Posts Tagged ‘Concepts’

Cars in Skirts

Friday, March 4th, 2011

We don’t really know why skirts ever went out of fashion. There’s something obvious about the flow of air afforded by fared rear three-​​quarters. To quote Charlie Sheen (sooth-​​saying nutcase du jour) “Duh, win!”

And the fact that overt slipperyness has never been everyone’s idea of automotive style shouldn’t be a surprise. Classic car design has always been primarily about aesthetics rather than aerody­namic efficiency.

But VW’s long-​​drawn out explor­ation of a the possib­ility of a one litre car that can travel 100 KMs on a single litre of fuel has inspired a succession of inter­esting looking concepts. The idea that covering a car’s wheels leads to quickness and fuel efficiency is essen­tially a pre-​​WW2 modernist notion.

And the XL-​​1 concept captures that futurist spirit whilst at the same time being a realistic explor­ation of the marketable poten­tials of hypermiling.

If fuel prices keep rising at this rate, the slippery virtue will soon become a necessity.

Alfa Romeo Scighera!

Tuesday, February 22nd, 2011

It’s been a while since we posted pics of an inter­esting concept from the past. But Alfa’s Scighera is a fine example of a piece of imagin­eering from the 1990a that is up there with some of the most outragous concepts from the mid seventies.

It might be no coincidence that this beauty springs from the mind of Fabrizio Giugiaro (yes, the son of the great Giorgetto himself).

It’s difficult to see what this design study from Italdesign was aiming at, but you can see the influence the design has hoovered up. There are elements from Bertone designed classics like the Alfa Carabo, the Lamborghini Miura and even the Stratos zero.

There are pure bred Italdesign flour­ishes too, though, like the low slung, vented front that recalls early concepts that lead to the BMW M1. And last, and you can’t forget of course, Mr G senior’s ugly Aztec.

The prototype had a mid-​​engined, twin-​​turbo 3 litre V6 which appar­ently produced 400bhp and its 4WD handling must be a doozy.

Apparently the car can be seen in the permanent collection on display in the Italdesign atelier.

Lancia ECV

Wednesday, February 16th, 2011

Lancia’s ECV (Experimental Composite Vehicle) was a prototype Group S rally car that was supposed to replace the Lancia Delta S4 in WRC’s 1988 season. Sadly, and as we often lament, Group B as well as Group S cars were banned from compet­ition by the FIA in late 1986.

The ECV, therefore, never mudded its strangely plasticky panels.

Shame, because this boxy, short wheel­based beast had been projected to produce 600 horsepower from its innov­ative 1.8 Twin Turbo ‘triflux’ engine. The Kevlar and Carbon fibre construction would probably have made it a serious light­weight contender.

Despite the lack of creden­tials Carlo Gaino of Synthesis design created a second gener­ation of the ECV (in white).

IF ONLY Group B performance was allowed to be brought back into the WRC arena!

Stratos: Elusive Passion

Wednesday, February 16th, 2011

My uncle used to own a Lancia Stratos. Except he didn’t.

For years I bragged in countless schoolyard corners that my uncle owned what was at the time undoubtedly one of a handful of coolest cars in the world. This was the same mother’s brother that had owned a getaway Jag Mk2 in White (with red leather interior), a Jenson CV8 in lime green, and a midnight blue Lambo Espada. This trio is an admirable clutch of the stylishly exotic for sure – and I can bear absolute witness that he owned these cars. But there’s no way he could have owned a Stratos. Could he?

Thing is as happens in families, my uncle’s life has been mytho­lo­gised over the years, with countless layers of legend piling upon legend. Needless to say, the uncle in question was one of those men of the 1970s who not only seemed to survive with no visible means of support – but posit­ively thrived on a diet of extra­vag­antly burned Four Star and Long Life. This blog has mentioned elsewhere what a rare and beautiful possib­ility this was in that magical decade. I’ve never truly got to the bottom of how he managed to drive so many brilliant cars – or how I came to imagine and profess his ownership of the Stratos. But I can guess.

