Posts Tagged ‘Concepts’

Crowd Sourced Cars?

Tuesday, February 16th, 2010

It has worked for software and t-​​shirts, but could ‘crowd sourcing’ work for something as tangible as a motor car?

Massachusetts based enter­prise Local Motors would certainly like us to think so.

In case you’ve never heard of it before crowd­sourcing involves taking designs/​ideas and expertise from an often very diverse, global community of designers, engineers and other creative individuals and then manufac­turing to order.

At one level it is almost as ugly as the dictat­orship of the masses, but at another level it can  seen as a true paradign shift toward aesthetic and productive democracy.

Local motors’s vision is that there would be a network of regional micro-​​factories which would produce vehicles tailored for that regions specific needs.

In this vision of the future Industry-​​standard mass production becomes outmoded and gives ways to intensely local products for local people.

Without getting too ‘League of Gentlemen’ about it, this could perhaps lead to true regional diversity – and would surely  represent a positive move away from the all pervasive conver­gence of all things commercial.

Launched in March 2008 , Local Motors’ online community  now has a membership of 4,000. How it works is that the company announced  a design compet­ition for a particular facet of a particular vehicle  and then members of the community then submit their work to the community, which then discusses and votes on the designs.

Each stage of compet­ition is regionally targeted, and when a winner is found, the design is developed and tweaked to artic­ulate with existing designs.

The first production vehicle, the Rally Fighter (above) is already available:  production is limited to 2,000 units, and at time of writing around fifty had been sold.

The Fighter retails at around price of around USD 50,000 and the punters are invited to help build their own vehicle over two weekends.

It may be a misty-​​eyed, micro-​​initiative that hold no practical appeal plonked in the centre of today’s market. But  this sort of vision represents is exactly the kind of creative thinking that is needed if passionate car culture can have a sustainable future.

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See the Toyota FT-86 at Geneva

Monday, February 15th, 2010

It’s comfornting to know that there’s a new hot launch on the way that’s not either strato­spheric and ridiculous (think Aston 177, or Lexus LFA) or pious and overly eco-​​righteous (think almost everything else).

Next month’s Geneva salon may contain more of the polarised world of new car launches, but at Least the FT-​​86 is a dynamic little speedster that will be (sort of) accessible to mere mortals.

The five-​​seat FT-​​86 (Hachi Roku according to Jap car fetishists) goes back to the funda­mental qualities of the classic sports car with its rear-​​wheel drive config­ur­ation, compact dimen­sions, low centre of gravity and light­weight construction. Under the bonnet there is a 2.0-litre boxer engine that is strong on both performance as well as efficiency.

The show car’s bodywork is finished in Flash Red, an eye-​​catching shade that contains a hint of blue. Inside, the cabin design further expresses the car’s classic sporting qualities with many of the struc­tural elements left uncovered.

It’s still only a concept, of course, but it’s continual unveiling gives a hint that we could expect to see the car available, and probably not for too kingly a ransom, before we’re too old to enjoy such a thing.

Here’s hoping.

Chanel's Fiole Concept

Wednesday, February 10th, 2010

If ever a car project demon­strated the linkage between the way a fashion designer inter­prets a brief and the way a car designer images a new project, then The Chanel Fiole is it.

Unveiled in early  2009 the Fiole was a design study created by  student Jinyoung Jo for the degree show of Seoul’s Hong-​​ik University.

The essence of the brief was to encap­sulate the brand values of the totemic brand headed up by Karl Lagerfeld in the shape of a vehicle.

Chanel is a brand, of course, funda­mentally associated with luxury goods – from high end perfumery to exquis­itely crafted handbags and other accessories.

Jo inter­preted the overlapping, flowing lines of Chanel’s classic products and  drew them together with a shell that subtly echoes the inter­locking Chanel logo.

The result is a concept that crystal­lizes  perfectly the things we imagine about the luxury brand.

You can see elements of the sweeping flow of art deco Bugattis from the between-​​the-​​war years, as well as hints of Aston-​​like styling in the classic 2+2 format loved by Chanel’s core consumer.

With Karl Lagerfeld at the helm, Chanel has been creating a whole range of products that diffuse Chanel’s brand-​​values into the marketplace.

Everything from Rugby balls, surf and snow boards, fishing kits and in-​​line skates have been glimpsed out there over the last couple of years.

It remains to be seen as to whether Chanel will commit to a real-​​life collab­or­ation with a car maker.

If Lamborghini’s successful hookup with Versace is anything to go by, the fruits of such a coöper­ation could well be very interesting.

Mystery Pininfarina Curvitude

Monday, January 11th, 2010

Every now and then we stumble upon an image that beguils as well as excites.

Out of all the beautifully-​​rendered concept cars from the period of the late sixties and the early seventies, this is one of the most mysterious we’ve come across.

Looking closely at the badge on the rear three quarter panel you can see it says ‘Fiat Abarth 2000′ – and the Pininfarina log is in its usual place on the side panel toward the bow. But extensive consultation of our friend Mr Wikipedia, as well as Pininfarina and Abarth web manifest­a­tions, cannot shore up any record of what this car whatsoever.

