Posts Tagged ‘Lamborghini’

Friday Car Crush Sixth Sense

Friday, December 23rd, 2011

When in the Autumn of 2010 Lambo released the first pictures of their outrageous design study the Sesto Elemento, there was a collective gasp from anyone vaguely inter­ested in automotive aesthetics. And between thee and me, we are still gasping.

Just look at the thing! Its as if a million little boys’ dreams have been condensed, stuck in a magic machine loaded with an acreage of carbon, a magic spell has been intoned and Shazam! A legend created.

Lamborghini has pushed far from its agricul­tural roots into a place where it can redefine the future of the supercar. Their collab­or­ation with Stuttgart has made every car a Romanesque/​Teutonic treat. But with this thing it’s the equivalent of Puccini and Wagner collab­or­ating on a defin­itive final drama, full f exploding canons. glori­ously fatal beauty and decadence unmatched by the most hedon­istic of baccus’s indulgence!

Imagine how that fat lady would sing!

The name of this technology demon­strator is derived from the periodic table, where carbon is classified as the sixth element. Flexing Audi’s expertise in carbon tech, the boss of the company promised that every subsequent Lamborghini would be touched by the processes and design innov­a­tions wrought in the devel­opment of the Sesto Elemento.

True genius, outrageous design. We love it.

Aventador!

Thursday, May 5th, 2011

Now, here at the Inlux we don’t like to follow the crowd. And the crowd in terms of global car culture has been going collect­ively ape of late over the media launch of Lamborghini’s latest stellar creation, the Aventador.

But sometimes you have to acknow­ledge that Lamborghini really have produced an all-​​time conquering hero in this car. In fact, it seems to defy such a banal charac­ter­isation — and I’m not going to even true to come up with some super­lative neologism (there’s an inter­esting phrase) about this seven hundred horsepower, fluid-​​seamed piece of design wonder.

The two videos below (despite the over-​​the-​​top soundtrack) really capture the dynamic design. It’s as if the decon­structed lines of the car meld into the road and the landscape through which it passes — in much the same way as that classic opening scene in the Italian Job, where the Miura is threaded through the Alps, thereby defining a particular era of aspir­a­tional motor-​​lust.

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These viral videos — part of the hugely expensive and expansive campaign that has promoted the launch of the Aventador– really highlight how powerful digitally dissem­inated, HD moving image is in capturing something so funda­mentally out of the reach of the average punter as to be laughable.

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Hardly any of is will ever get to drive an Aventador — let alone own one. But the way it has been put out in to the market­place at leasts makes us feel that we under­stand it.

You can’t help but feel an affinity with a thing of such power and beauty presented with such care.

And that’s the genius of Lamborghini’s relat­ively new-​​found inner workings.

Friday Car Crush #15

Friday, April 29th, 2011

Copyright: Joe Sackey Classics

Now, it may seem a little facile to include the all-​​conquering Miura as a Friday car crush.

It has to be included in anyone’s list of most beautiful cars ever produced. But, since it’s the royal wedding day, our concession to regality is that we include the king and queen of cars — and, crucially, a set of pictures by Joe Sackey that are equally regal.

Designer Marcello Gandini certainly got a few things right. And it looks the best we’ve ever seen it in double Nero.

God save the King!

Lamborghini Aventador Arrives (almost)

Monday, February 28th, 2011

The runup to the Geneva Auto Salon always ups the ante in terms of launch buzz. If you’re a card carrying concept geek it’s your favourite time of year– but even the mildly petrol­headed amongst us can’t fail to get excited about the unveiling of a new Lamborghini.

The profile pic above is easily the most exciting shot we’ve seen to date of the long-​​in-​​the-​​tooth Murcielago’s replacement. According to various car gossip sites the trademark is applied for in the US and it’s DEFINITELY going to be called the Aventador LP700-​​4.

But what do we know?

And yes, that of course means it’s supposedly packing seven hundred horses driven through all four wheels.

As probably the last V12 that will ever emerge from Sant’Agata, they were always going to make this one beautiful power­plant (below).

Low slung and superbly styled, the drivetrain reflects the fractured yet coherent surfaces of the coachwork — it’s like they’ve taken the most attractive elements of the Reventon and fused them with that of the Sesto Elemento concept of a couple of years ago.

Work harder. Start saving.

