Posts Tagged ‘jaguar’

John Steed's Big Cat

Wednesday, June 29th, 2011

We make no bones about it. We love all things Jag.

In fact we love the touch­stone British brand so much that we’re going to dedicate a whole month’s worth of features on the subject.

From July 15 All things Jag will be emblazoned across these portals. Stay tuned for that.

But in the meantime we couldn’t resist sharing with you the spectac­u­larly burly lines of John Steed’s XJ12 C from weird seventies special agent series The New Avengers.

This was a tweaked, tuned and pumped version of Jag’s pillarless XJ Coupé that rocked its delightful dozen cylinders to the tune of 5.3 litres.

The most famous of these british beauties was of course the Broadspeed Racing prepared version (above).

A handful of these 550 horsepower beauties were fielded in the late seventies by the much maligned British Leyland. Apparently they set good quali­fic­ation times but reliab­ility issues meant they were never very successful.

Same old Leyland story then.

Finished in British Racing Green and driven by an elegant man in Savlle Row tailoring and a bowler hat as seen in the video below we think you’ll agree this car takes the biscuit.

By appointment to Her Majesty the Queen, of course.

YouTube Preview Image

Europe's Glory

Thursday, June 16th, 2011

Fiat Abarth 750 Zagato
Give a tiny Fiat chassis the Zagato bodywork treatment and a tuned engine and tweaked running gear from Mr Abarth. What more could you want from a pocket rocket for the fifties? Post war Italian austerity gets a shot in the arm, If you couldn’t afford Ferrari’s 250 TR – this was the bargain basement racer of its time.

 

Ferrari 250 TR
With a body by Scagietti and Ferrari’s race-​​focussed engin­eering, the TR was dominant in its various arenas and remains unassailable in its aesthetic appeal. This was the car that announced the true arrival of the prancing horse as a global force. Not surprising, then that the few on the market command as much dinero as a prime Picasso.

 

Mercedes 300 SLR Uhlenhaut Coupé
Benz’s head of motor­sport Rudolph Uhlenhaut bespoke two of these enclosed, gull-​​winged versions of the W 196 SLR for road use. Reputedly the fastest car on the planet in 1955, the coupé version of Moss’s record­breaking Mille Miglia winning car invokes the Ride of the Valkyries with a Gene Vincent backbeat. Scarily teutonic.

 

Maserati Tipo 61 ‘Birdcage’.
Unveiled with Stirling Moss at the helm in 1959, the Tipo 61 got its moniker because of its cage-​​like space-​​frame chassis — which was lighter and stiffer than its compet­itors at the time. We like it, though, because of its arachnid styling and the way its design exemplifies that moment when the fifties with its make-​​and-​​do feel of the ancien régime gave way to the self conscious modernism of the relat­ively affluent sixties. Lecture on social history over. Just look at it!

 

Jaguar XK SS
Contender for sexiest car of all time, let alone the fifties — this was the road-​​going version of the all conquering D Type racer – with a passenger seat, a door and a proper windscreen. Unseemingly curva­ceous and rare – due to a fire at the Jag plant – it remains a totemic road-​​going piece of British automotive crafts­manship. Steve McQueen and his XKSS were, appar­ently the focus of a free donut bonus scheme by the LAPD. The Coolest Man in the Universe and his ride would tool around the Hollywood Hills on the limit it seems…

 

Maserati A6 G
We’re repeating ourselves here a bit but we couldn’t leave this beauty out. The curved propor­tions of the coachwork combined with its laid-​​​​back, hunkered down poise get us in the back of the throat. Those tiny rear headlamps. The huge Maserati trident on the grille. The minimal brushed steel bumpers and the pertly curved boot! Those Webers! Those wire wheels! We’re STILL in love.

 

BMW 507
Originally intended for export to the US to compete with sporty and succesful Mercs and MGs, the 507’s pretty roadster lines live on in the Z-​​series of roadster. Never selling in numbers due to high costs they now fetch silly money. There’s only 200 or so in existence — and we doubt you can name a prettier German car.

Jaguar Design at Clerkenwell

Tuesday, June 7th, 2011

If you were lucky enough to find yourself at Clerkenwell Design Week recently, you would have been treated to a delicious display of the celeb­rated new design ethos of Jaguar. The centrepiece of the show was the one-​​off C-​​X75 concept car — and the show itself documented the process from the first sketch to production through a bespoke art install­ation designed and produced by the Jaguar design team.

We want to explain to people the art of creating a car,” Hugo Nightingale, Senior Designer at Jaguar told press. “In some companies car design is a technical, cold process. At Jaguar it is about emotion, artistry and craftsmanship.”

Clerkenwell Design Week is the perfect envir­onment for us to present the C-​​X75 to the design world”… he continued… “it gave us the oppor­tunity to explain how its existence was founded on a desire to continue Jaguar’s design philo­sophy of flowing lines, purity of form and bespoke luxury for years to come.”

The install­ation revealed insights into the car design process, the journey including sketchwork, material elements and full-​​size clay models.

For Jaguar the C-​​X75 is the study that will inform all of the brand’s forth­coming products — which will distill this urge to create beautiful cars that are usable and marketable too.

Sounds like a plan to us.

Jag’s talis­manic design director Ian Callum said “The C-​​X75 is everything a Jaguar should be. It possesses remarkable poise and grace yet at the same time has the excitement and potency of a true supercar. You could argue this is as close to a pure art form as a concept car can get.”

The current lineup of Jags has breathed a whole new waft of energy into the peren­nially attractive Jaguar brand — and this new design ethos is a major element in the recent turnaround in the fortunes of the Jaguar Land Rover group’s fortunes.