Somewhere in my pre-​​teen imagin­ation I must have projected everything cool and exotic onto my uncle. And in that Top Trump schooled way that kids of the seventies imbibed, I must have equated the outrageous Gandini penned design to all the things that he repres­ented. My uncle had never shrugged off the double denim he had worn in the fitites whilst aping James Dean – he never conformed, never settled down. He dedicated his life to adven­tures. In my memory he will reek into eternity of Old Spice, Rothmans and Teachers whisky. Unsurprisingly perhaps he met an early death before Thatcher had even left her throne.

My uncle might have been an aficionado of rare and beautiful cars but it’s impossible that he ever owned a genuine Stratos. The pure bred rally, dedicated Stratos – the one imagined from the ground up with its short, wide stance, period wedge profile, snarling Dino V6 and bugger all rear visib­ility — was a harbinger of rolling exotica in design, purpose and execution that very few people had the privilege to own.

It’s thought that less than 500 Dino engined examples were ever constructed for homolog­ation – between ‘73-​​and ’76. Once you managed to get behind the wheel of one of these beasts it would have been a ridicu­lously bonkers exper­ience. Even though the rally car was successful all through the mid seventies, the internal politics of the Fiat corp was such that it gradually ebbed out of favour. We all loved the three box classic that was the Fiat 132 – especially in the Abarth garb —  but surely the fibre­glass bodied, outrageously aggressive stance should have been enough to convince the sharp suited corporate Italians that they should stick with the Stratos as their sports car flagship.

Ever since the Stratos Zero concept was unveiled at the Turin Salon of 1970 the world had expected something uncom­prom­ising and prophetic of a time when anything was possible. If Whitey was reaching out to the moon, then it was eminently possible to build a race car for the road with little compromise. Wasn’t it?

But no. The Stratos was too pure, too real, too focussed on adolescent, revheaded dreams to endure into middle age. The Fiat corpor­ation must have sought to court the mass of everyman motoring in rallying– mass produced cars given the race treatment in order to sell more mediocre cars to the general public. The fact that Groub B swept this nonsense aside in the early eighties proved the men in suits wrong.

Despite the fact that a host of plucky privateers was able to push this bonkers piece of inpis­ration to many a victory deep into the eighties – the iconic Stratos profile faded to memory to all intents and purposes.

Until recently of course, when a new $500K version was announced. Hardly accessible to anyone who doesn’t own a Veyron.

The thing is, as with all re-​​issues of iconic automotive models – that the very essence of all things Stratos is its ridiculous brevity; it’s shock­ingly audacious styling, its midships mounted Dino power­house and ludicrously crumple-​​zone free fibre­glass shell – were more than a mere marketable set of specs to be dallied with.

The Stratos was, in other words, a legend in its very being. It was built from the rubber up to be without compromise and replic­ation ; built with nothing but point-​​and-​​squirt, short wheel­based flair. It was built to set light to passions that were destined to lie dormant by gener­a­tions of surgically marketed aspiration.

My uncle never actually owned a Stratos. But he should have done. He was Stratos.

Porsche Tapiro

Wednesday, July 7th, 2010

Fans of Giugiaro’s Lotus Esprit like to imagine that all design roads from the sixties and the seventies lead to their beloved. But whether or not the evolution of car design would inevitably get the Esprit’s wedge-​​like sleekness or not, you can see many of its antecedents in cars from the late sixties/​early seventies.

Porsche’s Tapiro concept from 1970, for example, which was Giugiaro’s fourth full concept car for Ital Design, featured gull wing doors up front with matching gull wings over the engine and load-​​carrying area.

It featured a longit­ud­inally mounted air-​​cooled 2.4 liter flat 6 and a 4 speed gearbox and though it was appar­ently never properly intended for production, it featured all those great Giugiaro styling flour­ishes from the era: geometric air-​​ducting a cheese wedge profile and a futur­istic cabin surrounded by an acreage of glass.

