Posts Tagged ‘Giugiaro’

Bizzarini Manta

Tuesday, November 1st, 2011

We’re suckers for defunct automotive brands. And one of the most spectacular and exotic of the passed car-​​makes of recent times is Bizzarrini.

The company was Founded by Giotto Bizzarrini a former engineer for Alfa Romeo, Ferrari and Iso. Until the company closed in 1969 they built a number of inter­esting concepts and sports cars — their rarity of course including the aesthetic as well as financial value. Giotto’s cars were usually of the brutally audacious — think of the muscular super-​​coupés that were Iso Grifo — and he was partly responsible of course for the 250 GTO Breadvan.

The Manta, made from bits and pieces made by the soon-​​to-​​be-​​defunct Bizzarini company, was Giorgetto Giugiaro’s first independ­ently built car. He used it to launch Ital Design in the car show at Turin in 1968.

Apart from its period-​​correct wedge design, the most striking thing about this creation is the three-​​up interior layout, which, we suppose, was borrowed from that Ferrari 365 prototype of 1965. This setup was of course revived very success­fully later on with the McLaren F1.

This chassis was a tubular steel Bizzarini design built especially for the rigours of Le Mans and the motor was a torquey Ford ‘small black’ V8.

After the Turin show the car was put on a World Tour that included the 1969 Los Angeles Auto Expo. It wasn’t exactly well-​​received stateside, and was perhaps correctly perceived as a bit of typical spaced-​​out European indul­gence. According to Road and Track magazine it was “yet another 200-​​mph suppos­itory in bright orange…”

Apparently the car was purchased in 2003 from a Texan collector and then restored for two years, where it got this dashing turqoise paintjob — before winning a category prize at pebble beach in 2005.

The Manta is one of those rare crystal­lisa­tions of automotive brilliance — and Bizzarini a brand that was all about passion.

Karmann Cheetah by Italdesign

Friday, September 30th, 2011

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German coach­builder Wilhelm Karmann is of course most widely known for having created the Karmann Ghia and various other cult classics for Volkswagen.

One of his lesser known projects was the Cheetah — a small sports concept for VW via Giugiaro’s firm Italdesign.

The Cheetah is a real child of its times; having debuted at the 1971 Geneva Salon.

The X1/​9–ish front end and flatbed rear was fitted over a modified Beetle floorpan bore obvious resemb­lance to various other Guigiaro projects — but less obviously the roof of the Cheetah was straight out of Mr Karmann’s stable of influences.

This pretty unique roof consisted of a a soft top with a trans­lucent sunroof panel over the cockpit, which could be stored under the car’s twin seats.

Nice bit of period futurism that probably could have foreshadowed the success of Bertone’s X1/​9.

File under missed oppor­tunity, we think.

Alfa Romeo Scighera!

Tuesday, February 22nd, 2011

It’s been a while since we posted pics of an inter­esting concept from the past. But Alfa’s Scighera is a fine example of a piece of imagin­eering from the 1990a that is up there with some of the most outragous concepts from the mid seventies.

It might be no coincidence that this beauty springs from the mind of Fabrizio Giugiaro (yes, the son of the great Giorgetto himself).

It’s difficult to see what this design study from Italdesign was aiming at, but you can see the influence the design has hoovered up. There are elements from Bertone designed classics like the Alfa Carabo, the Lamborghini Miura and even the Stratos zero.

There are pure bred Italdesign flour­ishes too, though, like the low slung, vented front that recalls early concepts that lead to the BMW M1. And last, and you can’t forget of course, Mr G senior’s ugly Aztec.

The prototype had a mid-​​engined, twin-​​turbo 3 litre V6 which appar­ently produced 400bhp and its 4WD handling must be a doozy.

Apparently the car can be seen in the permanent collection on display in the Italdesign atelier.