Analogue Auto ABCs

Monday, April 4th, 2011

Of all the inter­esting stumble-​​upons that we have, er, stumbled upon recently, we think this beautiful little set of drawings is up there with the best.

Published in France some time in the 1960 the book is a a nice example automotive art before the Apple Mac came and swept pen and crayon aside forever.

We haven’t been able to find much in the way of info about who author or publisher might be. Perhaps some of our readers who fetishise automotive ephemera might be able to help with that.

We reckon this pre-​​digital showcase of line and colour has a colourful vibrancy and fascin­ating appeal that is lacking in a lot of the contem­porary stuff…

thanks to The William Brown Project

Perchance to Dream

Thursday, November 11th, 2010

Goodwood Revival

Thursday, October 21st, 2010

Today the word “extreme” has very fixed connota­tions: danger, excitement, even borderline ridiculous.

But when you think about it, the people that make this festival what it is are true Automotive extremists. The lengths to which those involved will go to ensure the authen­ticity of the revival exper­ience is incredible.

Whether it be the invitation-​​only racers, the individuals’ outfits, or the newspaper wrapped fish and chips, every detail of retro culture at the annual tweed fest is exact.

But The revival is not just about British motoring culture, and there the place is plastered with material other than tweed. It also draws in a legion of aviation enthu­siasts, who lust over beautiful pieces of Aeronautical design, like the P51 Mustang. This year’s Revivalists were treated also to a spectacular flypast by a Lancaster bomber and a duo of Spitfires to commem­orate the 70th anniversary of the Battle of Britain.

There’s the Hotrodders with their girls dolled up in classic Americana that screams of chrome-​​clad diners and milkshakes, there’s the old boys in leather helmets, the cheeky burlesque girls and their curves and lipstick. Good wood at the time of th revival is a sort of Bermuda triangle that sucks in people seeking refuge from the aesthet­ically converged contem­porary culture: and a place where they can safely revel in nostalgia. Even if that nostalgia is for a time most of the attendees have never known.

And it seems to be conta­gious. Over the last few years entrance figures to the Revival has skyrocketed — as have attendance to other shindigs like Race Retro; this year’s Vintage at Goodwood was a multi-​​faceted newcomer and a great success — and events like thissure to be a regular on the sumer calendar from here on in.

What makes these events so increas­ingly popular? As these glory years get further and further away from living memory are people more desperate to cling on? Or is it merely that vintage is becoming ever more fashionable as the demographic grows more aged with every generation?

Here is a selection of photos from this year’s Revival to help you decide.

Pics by John Isaac

First Hand: A Clowder* of Cool Cats

Friday, September 24th, 2010

My first Jaguar exper­ience took place when I was six years old; for some reason my parents abandoned their penchant for 1970’s Renaults (4, 12 and 16 I seem to recall, but not in numerical order) in favour of something meatier; a Mark 2. After all that Gaelic plastic and leath­erette the walnut and cowhide was a revel­ation. Sadly in the heat wave of 1977 the 2483cc engine gasped it’s last on the A303 outside Sparkford, home of the Haynes Publishing empire. Not even the proximity so many manuals could convince my parents to embark on the mighty repair.

My latest Jaguar Experience is altogether more thrilling. August 2010 finds me rocketing round Silverstone’s tight Stowe circuit in a 500 BHP XKR coupe; I approach a chicane white-​​faced with adrenalin. My passenger and profes­sional driver/​guide barks orders “Hard on the brakes. Harder! Harder!” Despite his instruc­tions I overcook it…thankfully some clever actuators kick in and traction control saves me from more spectacular embarrassment.

I’m attending a hybrid press/​ revered-​​Jag-​​owners event in which punters and journos get to tarnish spanking new motors with their hot and sticky hands. It’s based in the new Stowe Complex, a custom built facility designed for such corporate shindigs,

Parked outside are over forty box-​​fresh vehicles; they encompass the entire 2010 range. The goal of these Ian Callum designed cars is to redefine the brand in quest for young consumers. As a result there’s much muscular styling in the body (which both honours Jaguar’s pedigree and is easy on the eye), while inside the gentleman’s club interior of old has been banished in favour of trick design features, club-​​like interior mood lighting and amazing sound systems.

That morning I drove a long wheel base XJ (limo plush peppered with clever details) and the 3.0 XF Diesel, (the most glamorous of family cars fitted with Jaguar’s sequential-​​shift paddle changers)…but the one I really had my eye on was the top cat, the leader of the gang, the £75,000 5-​​litre V8 XKR.

A light sprinkle of rain had seen the more exper­i­enced drivers begin murmuring words like “greasy”, but that didn’t stop me donning a helmet and stepping into a gloss red Coupe. The noise was fantastic and although the other cars had been quick enough, this was a whole new league. 0-​​60mph in 4.6 seconds for starters. The car felt light and nimble and even on the short 1.2 mile circuit it was easy to power past other motors on the track.
As I pass the pits for the umpteenth time my driver/​guide calls, “Last lap”. I blip the paddle shifters down a gear and stand on the throttle. Now the chicane is approaching; the Driver Guide sits silent as I do my level best not to embarrass myself again. “Better” he mutters as we exit. I can’t really justify how satisfied I felt.

Funnily enough my day had begun in a Renault. I arrived at Silverstone in the family Megane, if that old adage that we turn into our parents is true, surely that means next-​​stop big fast Jag?

*clowder: the collective noun for cats. No, we didn’t know either. Thank you Wikipedia.