New Lamborghini V12

Friday, November 19th, 2010

Lambo is in the process of including a new V12 in its next gener­ation of raging bull. The engine it replaces, originally designed by Bizzarini, has been in it’s basic form the V12 motor that has been in high-​​end Lambos for fifty years.

The new engine is set to debut in the replacement for the Murcielago which, rumour has it, will be named the
Aventador LP700-​​4. Does that mean this will pack 700 cavalli?

We’ve learnt to take random fan renderings with a serious pinch of salt — and we know though, that the new hardcore Gallardo spyder announced at the LA Show doesn’t get the new engine.

Whatever the car’s shell looks like, we think you’ll agree this power plant is a thing of true beauty.

Thanks go to the gods of mechanical power-​​lust that engines like this can still be installed in production cars.

The world would be a less inter­esting place without them.

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Via Autoblog

The Importance of Being Miura

Thursday, November 11th, 2010

The Lamborghini Miura is the most beautiful car of the sixties. There. I’ve said it. You can’t be objective when you’re talking about automotive beauty. There’s this idea that journ­alists are meant to be objective, platonic, even handed; set back from the debate. But whichever sort of scales you could possibly employ to define ultimate beauty in a car, the Miura comes out on top. For me, at least.

Sure, Marcello Gandini’s design for Bertone might not be neces­sarily be possessed of the sublime curvature of Ferrari’s 250 GTO. It might not have the natural racer pulch­ritude of the Alfa 33 Stradale – nor the long limbed sleekness of Jaguar’s E Type.

But what the Miura had over these titans of sixtes automotive loveliness was its purity. The Miura had a completely uncom­promised Latinate machismo encoded in the sort of futurism that defined perfectly the end of the decade that changed everything.

Illustrations by Matt Taylor, commis­sioned exclus­ively for Influx

The mid-​​rear engine layout that had been used to so much success in GT racing; partic­u­larly in the form of the Porsche 917 and Ford GT40; was for the first time served up in a road going car of instant appeal. It changed Lamborghini from an also-​​ran in the world of sports — a tractor maker who upgraded to producing vaguely bourgois GTs for me of a certain age —  to a company that would add a dash of hooligan chic to the rarified poise cornered by blokes who drove Ferraris.

Every subsequent ‘supercar’ can thus trace its lineage back to the birth of the Miura in 1966. Even the latest crop of low volume mid engined hypercars from manufac­turers like Koenigsegg and Noble owe their basic format to the Miura. And the thing is, this was a more pretty car than anything produced these last 44 years.

If there is a Miura fan in your life, or you can’t get enough of details and beautiful pictures on Gandini’s beautiful brainchild, then you should check out The Lamborghini Miura Bible, Joe Sackey’s defin­itive tome on the legend. Published By Veloce, the book isn’t cheap, but contains more brilliant pictures than the WWW could ever muster. It reads well too and would make a killer Christmas present for a car nut.

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Countach Evoluzione

Monday, October 25th, 2010

It looks incredible. It’s made of very light, very badass-​​looking material. And you’ll probably never own one.

But, it should come as no suprise that Lamborghini’s Vader-​​looking ‘Sesto Elemento’ concept (unveiled recently at the Paris Motor Show) is constructed using various manifest­a­tions of Carbon Fibre technologies.

Because as long ago as the mid eighties, the folks at Sant’Agata were exper­i­menting with the material with poster child for the wedge supercar the Countach.

In 1986 – 1987, a fellah called Horacio Pagani got involved with Lamborghini and was given free rein to use the Countach test-​​bed for all sorts of composites. The result was the strangely ‘indus­trial’ looking Countach Evoluzione. The creative future of the company, and perhaps of the entire auto industry, was glimpsed.

The LP 400 had been, of course, the first, the purest, most gobsmacking version of the Countach when it was unveiled in geneva in 1971. Dressed in the type of block colour paintjob that showed off perfectly the in audacious Gandini-​​drawn lines, at an aesthetic level the design never got any better.

For us the subsequent versions of the Countach appeared even at the time to be the result of a Halfords ram-​​raid.

The intro­duction of carbon fibre is one of the answers to the recurring question: ‘where next for supercars?’

With every supercar on the planet able to top 300KM/​H ( the sort of speed it’s difficult to achieve on track, let alone on the road), perhaps to focus on handling and accel­er­ation is the correct way to go.

If carbon fibre materials help you get to greater power weight-​​ratios, then perhaps Mr Pagani’s early exper­i­ments will be seen to be even more prescient than they already appear.