Posts Tagged ‘Contemporary Cars’

Jaguar: Where Did it all Go Right?

Wednesday, July 13th, 2011

A room-​​service waiter once wheeled a trolley laden with champagne into a hotel room occupied by George Best, in his pomp and his dressing gown. Arranged on the bed was a Miss World contestant and thousands of pounds of casino winnings. “Mr Best,” the waiter famously asked, “where did it all go wrong?”

The waiter probably didn’t look out of the window, but if he had, he’d probably have seen one of George’s Jaguars parked below: it would only have made this poster boy for the raffish, slightly dangerous image Jag once had seem all the more perfect. Like George, Jaguar has seen extremes of fortune, but right now it’s having a hotel-​​room moment. Like George, it’s flush with cash, Jaguar-​​Land Rover having just declared a billion-​​pound – billion-​​pound – post-​​tax profit on sales of ten times that. Like George, it is awash with attractive models; its XF and striking new XJ saloons, the XK coupe, the C-​​X75 eco-​​supercar and the smaller XE coupe-​​convertible that the spy photo­graphers have started snapping (you think these things happen unplanned?)

Yet just two years ago Jaguar had the begging bowl out. Sales ravaged by the recession, it faced having to close one of its three factories and still needing to touch Lord Mandelson for a loan and guarantees worth around £600m just to keep operating. A few famous automotive names didn’t make it through the GFC, and for a while Jaguar looked like it might be one of them.

So, Jaguar, where did it all go right?

Three things saved Jag: good cars, Ian Callum, and the Indians. It had been making good cars for a while; the 2002 revision of the S-​​Type was pretty sensa­tional to drive, and the XJ of 2003 was a revel­ation with its light­weight aluminium construction that made heroes of its new diesels and small, economical petrols.

But God, they were awful to look at, Jaguar having found a design language that worked in the sixties and having mutated it ever since. That XJ was partic­u­larly bad, the lines of William Lyons’ elegant ’68 saloon contorted and stretched around the volumes and hard points and crash require­ments of a modern car.

Ian Callum hadn’t been in his design director job long when that XJ was launched and had little to do with it; he virtually held his nose as he first showed it to me in his studio at Gaydon. Richard Parry-​​Jones, global product supreme for Ford, which owned Jaguar then and an insane driver, was more enthu­si­astic as we drove a prototype at furious speed through torrential rain on the empty mountain roads around his Welsh home. It was terrific to drive: pity so few people found out.

Car designers are like football managers, generally moved on too soon when their plans need time to work through. Callum is an exception. He remembers when Jaguars were edgy and ground-​​breaking rather than retro and deriv­ative, and he’s been left in place long enough to have been responsible for his employers entire line-​​up: a very rare achievement.

And oh, must Jaguar be glad. After years in the doldrums Jaguar’s sales had started brightly in 2008, thanks entirely to the XF, which now looked as good as the old S-​​Type drove. Without the XF and the new XJ Callum had already penned, Tata might not have bought Jaguar and Land Rover from Ford in early 2008 for £1.4bn.

Despite the XF, Jaguar’s 2009 sales slumped 33 per cent. But without them, it might have closed altogether, partic­u­larly if the Tata buy-​​out hadn’t gone through and Ford, desperate to cut its European losses and avoid bankruptcy itself, had been left with two companies that were haemor­rhaging money and just a few months later would have been impossible to offload.

Ian Callum’s reima­gining of Jaguar isn’t solely responsible for its survival. British car enthu­siasts often bemoan the lack of a domestically-​​owned major carmaker, but global­iz­ation makes such concepts less relevant, and as owners go, they don’t get much better than Ratan Tata. He’s a car boss in the Piech or Agnelli mould; eccentric, visionary, maybe a little mad. He has a strong social conscience: he says his goal in business is to lay his head on his pillow each night knowing he has harmed no-​​one, and it was his desire to cut road deaths in India that inspired him to create the Nano, a ‘proper’ car for just £1400.

When the condi­tions Mandelson attempted to impose on a bail-​​out package for Jaguar-​​Land Rover proved too onerous, Tata manned-​​up and doubled-​​down, pumping an estimated billion quid into his British acquis­ition, despite the fact that the Indian mothership was strug­gling too. And he’s had the courage to leave Jaguar to it: insiders report an almost total lack of inter­ference from the new bosses despite what they’ve risked.

So you couldn’t blame Tata for repat­ri­ating the vast profits Jaguar is making as its market has come back to find a sexy, edgy range of cars waiting for it. Except he’s not. Far from closing a factory, JLR is now looking to open an engine plant. It’s hiring 1000 engineers and plans to spend an extra half-​​billion each year on new models. It’s not difficult; good cars that look good will sell, and Tata is prepared to fund them and let Jaguar get on with making them. And the good news on the financial pages is as important as a five-​​star road test result in Autocar.

The former Porsche boss Wendelin Wiedeking said that successful people like to buy cars from a successful company. It has the models and the cash, but with Tata in charge it’s unlikely to chuck it all away like Georgie did.

Bolt On Utility

Thursday, February 24th, 2011

Now, we’re not saying that roofracks are call per se. Far from it. The world is awash with the kind of plasticky but super practical contrap­tions by Thule and a host of other worthy companies, that do nothing — absolutely nothing to the aesthetic appeal of one’s ride.

