Posts Tagged ‘Custom Bikes’

We Come from Garageland

Thursday, January 19th, 2012

image via Bike Exif

Three-​​chords, crap equipment, not much talent, lots of enthu­siasm. Young men and women have been in garage bands since skiffle was The Next Big Thing, but it was only during the wave of 1977 punk that the garage bands broke big.

Top-​​selling punks may not have had the same skills as the Stones or Fleetwood Mac, but they offered an altern­ative that was lapped up. A similar revolution is happening in motor­cycle customisation.


Image:Wrenchmonkees

Like punk rock often said it was rebelling against the overblown excesses of ten-​​minute guitar solos and prog rock, the new gener­ation of custom builders are the antithesis of American Chopper’s fat tyre monstros­ities, and showrooms full of 190mph traction-​​controlled super­bikes. And, though the movement started before the global meltdown, its growth has mirrored the fall in sales of big ticket bikes.

The new wave customs are neither chopper nor café racer, but they borrow cues from all genres. They tend to start with unloved, cheap Japanese bikes – though the burgeoning scene is sending prices of air-​​cooled, spine-​​frame Jap stuff roofwards. Anything from the 1970s onwards is fair game. Singles, twins, fours; two-​​stroke or four; Jap, Brit, German, Italian: animal, vegetable or mineral. This isn’t a cult with a basis is performance one-​​upmanship. It’s creativity and origin­ality (without straying into parody or overt gimmickry) is what pushes the bound­aries and attracts the four-​​figure facebook ‘likes’.


image: Untitled

One reason this style of custom is becoming so popular is due to the fact they’re relat­ively easy and cheap projects to complete by someone, anyone, with a few spanners. You don’t even need a garage to be in this garage band. Inspired hopefuls see bikes being fawned over on the Net and, like a thousand oiks of previous gener­a­tions watching Top of the Pops in the late-​​70s, think ‘I could do that.’

Wheels, brakes and suspension can be changed, but aren’t always. Rake, trail and wheelbase all tend to remain the same. No one is building one-​​off frames or investing in forced induction or race tuning. Replace the tank, seat and bars with stuff picked up cheap online or at the autojumble. Paint is simple or non-​​existent. Steel or alloy tanks stripped bare and lacquered or left to ‘weather’ are popular.


image via Bike Exif

Next, junk standard airboxes and exhausts and fit filters and new silencers. If you’re more adept, make a new sub-​​frame for the stripped-​​down back end. Fit new tyres – chunky is best — and a tiddly taillight. Voila! But, like a punk band, however much you sneer and spit, if you haven’t got the chops you are going to fail. For the garage-​​built bike scene, if the stance of bike is hinky, it’ll still look like an unloved bike with a rusty petrol tank and knobblies, however hard you try. There are plenty of those around.


Image: Deus

The godfathers of the scene are the Wrenchmonkees. Based in a cellar in the outskirts of Copenhagen, they modified a trio of big, four-​​cylinder Kawasakis back in 2008, before moving onto twins and singles. It’s no coincidence two of the original trio of Monkees were profes­sional photographers.

They shot and dissem­inated their tough street bikes in a fresh, urban style. The Monkees themselves – Per, Nicolas and Anders – didn’t look like stereo­typical motor­cyc­lists from any pigeon-​​hole, either. They wore a gene-​​defying mixture mountain­eering Gore-​​Tex, full-​​face lids, dark jeans and skate­board shoes and rode in cities, not the unreal­ist­ically empty racetracks of mainstream bike ads.

A new gener­ation of motor­cyc­lists saw them on a new gener­ation of website – blogs that would cherrypick inspir­a­tional images from all over the web and mash these images of bikes up with archi­tecture, art, cars, tattooed femmes and historic style icons. The Wrenchmonkees didn’t look out of place.

Coincidentally, Deus puffed spores of goodness from their sweet-​​smelling Sydney HQ. Though not garage-​​built, their big dollar Yamaha SR500-​​based builds were close to faultless and had a clean­liness only a truly well-​​built road bike can achieve. They’ve influ­enced a thousand builders from Beijing to Bristol, some who copy on the cheap, others who have moved the game on.

People who wouldn’t dream of wearing full leathers and riding a superbike or pulling on a cut-​​off denim and riding a chop realised there was a bike scene waiting for them. They just had to make it. And they have.

MACHINE

Friday, October 21st, 2011

It seems like the greasier portions of the blogo­sphere have caught onto this like a mullet to a hand-​​line over the last couple of days. But we want to share it because it is so lovely.

