to tick of your neighbour and the teeth-​​sucking envir­on­ment­alists than to load this baby up and take it camping for the weekend. Just better make it a local campsite, lest the fuel bill cost as much as a flight to the Carribean.

But if you needed convincing that these domest­icated agricul­turals are worthy of note, just take a couple of minutes to look at the video from one of the original US dealers. We would certainly buy a car from this man.

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Las Vegas Car Culture, 1958

Thursday, February 18th, 2010

Regular Influx devotees will realise that we spend a righteous amount of time scouring the World Wide Web for vintage images that reflect car culture down the ages in order to share their beauty.

It’s an addictive, time-​​consuming pursuit but one we think is worthwhile.

If you’re not aware of the past, so goes the saying, you can’t make proper plans for the future.

With that dictum in mind we were stoked to find these beautiful shots of Las Vegas that date from, we would guess, around 1958.

Wrought in the cult-​​provoking and recently discon­tinued film stock known as Kodachrome, they shine an incredibly intimate light on a bygone era – and illus­trate perfectly how the colour and variety of car design from that American boom time has these last 50 years been so influ­ential on popular culture the world over.

Not being experts of chrome-​​clad Yankee iron, we can only make an educated guess: we think the off-​​white car in the foreground of the shot above is a ’57 Chevy (look closely and dig the glamorous girl in white shades riding in the back).

We would appre­ciate the feedback from any of you American car experts out there to name the rest of this colourful assemblage.

The shot below, meanwhile features a beauti­fully framed Ford Thunderbird, offset nicely by the other­worldly archi­tecture of 50s Vegas.

Imagine what shots from these exact perspectives would look like in 2010?

Images via A Continuous Lean.

Porsche 909 Bergspyder

Tuesday, February 2nd, 2010

Porsche 909 Bergspyder

Every manufac­turer of performance cars is obsessed with power-​​weight ratio. You don’t have to be a physics professor to realize why. If you take away the adorn­ments of luxury and concen­trate all efforts on optim­izing performance you’ll give yourself every chance of producing a truly dynamic vehicle that stays ahead of the pack.

Just look at the popularity of relat­ively affordable pocket rockets like the Ariel Atom and the KTM Xbow – which produce power-​​weight ratios that are staggering and match the performance of hyper-​​cars that retail at six figures. The thing is, however, about these high-​​revving flyers that while they are extremely quick – they don’t exactly tick all the aesthetic boxes.

But whilst planning a trip to Porsche’s Museum at Stuttgart, we came across an early superstar in light­weight sports car engin­eering that manages to retain it’s svelte beauty in the face of all the imper­atives of desired speed. When form follows function closely, you often get a beautiful product. The 909 Bergspyder is certainly beautiful to behold.

The car was conceived in 1968 by Porsche to become the dominant force in hill climbing. The roots-​​and-​​culture time trial  form retains a simple and classic appeal – and cars like the 909, with its low kerb weight, high power output and low centre of gravity, have a natural advantage.

Tipping the scales at a measly 380 kilograms, the 909 packed an 8-​​cylinder boxer engine that produced close to 300 horsepower. The engine was almost exactly centred and the cockpit hovered over the front axle and the frame was made from light­weight aluminium. The shell meanwhile was formed from a plastic composite and the brakes and fuel tank also featured exper­i­mental light­weight design and materials.

According to experts the 909 wasn’t easy to drive and in June 1968 Ludovico Scarfiotti was killed when the 909 he was driving went out of control, flew off the road, and slammed into some trees — a stuck throttle blamed as the culprit.

Plastic shells, high speeds and safety rarely mix. No matter. We love the 909 because of its sheer prettiness.

Porsche 909