As we’ve mentioned before however, one of the most important aspects of your daily drive will forever remain its utility. Your car could look as cool as a Steve McQueen Baja Buggy but if it doesn’t work hard for you, it might have well stay in that hermet­ically sealed, climate controlled oxygen tent.

We’re campaigners for unashamedly cool cars to reinstated as daily drives — and it makes sense, does it not, to make a positive out of a negative necessity?

In the cases we’ve highlighted above we think that an authen­tically sourced, pleas­ingly designed roofrack can not only turn your classic into a stylish workhorse: but can actually add aesthetic appeal to an already tasty way to get stuff from A to B.

New (Favourite) Porsche Turbo

Monday, February 8th, 2010

OK: so it goes without saying that the Porsche Turbo is probably the most iconic performance car brand in Automotive history. So, when the company releases a new edition of the Turbo, it’s going to cause waves.

The 2010 Turbo S, which will be unveiled in at the forth­coming Geneva show, will boast power figures of 530 hp and 516 lb-​​ft of torque. And along with these new power figures it looks as if performance has gone through the roof.

The company reckons that the 911 Turbo S accel­erates from a 0 – 62 mph (0−100 km/​h) in 3.3 seconds and reaches 124 mph (200 km/​h) in 10.8 seconds. Top speed is 196 mph (315 km/​h). Lightweight and fade-​​resistant Porsche Ceramic Composite Brakes will) provide the same sublime anchoring, too.

The usual elements are there of course : the rear-​​mounted six-​​cylinder ‘boxer’ engine boosted by two turbochargers with something called ‘variable turbine geometry’. And despite its signi­ficant increase in power and performance, Porsche reckon it will return 24.8 mpg Combined (11.4 l/​ 100 km) –exactly the same, that is, as the existing straight ahead Turbo. Serious tech has been bought to bear to squeeze 30 more horses for identical fuel consumption.

The first Turbo S in five years comes with new standard equipment, including Dynamic Cornering Lights, 19-​​inch RS Spyder-​​style wheels, adaptive sports seats, cruise control, a CD/​DVD changer and two-​​tone leather.

We think this beauty approaches the utilit­arian loveliness of the 993 Turbo (Below), favourite turbo to date.

What’s your favourite Turbo?

Alfa Giulietta Cyber-Tease

Thursday, January 21st, 2010

Many of you Alfaholics out there  will be aware of the forth­coming official unveiling at this year’s Geneva International Motorshow.

But in the lead up, Alfa Romeo is rolling out a ‘virtual ownership’ programme so you can get your vicarious cyber fingers all over the attractive little hatch.

Those who sign up will be first to get all the latest news, as well as unlocking a range of content that will give a taste of owning the car.

The original Giulietta launched way back in 1954, was an exceed­ingly pretty little car which came in various set-​​ups, our favourite being the sleek rakish Coupé penned by Bertone in 1958 (below).

There’s a nice symmetry to Alfa relaunching the Giulietta right now: a bold move in a crowded market­place, just as early fifties Italy was in the depths of postwar gloom.  Let’s hope it is shot through with the requisite passion that gets Alfisti hot under the collar.

You can register to be virtual owners at the Giulietta website.

Typeface By Toyota

Tuesday, October 6th, 2009

iQ font — When driving becomes writing /​ Full making of from wireless on Vimeo.

Toyota’s artful marketing reaches new heights of sophist­ic­ation. Reminds us, of course of our friend and auto-​​scriber Ian Cook, whose Popbang colour artwork predates either Toyota’s or BMW’s forays into colourful donutting. The clever thing is with this sort of viral-​​ness is that it really does demon­strate the IQ’s handling. Small cars as creative icons of movement.

The sports version below looks good fun. In a sex-​​dwarfish kind of way.

Iq_Sports

Mclaren's MP4-12C Online

Monday, October 5th, 2009

Mclaren_575

Anyone with even a passing interest in cars can’t help but have noticed that the MP4-​​12C Mclaren’s new road car project and replacement for the near mythical super-​​steed the F1 has hit media portals with full effect.

The new and eagerly awaited product developed by ex F1 team supremo Ron Dennis himself, is set to make petrol­heads’ hearts aflutter the world over when it is finally released in 2011

And, grabbing the media inniti­ative in their bid to presell their latest progeny, McLaren Automotive has launched a new website to act as an online showroom for the new MP4-​​12C. Future customers (as well as mere mortals) can view the 12C in detail through an animated ‘explosion’ (see above) of the car’s technical features.

In addition, users will be able to view a gallery of images from McLaren Automotive’s past and present and also tap into ‘The Insider’, a blog that will be regularly updated with devel­op­ments from the depths of the McLaren Technology Centre.

The car is going to be aimed at a slightly less rarified market than that targeted by the F1 a decade ago, and for us here at influx towers, the under­stated design reminds us a little too readily of the very beautiful and user-​​friendly Lotus Evora. It’s obvious that ideal drag coeffi­cients and the all-​​important rule of the market creates design conver­gence even at this upper levels of car consumption.

Perhaps that’s why Mclaren are eager to show us deep under the skin of their new product.

Watch this space for more devel­op­ments in the drama that is Motorsport-​​Road car crossover.