Posts Tagged ‘Italia’

Lancia Delta S4 Stradale

Wednesday, December 7th, 2011

Ok, so it’s a Lancia Delta. It may have born a striking resemb­lance to its badass cousin the Integrale, but where the everyman Delta was an acceptably inter­esting everyday motor, the S4 sprung out of another universe. And that universe was Group B.

The workaday Delta was a front-​​wheel-​​drive, five-​​seater hatchback, — but the S4 über-​​car was a two-​​seater with its engine slung where the kids would have presumably been. It was constructed around a tubular space frame chassis and incor­porated fully adjustable all-​​independent suspension – beneath light­weight composite bodywork. There were loads of aero aids that increased downforce and the body was pieced together for easy oyster-​​shell like deconstruction.

All four wheels were driven by central and rear diffs, and the 1.8 litre 16V engine, designed by Abarth, employed two different types of forced induction to get rid of that perennial low rev turbo lag. Yes, baby. This was super­charged and turbocharged and by the end of devel­opment packed 500 horses. And this was, remember, in 1985!

200 were supposedly built, of course, for homolog­ation into the fatal and fated formula that was Group B, but the specialists reckon there are now only around 80 in existence of the S4 Stradale. This is why the last one sold at auction, by Bonhams this summer, fetched over £100,000!

Crisis? What Crisis. Get me a Delta S4 NOW!

The art of Alfa Romeo

Tuesday, November 8th, 2011


image: Amelie Lengrand

Of all the many and various creative car brands, Alfa Romeo is one of the most appealing to true automotive aesthetes.

The inhouse art depart­ments of the company itself has commis­sioned many lovely bits of graphic art, which has prettily populated their marketing and signage over the years.

Amongst all the privately generated pieces of art that feature cars, a huge proportion have focused on the cloverleaf brand.

So, it came as no surpise when we stumbled on an extensive collection for sale in various formats this morning.

This list is well worth checking out if you’re in the lucky position of having an Alfa Garage to decorate this winter.

Go here to view the full selection.

http://www.artofbrands.com/wo_en/alfaromeo/

250 LM Pininfarina Stradale Speciale

Wednesday, November 2nd, 2011

Last summer at the Silverstone Classic we were lucky enough to get up close and personal with a race prepped 250 LM. It was, predictably, an erotic exper­ience we won’t quickly forget.

But when we stumbled across this SS version we were blown away and had to share.

The rear three quarter profile brings out the heart­breaking lines, set off by that Scuderia style strip, the wire wheels and the dashingly gauche interior. But this thing would be as agress­ively dynamic as it is pretty.

The 250 LM made its official debut at the 1963 Paris Motorshow. The racing evolution of the hugely successful 250 series used a bored out 3.3 litre version of the GTO derived engine.

The homolog­ation author­ities at the time didn’t believe that Ferrari would be able to produce the required 100 cars for homolog­ation, so the 250 LM was only eligible to race in the prototype class.

And the little racer did very well indeed. In fact in 1964 ten victories were scored out of 35 entries and no less than five 250 LMs were entered in the 1965 24 Hours of Le Mans by privateers.

Almost too pretty for words, we’re sure you’ll agree and as immaculate as any car you’ll be lucky enough to encounter, anywhere.

Bizzarini Manta

Tuesday, November 1st, 2011

We’re suckers for defunct automotive brands. And one of the most spectacular and exotic of the passed car-​​makes of recent times is Bizzarrini.

The company was Founded by Giotto Bizzarrini a former engineer for Alfa Romeo, Ferrari and Iso. Until the company closed in 1969 they built a number of inter­esting concepts and sports cars — their rarity of course including the aesthetic as well as financial value. Giotto’s cars were usually of the brutally audacious — think of the muscular super-​​coupés that were Iso Grifo — and he was partly responsible of course for the 250 GTO Breadvan.

The Manta, made from bits and pieces made by the soon-​​to-​​be-​​defunct Bizzarini company, was Giorgetto Giugiaro’s first independ­ently built car. He used it to launch Ital Design in the car show at Turin in 1968.

Apart from its period-​​correct wedge design, the most striking thing about this creation is the three-​​up interior layout, which, we suppose, was borrowed from that Ferrari 365 prototype of 1965. This setup was of course revived very success­fully later on with the McLaren F1.

This chassis was a tubular steel Bizzarini design built especially for the rigours of Le Mans and the motor was a torquey Ford ‘small black’ V8.

After the Turin show the car was put on a World Tour that included the 1969 Los Angeles Auto Expo. It wasn’t exactly well-​​received stateside, and was perhaps correctly perceived as a bit of typical spaced-​​out European indul­gence. According to Road and Track magazine it was “yet another 200-​​mph suppos­itory in bright orange…”

Apparently the car was purchased in 2003 from a Texan collector and then restored for two years, where it got this dashing turqoise paintjob — before winning a category prize at pebble beach in 2005.

The Manta is one of those rare crystal­lisa­tions of automotive brilliance — and Bizzarini a brand that was all about passion.

BMW Spiccup

Thursday, October 6th, 2011

For some reason this incredible BMW one-​​off from 1969, (our favourite year), completely managed to pass us by these forty odd years.

You can see the car’s bloodline at first glance.

Yes, those are the Montréal–esque hooded headlamps from the pen of Marcello Gandini and the same shocking green rendering of Bertone’s audacious Alfa Carabo.