The car was of course perfect for showing off the kinky boots that were the era’s booth babe leitmotif, too. Let alone the leopard print. Tapiro is the Italian for the pig-​​like, jungle browsing creature the Tapir, after all. Go figure.

Geneva Salon Roundup

Monday, March 8th, 2010

The 918 takes the classic Spyder fomat and plugs it into the 21st century

I’m not the greatest lover of motor shows. They’re all titil­lation and no consum­mation. I’ve never really under­stood their appeal in the same way I don’t get strip clubs. Just looking at cars is the same as looking at an attractive member of the opposite sex; very pleasant, as far as it goes, but you only get about ten per cent of the pleasure that should be had.

And it may be also that motor shows will wither away. The British show was once one of the most important but has effect­ively died off. Even the mighty Detroit, Tokyo and Frankfurt shows have been clobbered by the recession: non-​​attendance by a big carmaker at one of those was once unthinkable, but as the recession struck they bailed out in such numbers that last year’s Tokyo show was almost cancelled.

But it’s superfast broadband that might finally kill the motor show. Why would you travel for hours to a grim part of town to traipse around a draughty exhib­ition hall when you’ll be able to download hi-​​def, 3D renderings of the latest models which you can configure with your choice of colour and trim, look at without the backs of other people’s heads getting in the way, and then get into (virtually), start up and drive?

But if one show survives, I hope it’s Geneva. For a start it’s five minutes’ walk from the airport, so you can Sleazyjet in from anywhere. Second, it’s small enough that your feet won’t hurt by the end of the day. Third, despite the size, all the major carmakers and lots of insig­ni­ficant but insane ones are here: nobody bails on Geneva, yet.

I’ll get to the important cars of this year’s show in a moment, but those tiny, loopy tuning firms alone make Geneva worth the trip. You’ll see stuff you just won’t see elsewhere; really outrageous cars that it would be completely unacceptable to launch anywhere else. Thought the flagrant, aggressive SUV was a thing of the past? Oh no. Maybe it’s because Switzerland is neutral territory and non-​​EU that Hamann feels safe revealing its Range Rover Sport-​​based Conqueror II, or its BMW X6-​​based Tycoon Evo M. Carlsson brought its €429,000, 735bhp, Mercedes SL-​​based C25, whose envir­on­mental impact will be limited only by the fact that just one will be supplied to each of 25 countries. Swiss tuner Mansory has somehow managed to get hold of a Rolls-​​Royce Ghost already and pimped it with a shocking electric blue and gold paintjob, which looked even more garish alongside its more subtle but otherwise entirely pointless carbon-​​fibre bodied Mercedes G-​​wagen.

Ugliest was probably the Malaysian-​​made, V8-​​powered Bufori Geneva limo: slogan, ‘A Statement of Pride,’ though ‘a statement of staggering bad taste’ might be more truthful. Who in their right mind buys these things? Is Switzerland so awash with idle cash that these excres­cences are needed to soak it up? Even Bentley wasn’t immune, displaying a foul purple-​​and-​​cream Continental.

The design houses like Giugiaro have always used Geneva to show their own work, unfettered by the restric­tions of a commission from a big carmaker, and these cars are another good reason for coming. Pininfarina’s take on an Alfa spider is bewitching; Bertone’s Pandion, a variation on the same theme, more challenging. But you’ve never seen anything like the Pandion’s rear grille: a mad, asymmetric jumble of spikes, somewhere between a porcupine’s quills and broken glass. This is proper, free-​​thinking car design; you wonder if a big carmaker would have the balls to put it into production.

