Posts Tagged ‘Concepts’

Porsche Tapiro

Wednesday, July 7th, 2010

Fans of Giugiaro’s Lotus Esprit like to imagine that all design roads from the sixties and the seventies lead to their beloved. But wether or not the evolution of car design would inevitably get the Esprit’s wedge-​​like sleekness or not, you can see many of its antecedents in cars from the late sixties/​early seventies.

Porsche’s Tapiro concept from 1970, for example, which was Giugiaro’s fourth full concept car for Ital Design, featured gull wing doors up front with matching gull wings over the engine and load-​​carrying area.

It featured a longit­ud­inally mounted air-​​cooled 2.4 liter flat 6 and a 4 speed gearbox and though it was appar­ently never properly intended for production, it featured all those great Giugiaro styling flour­ishes from the era: geometric air-​​ducting a cheese wedge profile and a futur­istic cabin surrounded by an acreage of glass.

The car was of course perfect for showing off the kinky boots that were the era’s booth babe leitmotif, too. Let alone the leopard print. Tapiro is the Italian for the pig-​​like, jungle browsing creature the Tapir, after all. Go figure.

Geneva Salon Roundup

Monday, March 8th, 2010

The 918 takes the classic Spyder fomat and plugs it into the 21st century

I’m not the greatest lover of motor shows. They’re all titil­lation and no consum­mation. I’ve never really under­stood their appeal in the same way I don’t get strip clubs. Just looking at cars is the same as looking at an attractive member of the opposite sex; very pleasant, as far as it goes, but you only get about ten per cent of the pleasure that should be had.

And it may be also that motor shows will wither away. The British show was once one of the most important but has effect­ively died off. Even the mighty Detroit, Tokyo and Frankfurt shows have been clobbered by the recession: non-​​attendance by a big carmaker at one of those was once unthinkable, but as the recession struck they bailed out in such numbers that last year’s Tokyo show was almost cancelled.

But it’s superfast broadband that might finally kill the motor show. Why would you travel for hours to a grim part of town to traipse around a draughty exhib­ition hall when you’ll be able to download hi-​​def, 3D renderings of the latest models which you can configure with your choice of colour and trim, look at without the backs of other people’s heads getting in the way, and then get into (virtually), start up and drive?

But if one show survives, I hope it’s Geneva. For a start it’s five minutes’ walk from the airport, so you can Sleazyjet in from anywhere. Second, it’s small enough that your feet won’t hurt by the end of the day. Third, despite the size, all the major carmakers and lots of insig­ni­ficant but insane ones are here: nobody bails on Geneva, yet.

I’ll get to the important cars of this year’s show in a moment, but those tiny, loopy tuning firms alone make Geneva worth the trip. You’ll see stuff you just won’t see elsewhere; really outrageous cars that it would be completely unacceptable to launch anywhere else. Thought the flagrant, aggressive SUV was a thing of the past? Oh no. Maybe it’s because Switzerland is neutral territory and non-​​EU that Hamann feels safe revealing its Range Rover Sport-​​based Conqueror II, or its BMW X6-​​based Tycoon Evo M. Carlsson brought its €429,000, 735bhp, Mercedes SL-​​based C25, whose envir­on­mental impact will be limited only by the fact that just one will be supplied to each of 25 countries. Swiss tuner Mansory has somehow managed to get hold of a Rolls-​​Royce Ghost already and pimped it with a shocking electric blue and gold paintjob, which looked even more garish alongside its more subtle but otherwise entirely pointless carbon-​​fibre bodied Mercedes G-​​wagen.

Ugliest was probably the Malaysian-​​made, V8-​​powered Bufori Geneva limo: slogan, ‘A Statement of Pride,’ though ‘a statement of staggering bad taste’ might be more truthful. Who in their right mind buys these things? Is Switzerland so awash with idle cash that these excres­cences are needed to soak it up? Even Bentley wasn’t immune, displaying a foul purple-​​and-​​cream Continental.

The design houses like Giugiaro have always used Geneva to show their own work, unfettered by the restric­tions of a commission from a big carmaker, and these cars are another good reason for coming. Pininfarina’s take on an Alfa spider is bewitching; Bertone’s Pandion, a variation on the same theme, more challenging. But you’ve never seen anything like the Pandion’s rear grille: a mad, asymmetric jumble of spikes, somewhere between a porcupine’s quills and broken glass. This is proper, free-​​thinking car design; you wonder if a big carmaker would have the balls to put it into production.