Aztec: Giugiaro's Ugly Betty

Wednesday, April 22nd, 2009

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Now it’s no secret that we here at influx are big fans of the Maestro, Georgetto Giugiaro (below). His designs have graced some of the most incredible concepts and production cars in automotive history – from the audacious and carnally appealing Lamborghini Muira to the brilliantly workaday Fiat Panda. But it’s the sheer invent­iveness and the willingness to turn dreams into reality that charac­terises brilliant but pugish concepts like the Aztec that really makes Giugiaro the car designer of the century.

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Built under the label of his own design company in toward the end of the eighties, the Aztec featured separate compart­ments for driver and passenger. It was developed into a limited run of around two dozen production cars powered with Lancia trans­mission and a powerful Audi engine (the same 250 BHP lump that was found in the first gener­ation Quattro).

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The body featured a twin flip up cockpit style roof canopies as well as typically retro-​​futuristic interior redolent of the controls of a shuttle from Space 1999. But, the demi wedge shape with a the hunkered down rear three-​​quarter wasn’t everybody’s cup of tea. The latest news is that despite their rarity, they have been known to fetch less than 200K Euros at auction ( when consid­ering they were priced at the rough equivalent of 300K Euros in 1992, seems a sort of bargain (albeit for those with very deep pockets).

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While the Miura has to be Giugiaro’s supreme piece of pure penmanship. But cars like the Aztec, with their ugly-​​beautiful, devil-​​may-​​care audacity, have a place in our hearts.

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Bonkers AutoBianchi

Tuesday, April 14th, 2009

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You have to hand it to Bertone. The company seems to be more adept at drawing together a collective of designers who are prepared to push the boat out than anyone else.
And when you look at the Bonkers Autobianchi Runabout of that mental year of 1969, the boat was almost literally pushed out. Taking inspir­ation from the nautical world, the Runabout was commis­sioned by the Italian car maker to explore what might be possible with a Fiat platform and a near limitless design parameter.

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Marcello Gandini, protag­onist with our her Giugiaro, of the infamous contro­versy surrounding penmanship of the pivotal Lamborghini Miura design, was responsible for this outrageous concept.

Having only recently leaped in Giugiaro’s seat after leaving Bertone, Gandini obviously had a point to prove. It was 1969 and the world was being turned around and around and upside down in almost every cultural form. The runabout typified the sort of thinking that sent folk to the moon.

But Ironically. for such a old set of design elements, it bears a strik­ingly obvious relationship to the Fiat X19, the car that eventuially emerged from in 1972. Just shows you that the greatest dream with their eyes wide open.

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Alfa Canguro: The Most Beautiful Car Ever Made?

Monday, April 6th, 2009

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Beauty is a difficult thing to define. It’s a cliché to say that it resides in the perception of the observer. Anyone with an aesthetic atom in their being knows that the non-​​relative, objective, obviously apparent kind of beauty truly exists.

There of course can be beauty in the magic play of numbers on a balance sheet, in the engin­eering brilliance required to squeeze a hundred miles out of a litre of fuel, or the ability to carry safely a screaming family of six to the coast for a weekend without causing marital breakdown.

Problem is, this deeply embedded, functional aesthetic has appar­ently dominated vehicle design of the last few years.

But as obvious as the fact that beauty is every­where, and that it can take on a variety of manifest­a­tions – is the fact that Giugiaro’s distinctly feminine design for Bertone of the Alfa Canguro, that debuted at the Paris salon of 1964, must be one of the most object­ively beautiful cars ever designed.

Its lines flow each into each with an almost other­worldly harmony; the wheel arches describe the sort of arc that Michaelangelo must have dreamed about in the halls of renais­sance Rome; the curved glass work and fibre­glass that encased the cabin folds the driver in like the pilot of a fighter plane; the D-​​type inspired nose and cut-​​off, perky tail hints of nimbleness and endless fleet of foot.

Though the light­weight, supremely slipstreamed design never manifest in a road-​​going production Alfa, a version of the car survives, last reported shown at a concours event in Italy in 2005, appar­ently by a Japanese owner. Elements of the design informed many classic Alfa and Bertone designs, partic­u­larly the gorgeous Montréal of 1970.

Is beauty truly in the eye of the beholder?

Let us know what, if anything, pleases your pupils as much as this slice of automotive heaven.

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