There were some great-​​looking cars from the major makers, though. The show-​​stopper was unques­tionably Porsche’s 918 Spyder. It was a genuine surprise; when the covers are whipped off new cars at motor shows they have almost always been leaked in advance or shown to car magazines so they can put them on their covers in time. But this was a genuine shock: a plug-​​in hybrid supercar with over 500bhp and a 3.2sec 0-​​60mph time, yet returning 90mpg and 70g/​km of CO2. Those figures are greener than a Prius, and Porsche is not in the habit – unlike some other car firms – of making claims it can’t prove. For once, looking was almost enough; the 918 manages to appear compact, delicate and light but raw and aggressive all at once. It also looked bored on that stand; bored being looked at when it’s built to be driven. And you just know it will be incan­descent to drive.

The most signi­ficant car of the show is probably Audi’s A1, because it sits at the nexus of a series of inter­con­nected trends. Audi is on a roll, despite the downturn. People want cool small cars again for a bunch of reasons and they want a premium badge. The Mini better watch out. Ford showed its new Focus, more signi­ficant than the A1 in terms of numbers, but the looks are a little Korean and you just know it will be more of the same from Ford; great dynamics, great quality, and a car that doesn’t treat the ‘ordinary’ driver like a schmo.

Alfa’s new, Focus-​​sized Giulietta was much better-​​looking, but like I said, the looks are only ten per cent of the appeal.
Elsewhere, like every other motor show for the past two years, pretty much every big carmaker had some sort of electric/​hybrid/​whatever concept on display, but there’s a big difference between just saying your new concept runs on manure and emits only butter­flies, and actually putting an appre­ciably greener car into profitable mass production.

And like every other motor show, Geneva’s halls are crammed with car-​​anoraks festooned with cameras and laden with brochures, with the garishly-​​dressed and bouffanted ‘valued clients’ being buttered up by the more exclusive carmakers (so that’s who buys a Bufori…), with teams of Chinese engineers taking digital pictures of obscure parts of the latest models, and with the angular, archi­tec­tural, intim­id­at­ingly beautiful stand-​​girls.

I’ve never quite under­stood this either; if a carmaker wants us to look at its new model, why does it distract us with beautiful women wearing very little? And why does the car industry continue to get away with a ‘marketing’ tactic that should have died off at the same time the Miss World contest was taken off TV? Maybe there’s a parallel with motor shows in general; maybe predic­tions of their demise are premature. A few more will die off, certainly. But if you don’t mind just looking, go to Geneva.

Crowd Sourced Cars?

Tuesday, February 16th, 2010

It has worked for software and t-​​shirts, but could ‘crowd sourcing’ work for something as tangible as a motor car?

Massachusetts based enter­prise Local Motors would certainly like us to think so.

In case you’ve never heard of it before crowd­sourcing involves taking designs/​ideas and expertise from an often very diverse, global community of designers, engineers and other creative individuals and then manufac­turing to order.

At one level it is almost as ugly as the dictat­orship of the masses, but at another level it can  seen as a true paradign shift toward aesthetic and productive democracy.

Local motors’s vision is that there would be a network of regional micro-​​factories which would produce vehicles tailored for that regions specific needs.

In this vision of the future Industry-​​standard mass production becomes outmoded and gives ways to intensely local products for local people.

Without getting too ‘League of Gentlemen’ about it, this could perhaps lead to true regional diversity – and would surely  represent a positive move away from the all pervasive conver­gence of all things commercial.

Launched in March 2008 , Local Motors’ online community  now has a membership of 4,000. How it works is that the company announced  a design compet­ition for a particular facet of a particular vehicle  and then members of the community then submit their work to the community, which then discusses and votes on the designs.

Each stage of compet­ition is regionally targeted, and when a winner is found, the design is developed and tweaked to artic­ulate with existing designs.

The first production vehicle, the Rally Fighter (above) is already available:  production is limited to 2,000 units, and at time of writing around fifty had been sold.

The Fighter retails at around price of around USD 50,000 and the punters are invited to help build their own vehicle over two weekends.

It may be a misty-​​eyed, micro-​​initiative that hold no practical appeal plonked in the centre of today’s market. But  this sort of vision represents is exactly the kind of creative thinking that is needed if passionate car culture can have a sustainable future.

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