There were some great-​​looking cars from the major makers, though. The show-​​stopper was unques­tionably Porsche’s 918 Spyder. It was a genuine surprise; when the covers are whipped off new cars at motor shows they have almost always been leaked in advance or shown to car magazines so they can put them on their covers in time. But this was a genuine shock: a plug-​​in hybrid supercar with over 500bhp and a 3.2sec 0-​​60mph time, yet returning 90mpg and 70g/​km of CO2. Those figures are greener than a Prius, and Porsche is not in the habit – unlike some other car firms – of making claims it can’t prove. For once, looking was almost enough; the 918 manages to appear compact, delicate and light but raw and aggressive all at once. It also looked bored on that stand; bored being looked at when it’s built to be driven. And you just know it will be incan­descent to drive.

The most signi­ficant car of the show is probably Audi’s A1, because it sits at the nexus of a series of inter­con­nected trends. Audi is on a roll, despite the downturn. People want cool small cars again for a bunch of reasons and they want a premium badge. The Mini better watch out. Ford showed its new Focus, more signi­ficant than the A1 in terms of numbers, but the looks are a little Korean and you just know it will be more of the same from Ford; great dynamics, great quality, and a car that doesn’t treat the ‘ordinary’ driver like a schmo.

Alfa’s new, Focus-​​sized Giulietta was much better-​​looking, but like I said, the looks are only ten per cent of the appeal.
Elsewhere, like every other motor show for the past two years, pretty much every big carmaker had some sort of electric/​hybrid/​whatever concept on display, but there’s a big difference between just saying your new concept runs on manure and emits only butter­flies, and actually putting an appre­ciably greener car into profitable mass production.

And like every other motor show, Geneva’s halls are crammed with car-​​anoraks festooned with cameras and laden with brochures, with the garishly-​​dressed and bouffanted ‘valued clients’ being buttered up by the more exclusive carmakers (so that’s who buys a Bufori…), with teams of Chinese engineers taking digital pictures of obscure parts of the latest models, and with the angular, archi­tec­tural, intim­id­at­ingly beautiful stand-​​girls.

I’ve never quite under­stood this either; if a carmaker wants us to look at its new model, why does it distract us with beautiful women wearing very little? And why does the car industry continue to get away with a ‘marketing’ tactic that should have died off at the same time the Miss World contest was taken off TV? Maybe there’s a parallel with motor shows in general; maybe predic­tions of their demise are premature. A few more will die off, certainly. But if you don’t mind just looking, go to Geneva.

Crowd Sourced Cars?

Tuesday, February 16th, 2010

It has worked for software and t-​​shirts, but could ‘crowd sourcing’ work for something as tangible as a motor car?

Massachusetts based enter­prise Local Motors would certainly like us to think so.

In case you’ve never heard of it before crowd­sourcing involves taking designs/​ideas and expertise from an often very diverse, global community of designers, engineers and other creative individuals and then manufac­turing to order.

At one level it is almost as ugly as the dictat­orship of the masses, but at another level it can  seen as a true paradign shift toward aesthetic and productive democracy.

Local motors’s vision is that there would be a network of regional micro-​​factories which would produce vehicles tailored for that regions specific needs.

In this vision of the future Industry-​​standard mass production becomes outmoded and gives ways to intensely local products for local people.

Without getting too ‘League of Gentlemen’ about it, this could perhaps lead to true regional diversity – and would surely  represent a positive move away from the all pervasive conver­gence of all things commercial.

Launched in March 2008 , Local Motors’ online community  now has a membership of 4,000. How it works is that the company announced  a design compet­ition for a particular facet of a particular vehicle  and then members of the community then submit their work to the community, which then discusses and votes on the designs.

Each stage of compet­ition is regionally targeted, and when a winner is found, the design is developed and tweaked to artic­ulate with existing designs.

The first production vehicle, the Rally Fighter (above) is already available:  production is limited to 2,000 units, and at time of writing around fifty had been sold.

The Fighter retails at around price of around USD 50,000 and the punters are invited to help build their own vehicle over two weekends.

It may be a misty-​​eyed, micro-​​initiative that hold no practical appeal plonked in the centre of today’s market. But  this sort of vision represents is exactly the kind of creative thinking that is needed if passionate car culture can have a sustainable future.

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See the Toyota FT-86 at Geneva

Monday, February 15th, 2010

It’s comfornting to know that there’s a new hot launch on the way that’s not either strato­spheric and ridiculous (think Aston 177, or Lexus LFA) or pious and overly eco-​​righteous (think almost everything else).

Next month’s Geneva salon may contain more of the polarised world of new car launches, but at Least the FT-​​86 is a dynamic little speedster that will be (sort of) accessible to mere mortals.

The five-​​seat FT-​​86 (Hachi Roku according to Jap car fetishists) goes back to the funda­mental qualities of the classic sports car with its rear-​​wheel drive config­ur­ation, compact dimen­sions, low centre of gravity and light­weight construction. Under the bonnet there is a 2.0-litre boxer engine that is strong on both performance as well as efficiency.

The show car’s bodywork is finished in Flash Red, an eye-​​catching shade that contains a hint of blue. Inside, the cabin design further expresses the car’s classic sporting qualities with many of the struc­tural elements left uncovered.

