Posts Tagged ‘Lamborghini’

Lamborghini Aventador Arrives (almost)

Monday, February 28th, 2011

The runup to the Geneva Auto Salon always ups the ante in terms of launch buzz. If you’re a card carrying concept geek it’s your favourite time of year– but even the mildly petrol­headed amongst us can’t fail to get excited about the unveiling of a new Lamborghini.

The profile pic above is easily the most exciting shot we’ve seen to date of the long-​​in-​​the-​​tooth Murcielago’s replacement. According to various car gossip sites the trademark is applied for in the US and it’s DEFINITELY going to be called the Aventador LP700-​​4.

But what do we know?

And yes, that of course means it’s supposedly packing seven hundred horses driven through all four wheels.

As probably the last V12 that will ever emerge from Sant’Agata, they were always going to make this one beautiful power­plant (below).

Low slung and superbly styled, the drivetrain reflects the fractured yet coherent surfaces of the coachwork — it’s like they’ve taken the most attractive elements of the Reventon and fused them with that of the Sesto Elemento concept of a couple of years ago.

Work harder. Start saving.

New Lamborghini V12

Friday, November 19th, 2010

Lambo is in the process of including a new V12 in its next gener­ation of raging bull. The engine it replaces, originally designed by Bizzarini, has been in it’s basic form the V12 motor that has been in high-​​end Lambos for fifty years.

The new engine is set to debut in the replacement for the Murcielago which, rumour has it, will be named the
Aventador LP700-​​4. Does that mean this will pack 700 cavalli?

We’ve learnt to take random fan renderings with a serious pinch of salt — and we know though, that the new hardcore Gallardo spyder announced at the LA Show doesn’t get the new engine.

Whatever the car’s shell looks like, we think you’ll agree this power plant is a thing of true beauty.

Thanks go to the gods of mechanical power-​​lust that engines like this can still be installed in production cars.

The world would be a less inter­esting place without them.

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Via Autoblog

The Importance of Being Miura

Thursday, November 11th, 2010

The Lamborghini Miura is the most beautiful car of the sixties. There. I’ve said it. You can’t be objective when you’re talking about automotive beauty. There’s this idea that journ­alists are meant to be objective, platonic, even handed; set back from the debate. But whichever sort of scales you could possibly employ to define ultimate beauty in a car, the Miura comes out on top. For me, at least.

Sure, Marcello Gandini’s design for Bertone might not be neces­sarily be possessed of the sublime curvature of Ferrari’s 250 GTO. It might not have the natural racer pulch­ritude of the Alfa 33 Stradale – nor the long limbed sleekness of Jaguar’s E Type.

But what the Miura had over these titans of sixtes automotive loveliness was its purity. The Miura had a completely uncom­promised Latinate machismo encoded in the sort of futurism that defined perfectly the end of the decade that changed everything.

Illustrations by Matt Taylor, commis­sioned exclus­ively for Influx

The mid-​​rear engine layout that had been used to so much success in GT racing; partic­u­larly in the form of the Porsche 917 and Ford GT40; was for the first time served up in a road going car of instant appeal. It changed Lamborghini from an also-​​ran in the world of sports — a tractor maker who upgraded to producing vaguely bourgois GTs for me of a certain age —  to a company that would add a dash of hooligan chic to the rarified poise cornered by blokes who drove Ferraris.

Every subsequent ‘supercar’ can thus trace its lineage back to the birth of the Miura in 1966. Even the latest crop of low volume mid engined hypercars from manufac­turers like Koenigsegg and Noble owe their basic format to the Miura. And the thing is, this was a more pretty car than anything produced these last 44 years.

If there is a Miura fan in your life, or you can’t get enough of details and beautiful pictures on Gandini’s beautiful brainchild, then you should check out The Lamborghini Miura Bible, Joe Sackey’s defin­itive tome on the legend. Published By Veloce, the book isn’t cheap, but contains more brilliant pictures than the WWW could ever muster. It reads well too and would make a killer Christmas present for a car nut.

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Countach Evoluzione

Monday, October 25th, 2010

It looks incredible. It’s made of very light, very badass-​​looking material. And you’ll probably never own one.

But, it should come as no suprise that Lamborghini’s Vader-​​looking ‘Sesto Elemento’ concept (unveiled recently at the Paris Motor Show) is constructed using various manifest­a­tions of Carbon Fibre technologies.

Because as long ago as the mid eighties, the folks at Sant’Agata were exper­i­menting with the material with poster child for the wedge supercar the Countach.

In 1986 – 1987, a fellah called Horacio Pagani got involved with Lamborghini and was given free rein to use the Countach test-​​bed for all sorts of composites. The result was the strangely ‘indus­trial’ looking Countach Evoluzione. The creative future of the company, and perhaps of the entire auto industry, was glimpsed.

The LP 400 had been, of course, the first, the purest, most gobsmacking version of the Countach when it was unveiled in geneva in 1971. Dressed in the type of block colour paintjob that showed off perfectly the in audacious Gandini-​​drawn lines, at an aesthetic level the design never got any better.

For us the subsequent versions of the Countach appeared even at the time to be the result of a Halfords ram-​​raid.

The intro­duction of carbon fibre is one of the answers to the recurring question: ‘where next for supercars?’

With every supercar on the planet able to top 300KM/​H ( the sort of speed it’s difficult to achieve on track, let alone on the road), perhaps to focus on handling and accel­er­ation is the correct way to go.

