Posts Tagged ‘E-Type’

Porsche 911 Overhang Hangover

Tuesday, August 23rd, 2011

When we saw the new 911 last week, we were immedi­ately struck by the size of the overhang. We thought it made the car look ugly.

It’s predictable that when a new version of the totemic Porsche comes along, it puts the cat among the pigeons. You get used to seeing so many of the current edition at any one time, it’s always going to be an aesthetic jar when a new version comes along. Human nature is draw to the familiar and rejects instinct­ively anything that disturbs that comforting field.

The 911 with its big flat six buried in the rear overhang itself ever since its conception at the start of the sixties, has always been a rare excep­tions —  a sports car that works with a lot of rear overhang.

Balance, handling, performance and aesthetic consid­er­a­tions all go into the mix when designers make decisions about something so funda­mental to a car’s very ethos as how much steel extends out beyond the wheelbase.

In cars with the engine in the front, a rear overhang of course helps with storage — and a bit of for’ard overhang will balance this out aesthet­ically and also accom­modate a nice big engine. You see this a lot on family wagons and tourers, partic­u­larly your BMW five and seven series cars and the genres they dominate.

When you stick the engine in the rear as in the 911, you situate the mass of the engine to the aft of the the wheelbase, which contributes to that delicious back-​​happiness as well as providing a nice rear crumple zone to protect in the case of a collision.

So, while your sports car designer has usually sought to reduce overhang, we can think of at least two sporty cars with loads of it. Think of the E-​​Type, with an acreage of front and rear overhang (beautiful thought it is) and the love-​​it-​​or-​​hate-​​it Saab Sonnet (below) which had a spectacular amount of front overhang but hardly any at the rear. We’ve never driven a Sonnet, so we wouldn’t know, but we imagine it must have suffered from terrible understeer…

And predictably, now we’ve had a few days to mull over these things, we’re kind of digging the new 911’s long, low, sleek lines. And you can bet it’s going to be a gem to drive.

Perchance to Dream

Thursday, November 11th, 2010

The E-Type: campest or coolest?

Thursday, April 2nd, 2009

rear

Of all the cars of the sixties that have been trans­formed into icons thanks to the long lens of Nostalgia, the E-​​Type Jag is surely one of the coolest.

Sure, the Mini gave flight to the dreams of the swinging decade, and put a whole new gener­ation and gender out on the road in a genuinely affordable British runabout encoded with exotic design values.

But combine the E-type’s phallic nose and its carnally sweeping rear with the olfactory delights of the hide-​​and-​​walnut interior and you have hands down a car that screamed ‘sex’ like no other. And sex always, of course, equates to cool.

Even in it’s earliest manifest­ation, the bubble-​​butted Series I (above), the 3.8 litre engine could propel this love bomb to sixty in a shade over 7 seconds. Enzo Ferrari himself is said to have regarded the car as one of the most beautiful ever made.

The E-​​Type was pretty, quick and British. Doesn’t come much cooler than that.

And if you don’t believe Enzo, ask Eva.

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Now the lasci­vious plunderings of French comic-​​book spy hero Diabolik might be stretching the very idea of sexiness to breaking point, but can you imagine what other car of the sixties would suit the PVC happy “master of sports car racing” ?

No. I thought not. Because rather than simply sexy, the E-​​type is the campest car ever designed.

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Cool Cars, Cool Music

Thursday, February 12th, 2009

newperspective

OK we’re on a mission. It’s a geeky, music and car obsessed mission. The mission is to find the coolest album cover ever that has a car on the cover. There are of course absolutely thousands of artists over the course of rock music history that have chosen to feature motors on the artwork of their albums. What that means about the relation­ships between cars and music is anyone’s guess. No matter. For the purposes of this mission we’re looking for a combin­ation of superb motors, superb artwork and superb music.
For hands-​​down non-​​negotiable cool, Donald Byrd and his famous Blue Note design has got to be one of the best examples ever. We know it’s the almost carnally-​​appealing Jaguar E-​​Type he’s leaning on, but can you tell the exact year and model? Answers from you experts on the comment boards please. The classic design is one of the most well known of the New York label’s ground­breaking art from the sixties and seventies, and set the standard for packaging design in the music  industry as well as unbeatably slick sounds in the studio.
In sharp contrast to Donald’s achingly cool stance, check punk indus­tri­alists Throbbing Gristle’s jarringly conser­vative repres­ent­ation of a Morris Oxford. The Gristle have been known variously for the unnerving nature of their trans­gender front person Genesis P-​​Orridge and their seamless three hour sets of indus­trial noise, which make them about as MTV-​​friendly as a kick in the arse. The Gristle rock, and so does this album art.

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