It’s still only a concept, of course, but it’s continual unveiling gives a hint that we could expect to see the car available, and probably not for too kingly a ransom, before we’re too old to enjoy such a thing.

Here’s hoping.

Chanel's Fiole Concept

Wednesday, February 10th, 2010

If ever a car project demon­strated the linkage between the way a fashion designer inter­prets a brief and the way a car designer images a new project, then The Chanel Fiole is it.

Unveiled in early  2009 the Fiole was a design study created by  student Jinyoung Jo for the degree show of Seoul’s Hong-​​ik University.

The essence of the brief was to encap­sulate the brand values of the totemic brand headed up by Karl Lagerfeld in the shape of a vehicle.

Chanel is a brand, of course, funda­mentally associated with luxury goods – from high end perfumery to exquis­itely crafted handbags and other accessories.

Jo inter­preted the overlapping, flowing lines of Chanel’s classic products and  drew them together with a shell that subtly echoes the inter­locking Chanel logo.

The result is a concept that crystal­lizes  perfectly the things we imagine about the luxury brand.

You can see elements of the sweeping flow of art deco Bugattis from the between-​​the-​​war years, as well as hints of Aston-​​like styling in the classic 2+2 format loved by Chanel’s core consumer.

With Karl Lagerfeld at the helm, Chanel has been creating a whole range of products that diffuse Chanel’s brand-​​values into the marketplace.

Everything from Rugby balls, surf and snow boards, fishing kits and in-​​line skates have been glimpsed out there over the last couple of years.

It remains to be seen as to whether Chanel will commit to a real-​​life collab­or­ation with a car maker.

If Lamborghini’s successful hookup with Versace is anything to go by, the fruits of such a coöper­ation could well be very interesting.

Mystery Pininfarina Curvitude

Monday, January 11th, 2010

Every now and then we stumble upon an image that beguils as well as excites.

Out of all the beautifully-​​rendered concept cars from the period of the late sixties and the early seventies, this is one of the most mysterious we’ve come across.

Looking closely at the badge on the rear three quarter panel you can see it says ‘Fiat Abarth 2000′ – and the Pininfarina log is in its usual place on the side panel toward the bow. But extensive consultation of our friend Mr Wikipedia, as well as Pininfarina and Abarth web manifest­a­tions, cannot shore up any record of what this car whatsoever.

Seems that the blogo­sphere has reached a similar fact-​​free postages of what is an undoubtedly one of those concepts that was influ­enced by and influ­enced in turn cars from designers like Bertone and Ghia and Zagato.

Almost all of the leading Italian coach-​​builders were outdoing one another in the audacity of their futur­istic designs. The era seemed to be all about pushing possib­il­ities of late 20th century motoring in exquis­itely curved steel.

The louvres on the engine cowling, the flip-​​top lid as well as the trumpet-​​like exhaust recall some more familiar exper­i­ments of the era – partic­u­larly Pininfarina’s own space-​​mobile the Modulo but this red beauty seems to exist on an entirely different plane.

Perhaps it was a hallu­cin­ation that crystal­lised in a fashion photographer’s lens – or perhaps there’s a gaping hole in our retro-​​motoring knowledge.

Any more inform­ation our dear readers may be able to offer is of course, more than welcome.

Hybrid Subaru Tourer

Friday, October 16th, 2009

Subaru
Later this month at the Tokyo Motor Show Subaru will reveal its Hybrid Tourer Concept. It will feature key elements of the company’s ‘DNA’, notably a horizontally-​​opposed engine – in this instance the world’s first ‘boxer’ hybrid power­plant – and Symmetrical All-​​Wheel Drive (AWD).  It marries these with an opulent and spacious cabin accessed through elongated gullwing-​​style doors, and an eye-​​catching, finely sculpted body.

Articulating with the new trend toward hybrid tourer-​​saloon cars like BMW’s Grand Tourer, this is Subaru’s first salvo in this upmarket battle for new market. Throwing in a hybrid Boxer is nothing if not intriguing.

The hybrid system appar­ently uses Symmetrical All-​​Wheel Drive and a 2.0-litre horizontally-​​opposed, direct-​​injection, turbocharged petrol pugilist allied to two electric motors. The electric motors are powered by lithium-​​ion batteries.

According to press releases, in normal driving condi­tions the direct-​​injection petrol engine is used, but at lower speeds and start-​​up, the rear electric motor drives the car.  The forward electric unit, which is mainly used as a power generator, kicks in to assist performance and efficiency while tackling inclines.  Subaru’s in-​​house designed Lineartronic automatic trans­mission is featured, further boosting fuel efficiency and driving performance.

Wether it can retain the passionate punch of the standard scooby Boxer-​​driven cars remains to be seen of course. But the concept certainly looks good.

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