If carbon fibre materials help you get to greater power weight-​​ratios, then perhaps Mr Pagani’s early exper­i­ments will be seen to be even more prescient than they already appear.

Stars of the Seventies

Friday, July 16th, 2010


1970 Plymouth Superbird

A few more muscle cars trickled out in ’71, but the Superbird’s massive rear wing marks the literal high-​​point of muscle car design, and also its swan-​​song.

1971 Lamborghini Countach concept

Why are all the best supercars – McLaren F1, Bugatti EB110 – launched into the teeth of reces­sions? Fortunately, the Countach’s incan­descent styling meant it lasted into the nineties.

1972 Volvo VESC

This ESV embar­rassed some of the bigger players who had taken a distinctly lax approach to their buyers’ health. Volvos have sold on safety ever since.

1973 Austin Allegro

Just bloody awful: epitomized everything that was wrong with the British car industry. Some say there’s no such thing as a bad car now, but there was back then.

1974 Volkswagen Golf

There had been hatch­backs before, but none looked as good, or mixed premium feel with affordable price like the Golf. Set the template that family cars still follow.

1975 Porsche 911 Turbo

911’ and ‘Turbo’ put together have always seemed slightly tauto­lo­gical, and were certainly terri­fying in these early cars. But 35 years on they’re still being made.

1976 Aston Martin Lagonda

William Town’s insane styling is one of the stand-​​out designs of the decade. Digital dash and computer-​​controlled everything meant they broke down as much as they stood out.

1978 Lancia Megagamma

At the Turin motor show Giugiaro unveiled a concept that would spawn not just a new car, but a whole new type of car.

1980 Audi Quattro

It might have been launched in 1980 but the Audi Quattro  –  full of brawn but laced with new tech – was the ultimate expression of seventies automotive ethos. A truly modern performance car; still sensa­tional to drive, and still inspiring current fast cars.

All Hail The Wedge

Friday, July 16th, 2010

If any single design concept is synonymous with the 1970s it must be The Wedge. Redolent of an imagined space-​​age future, the design was conceived at the end of the 1960s by epoch making designers like Giugiaro and Gandini. It wasn’t until the decade that moon shots came and went, however, that they saw the light of day, wrought in steel. Here are six of our favourite wedges.

The Dome Zero

Japanese company Dome released the Zero concept at the Geneva Motor Show in 1978, It was supposed to be a demon­stration of homolog­ation special for a new line of sports cars. However, it failed to pass homolog­ation regula­tions in Japan. In 1979 the company debuted a revised version of the car that came with U.S standard safety equipment. In the same year, a racing effort was launched at Le Mans but the ‘Zero RL’ failed to finish the race. Not the most successful wedge design, but it looked great anyhow.

The Lancia Stratos Zero

The Lancia Stratos Zero was a Bertone design exercise that was showcased at the Geneva show of 1970. The Zero was just 883mm high so drivers would have to lift the windscreen to mount the car. The Stratos HF production car was based on the concept – albeit very loosely.

The Maserati Boomerang

The Maserati Boomerang concept was presented at the 1972 Geneva Motor Show – sitting next to Giugiaro’s other famous wedge of that year, the Lotus Esprit M70. Its windscreen had an extreme 15 degree windshield rake. Giugiaro’s company ItalDesign appar­ently used the Boomerang as inspir­ation when designing the Delorean. In 2005 the original Boomerang concept was sold to a collector at a Christies’s auction for $1,000,000.

Pininfarina-​​Ferrari Modulo

Paulo Martin designed the rare and famous Pininfarina-​​Ferrari Modulo concept– and gained 22 design awards along the way. The extreme design was developed using the Ferrari 512-​​S racer, and was primarly a showcase for cutting edge build techniques – and of course to flex the flair and passion of Pininfarina to maximum degree.

Countach Concept

The original Countach concept was an unadul­terated, ground­breaking production design drawn by Gandini for Bertone in 1971. Its striking scissor doors were pilfered from the Alfa Carabo of 1968 – but were actually a practical requirement because of the extreme width of the car. The pure design of the concept was trans­lated loosely into the production first LP400. Soon however, splitters, wings and other safety equipment were added to the mix – watering down this most pure of seventies wedges.

Many Colours of Lambo

Tuesday, June 1st, 2010

Now, apart from the advantage we here at Influx towers have of getting to have a go in cars every now and then that we’d never be able to own, and deducing thereby the subtle vagaries of their driving capab­il­ities, we’re very much into cars at a aesthetic level.

But as well as how a car looks and drives, it’s also a vehicle’s backstory that’s important to us. Who designed it? Where do its roots lay? Which cultural buttons are pressed within us when we come across a particular motor?

We were contem­plating this fact this weekend, when, on a bank holiday jaunt to London we came across a stunning bright green Lamborghini Gallardo (above).

The thing is about this chance encounter was that rather than appearing as a car sprung from a classic Italian marque, there was a techno futurism to the angular design that screamed of Germany. With of course the company’s current ownership being Teutonic, we’ve come to the conclusion that it is possible to lust after the current crop of Lambos without worrying that their Northern Italian heritage has in any way been compromised.

Add a broad pallet of vibrant colours into the Lamborghini mix, as well as German style reliab­ility, interior trim and switchgear and you have a range of hypercars that are still worthy of every little boy’s panoply of fantasy. And it wouldn’t, by all accounts, be that imprac­tical to own one.

One day.