Seems that the blogo­sphere has reached a similar fact-​​free postages of what is an undoubtedly one of those concepts that was influ­enced by and influ­enced in turn cars from designers like Bertone and Ghia and Zagato.

Almost all of the leading Italian coach-​​builders were outdoing one another in the audacity of their futur­istic designs. The era seemed to be all about pushing possib­il­ities of late 20th century motoring in exquis­itely curved steel.

The louvres on the engine cowling, the flip-​​top lid as well as the trumpet-​​like exhaust recall some more familiar exper­i­ments of the era – partic­u­larly Pininfarina’s own space-​​mobile the Modulo but this red beauty seems to exist on an entirely different plane.

Perhaps it was a hallu­cin­ation that crystal­lised in a fashion photographer’s lens – or perhaps there’s a gaping hole in our retro-​​motoring knowledge.

Any more inform­ation our dear readers may be able to offer is of course, more than welcome.

Hybrid Subaru Tourer

Friday, October 16th, 2009

Subaru
Later this month at the Tokyo Motor Show Subaru will reveal its Hybrid Tourer Concept. It will feature key elements of the company’s ‘DNA’, notably a horizontally-​​opposed engine – in this instance the world’s first ‘boxer’ hybrid power­plant – and Symmetrical All-​​Wheel Drive (AWD).  It marries these with an opulent and spacious cabin accessed through elongated gullwing-​​style doors, and an eye-​​catching, finely sculpted body.

Articulating with the new trend toward hybrid tourer-​​saloon cars like BMW’s Grand Tourer, this is Subaru’s first salvo in this upmarket battle for new market. Throwing in a hybrid Boxer is nothing if not intriguing.

The hybrid system appar­ently uses Symmetrical All-​​Wheel Drive and a 2.0-litre horizontally-​​opposed, direct-​​injection, turbocharged petrol pugilist allied to two electric motors. The electric motors are powered by lithium-​​ion batteries.

According to press releases, in normal driving condi­tions the direct-​​injection petrol engine is used, but at lower speeds and start-​​up, the rear electric motor drives the car.  The forward electric unit, which is mainly used as a power generator, kicks in to assist performance and efficiency while tackling inclines.  Subaru’s in-​​house designed Lineartronic automatic trans­mission is featured, further boosting fuel efficiency and driving performance.

Wether it can retain the passionate punch of the standard scooby Boxer-​​driven cars remains to be seen of course. But the concept certainly looks good.

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Alfa Romeo Navajo by Bertone

Thursday, July 23rd, 2009

GW_88_Navajo_Flank

Of all the futur­istic concepts generated by the venerable carrozeria of Bertone in the seventies, the Alfa Romeo Navajo is one of our favourites.

GW_89_Navajo_r-side

The Navajo was ased on the mechanics of the venerable object of beauty that is the ‚Alfa 33 Stradale . Bertone lengthened the original chassis to create a more spacious two-​​seater cabin than exists in the Stradale.

GW_82_Navajo_side

That outrageous, Battlestar Galactica–style bodywork was super light, having been wrought completely in fibre­glass. This of course meant that with the powerful Alfa engines would have made the Navajo a real futur­istic pocket rocket.

GW_85_Navajo_fr-detail

The front and rear spoilers were designed to adjust automat­ically according to the speed of the vehicle, which was a real innov­ation in the mid seventies. The rear wings provided an inter­esting flourish as well as support for the aft wing.

And as for the name: there’s something that hints at the tribal about the design – kind of a modern primitive grimace in its front, and you can imagine the shape hewn out of dark wood.

Classic Bertone, we think you’ll agree.

Bertone BAT Concept

Wednesday, July 15th, 2009

bertone_alfa_romeo_bat_5_7_9_02-1
At the beginning of the fifties Alfa Romeo commis­sioned Giuseppe ‘Nuccio’ Bertone to produce concept vehicles focussed on on the effects of drag on a vehicle. It was eight years after the war, Italy was starting to recon­struct and it was time to build some of the techno­lo­gical devel­op­ments garnered during the war years into the design of Italian cars.

In a convenient piece of linguistic luck, the cars that resulted (built upon the Alfa Romeo 1900 chassis) were named BAT (Berlinetta Aerodinamica Technica). 
Each year between 1953 and 1955 at the Turin Auto Show, Bertone and Alfa Romeo presented a BAT concept.

To the bare eye they BATs are obviously slippery – but the
 the most inter­esting part of the car is the tail, with the length-​​ways rear windscreen divided by a slim pillar, and the two fins tapering upwards and slightly inwards. For all the BAT designs Bertone added some elements from his exper­ience working on wing profiles in the aeronautical industry.


The first of the series,BAT 5 (above, left) was presented at Turin in 1953. BAT 7 (above, middle), with an incredibly low drag digit of 0.19, came the year after. It was 1955’s BAT 9 (above, right), which had a drag coeffi­cient of 0.23, that was the most pleasing of the BAT concepts, and the most Alfa-​​looking of all the cars. Goes to show that the outrageous wings and chrome of the fifties weren’t all about boomtime guff — these crowd pleasing design elements could be functional too. bat_front