The Spicup was a Geneva launch and was based on the 2000CS — with the 2.8 litre straight six. It was sold after the show and appar­ently the car clocked over 100,000KM before its owner gave up and confined it to automotive legend.

It sold Recently at auction via Bonhams for around US$600K. That’s some serious mileage for such a valuable vehicle.

And though there’s a lot about it’s look and feel that is dead-​​on in terms of its period design, the side perspective gives a hint at where the ideas came from.

We reckon this was Gandini’s homage to 50s American futurism.

Karmann Cheetah by Italdesign

Friday, September 30th, 2011

images Italdesign

German coach­builder Wilhelm Karmann is of course most widely known for having created the Karmann Ghia and various other cult classics for Volkswagen.

One of his lesser known projects was the Cheetah — a small sports concept for VW via Giugiaro’s firm Italdesign.

The Cheetah is a real child of its times; having debuted at the 1971 Geneva Salon.

The X1/​9–ish front end and flatbed rear was fitted over a modified Beetle floorpan bore obvious resemb­lance to various other Guigiaro projects — but less obviously the roof of the Cheetah was straight out of Mr Karmann’s stable of influences.

This pretty unique roof consisted of a a soft top with a trans­lucent sunroof panel over the cockpit, which could be stored under the car’s twin seats.

Nice bit of period futurism that probably could have foreshadowed the success of Bertone’s X1/​9.

File under missed oppor­tunity, we think.

Driven: Alfa 8C Spider

Friday, September 16th, 2011

This car is possibly the most Italian thing on the planet; even more Italian than smiling indul­gently as your suspi­ciously black-​​haired elderly Prime Minister appoints former topless models to the cabinet or attempts to bed an eighteen-​​year old. So it makes no sense to translate the Alfa Romeo 8C Spider’s name into dull, humble Anglo-​​Saxon. Even Alfa’s staff with their near-​​flawless English don’t bother to Anglicize it, and simply refer to it as the otto-​​chee as one tosses me the keys.

So otto-​​chee it is, then. But is the noisy, gorgeous otto-​​chee Spider actually any good, or are we in danger of being seduced by a La Scala–standard tenor in a perfect Brioni suit?

If price alone conferred supercar status there’d be no debate. The 8C Competizione coupe, of which 500 were made, cost £112,000 in the UK. The Spider, of which another 500 were made from 2009 with 35 coming to the UK, cost an eye-​​watering £174,000. Objectively, that price was hard to justify. The Ferrari California, with its more aristo­cratic badge and folding hard-​​top costs a good BMW 3-​​series less. But the looks, the noise, the name and the rarity are plainly enough; value for money isn’t a consid­er­ation, and they both sold out fast. You can still buy them from dealers, of course, but demand means you’ll pay closer to Spider money for a low-​​mileage coupe now.

So what do you get for your fifth of a million euros? The engine is the same as the coupe’s: a Ferrari-​​cast, Maserati-​​derived 4.7-litre V8 making 450bhp and maybe the most extraordin­arily exuberant noise of any car on sale. The pulch­ritudinous looks are as good as the coupe’s too. The best-​​looking, best-​​sounding car of recent years? Quite possibly, and for many the debate ends there.

And it is very loud; the exhaust maintains a constant conver­sation with you when just manoeuvring; you’ll turn heads even when parallel parking. At higher revs it hardens into a hollow bellow with a prolonged crackle and bang when you shift gear. The Alfa engineer – Italian, naturally – who took me out for a couple of famil­i­ar­iz­ation laps at the firm’s Balocco test track gave up trying to describe it  — or make himself heard over it — and just started waving his right arm in the air in a lassoing motion when he thought it sounded partic­u­larly nice, which was most of the time.

This is a fast, powerful car, but at the risk of sounding terminally spoiled, it isn’t that fast; not quite fast enough to justify that price or put any signi­ficant distance between the 8C and rivals at a fraction of the price. A 0-​​100kmh time of 4.5sec and top speed of 290kmh are very nice to have regular access to, but aren’t signi­fic­antly quicker than a Porsche Carrera S, and are appre­ciably behind the sub-​​four of the California.

But while the engine disguises an average performance  — by the standards of the class — with sharp responses and a showy exhaust note, the handling is very well-​​judged but just doesn’t excite you. The steering is weighty, direct and quick enough but mute; exper­ience rather than sensation tells you that the car will go where you point it. Same with the brakes; now carbon-​​ceramic, they’re long in travel and lacking in feel.

Objectively, the 8C Spider doesn’t have the specific­ation or the dynamics to justify the price. But it doesn’t need them, because the more Alfa asked for the 8C, and the rarer it made it, the less it competed in any objective sense with other supercars. Those lucky enough to have one will have Ferraris already and won’t be blind to the otto-chee’s short­comings. But they’ll also love Alfas, and know that this is one of the stand-​​out cars in the firm’s storied, century-​​long history.

And it bodes well for the new 4C. That car might be very different in specific­ation and price; it will cost around £40,000, and deliver a similar sub-​​5-​​second 60mph time but with a 232bhp four moving just 850kgs. But the intent is the same; a bespoke, low-​​volume sports car to keep us in love with Alfa, and most import­antly keep the brand in America until the Mitos and Giuliettas get there in force. The 8C did all of that. It’s still doing it. We think the 4C will do the same, and be just as ineffably Italian.