Take a bunch of committed and discerning biker folk, hook them up with some committed and discerning image-​​makers and what do you get? Something that makes you yearn for lathes and open roads.

The Machine Shed is out there somewhere in the less dusty regions of Australia. They make nice bikes, and strike us as having a lovely attitude.

Machine: we salute you!

MACHINE from matt machine on Vimeo.

SR 500: Poetry in motion

Thursday, September 1st, 2011

More creative niceness from California here, namely Long Beach’s Lossa Engineering.

There’s a real sense of drama to this short by Ricki Bedenbaugh. The beautiful noise of the big single and the orches­tration of the soundtrack is cut together in a lovely urban rhythm.

This film has a particular piquancy, because an older cousin of ours had set our adolescent bike fantasies alight when he bought one of these big, booming singles and taunted us with his rocker cool (which didn’t seem that cool at the time).

Cuz would take the merciless mickey out of us as we watched him roar past, us slouched bored on our Raleigh Grifters.

Though he was swathed in patched denim, monkey boots and the ubiquitous RUSH t-​​shirt, and we were all about disco, boogie and Lambrettas, it was secretly the sound of the SR500 that I would ape by tucking the mudguard end over the Grifter’s rear knobbly.

The guys in Long Beach have certainly made this a much cooler bike than it ever was in its original form.

Kott Custom Culture

Friday, July 8th, 2011

What follows is a really nice short film about the philo­sophy, practice and approach of LA-​​based custom bike builders Kott.

There’s an increasing number of these sorts of passionate engin­eering houses stripping away the crap and breathing new life into vintage bikes — and a lot of these crews are putting out inter­esting promo videos to promote what they do.

This film, though, is one of the best we’ve seen.

It highlights that fascin­ating obsession that American bike culture has with the café racer style — and it teases out some of the reasons why there’s such an affinity with US style ‘hot rod’ bikes with the dropped bared, pared down purpose­fulness of British A-​​road racers from the fifties and sixties.

It also brings out a common thread in custom bike culture — the fact that very often love of motor­cycling and building and custom­ising bikes is passed down gener­ation to gener­ation, father to son and family to family.

Its not surprising that the unique quality of each and every hand wrought re-​​interpretation infused with these values truly moves the soul  — as well as the rear end —  with a unique kind of grace.

Friday Bike Crush # 2

Friday, March 11th, 2011

Spring creeps up on you. And just when you’re least expecting it, you start daydreaming of blasts through the countryside with the wind in your face and the rumble of a V-​​Twin beneath your loins. Or at least we have of late.

Enter this beautiful stumble-​​upon. Like a cross between a low slung street tracker and a chrome clad glamour hog, this thing of attitude and beauty was pieced together lovingly by the aesthet­ically astute folks at Shaw Speed & Custom.

It’s basically a Sportster given the flat tracker treatment, but we think you’ll agree that our country lane commute would be much improved by the inclusion of something like this into the mix.

Surely you’d just need a couple of lamps, no?

Perchance to dream.

For more custom loveliness like this, we suggest you have a look at Bike EXIF

Shinya Kimura

Thursday, July 1st, 2010

Portrait via www.chabottengineering.com

The Japanese are blessed with a long tradition of rigorous crafts­manship. From calli­graphy and type design to silk printing and sword making – there are centuries old ways of doing things that put process as far to the forefront as product.

Tokyo bred Shinya Kimura is one of the many Japanese craftsmen in this tradition turning their hands to motor­cycles. Working these days in California, the applic­ation of his metic­ulous, back-​​to-​​basics philo­sophy is producing fiendishly beautiful bikes.

For me a motor­cycle is more than art,” he says, “it’s something that brings out my instincts, the wildness and vulner­ab­ility in me.”

Do yourself a favour. Take two minutes and forty five seconds to watch this video.

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Falcon Motorcycles

Tuesday, May 11th, 2010
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It boggles the mind how beautiful these bikes are. And how detailed their commitment to hand-​​wrought crafts­manship appears to be.

Born of a couple of Californian bike builders, Falcon is a collective of craftsmen who will fabricate to order. Give them your old donor ride, agree on a build plan, plan for a fee of $90 per hour and they will make your dreams a reality.

It’s as if the clock was turned back to the forties and hard won technical knowledge was being applied to the raw material of boomtime America: only this is 2010 and there are even more possib­il­ities to contemplate.

Follow your dreams.