Posts Tagged ‘maserati’

All Hail The Wedge

Friday, July 16th, 2010

If any single design concept is synonymous with the 1970s it must be The Wedge. Redolent of an imagined space-​​age future, the design was conceived at the end of the 1960s by epoch making designers like Giugiaro and Gandini. It wasn’t until the decade that moon shots came and went, however, that they saw the light of day, wrought in steel. Here are six of our favourite wedges.

The Dome Zero

Japanese company Dome released the Zero concept at the Geneva Motor Show in 1978, It was supposed to be a demon­stration of homolog­ation special for a new line of sports cars. However, it failed to pass homolog­ation regula­tions in Japan. In 1979 the company debuted a revised version of the car that came with U.S standard safety equipment. In the same year, a racing effort was launched at Le Mans but the ‘Zero RL’ failed to finish the race. Not the most successful wedge design, but it looked great anyhow.

The Lancia Stratos Zero

The Lancia Stratos Zero was a Bertone design exercise that was showcased at the Geneva show of 1970. The Zero was just 883mm high so drivers would have to lift the windscreen to mount the car. The Stratos HF production car was based on the concept – albeit very loosely.

The Maserati Boomerang

The Maserati Boomerang concept was presented at the 1972 Geneva Motor Show – sitting next to Giugiaro’s other famous wedge of that year, the Lotus Esprit M70. Its windscreen had an extreme 15 degree windshield rake. Giugiaro’s company ItalDesign appar­ently used the Boomerang as inspir­ation when designing the Delorean. In 2005 the original Boomerang concept was sold to a collector at a Christies’s auction for $1,000,000.

Pininfarina-​​Ferrari Modulo

Paulo Martin designed the rare and famous Pininfarina-​​Ferrari Modulo concept– and gained 22 design awards along the way. The extreme design was developed using the Ferrari 512-​​S racer, and was primarly a showcase for cutting edge build techniques – and of course to flex the flair and passion of Pininfarina to maximum degree.

Countach Concept

The original Countach concept was an unadul­terated, ground­breaking production design drawn by Gandini for Bertone in 1971. Its striking scissor doors were pilfered from the Alfa Carabo of 1968 – but were actually a practical requirement because of the extreme width of the car. The pure design of the concept was trans­lated loosely into the production first LP400. Soon however, splitters, wings and other safety equipment were added to the mix – watering down this most pure of seventies wedges.

Car Crush No.5: Maserati A6G Zagato

Tuesday, July 13th, 2010

Sometimes a car stops you in its tracks through its sheer beauty. It happened this morning, and we had to share.

This latest aesthetic epiphany occurred in the midst of a discussion about whether or not Zagato had made any truly beautiful cars.

A huge Zagato-​​ed up Aston Vantage had burbled past at the top of my street — and my colleague had reckoned it was an ugly brute.

If it was a brute, I said, it was a gorgeous hunk of a British matinée idol.

Zagato has a bad rep in some people’s eyes. But I personally think there were a number of purely pretty Zagato designs out there. One look at this Zagato bodied Masser A6G from 1955 — and I think it’s impossible to deny that this is one truly drop-​​dead gorgeous Z-​​car. Nothing brutal here.

The curved propor­tions of the coachwork combined with its laid-​​back, hunkered down poise get me in the back of the throat. It’s the little details too. Those tiny rear headlamps. The huge Maserati trident on the grille. The minimal brushed steel bumpers and the pertly curved boot! Those Webers! Those wire wheels!

Only a handful of the Zagato-​​bodied A6Gs remain — one appar­ently changing hands at auction recently for six figures. Must work harder.

Images via Autoblog

Geneva Salon Roundup

Monday, March 8th, 2010

The 918 takes the classic Spyder fomat and plugs it into the 21st century

I’m not the greatest lover of motor shows. They’re all titil­lation and no consum­mation. I’ve never really under­stood their appeal in the same way I don’t get strip clubs. Just looking at cars is the same as looking at an attractive member of the opposite sex; very pleasant, as far as it goes, but you only get about ten per cent of the pleasure that should be had.

And it may be also that motor shows will wither away. The British show was once one of the most important but has effect­ively died off. Even the mighty Detroit, Tokyo and Frankfurt shows have been clobbered by the recession: non-​​attendance by a big carmaker at one of those was once unthinkable, but as the recession struck they bailed out in such numbers that last year’s Tokyo show was almost cancelled.

But it’s superfast broadband that might finally kill the motor show. Why would you travel for hours to a grim part of town to traipse around a draughty exhib­ition hall when you’ll be able to download hi-​​def, 3D renderings of the latest models which you can configure with your choice of colour and trim, look at without the backs of other people’s heads getting in the way, and then get into (virtually), start up and drive?

But if one show survives, I hope it’s Geneva. For a start it’s five minutes’ walk from the airport, so you can Sleazyjet in from anywhere. Second, it’s small enough that your feet won’t hurt by the end of the day. Third, despite the size, all the major carmakers and lots of insig­ni­ficant but insane ones are here: nobody bails on Geneva, yet.

I’ll get to the important cars of this year’s show in a moment, but those tiny, loopy tuning firms alone make Geneva worth the trip. You’ll see stuff you just won’t see elsewhere; really outrageous cars that it would be completely unacceptable to launch anywhere else. Thought the flagrant, aggressive SUV was a thing of the past? Oh no. Maybe it’s because Switzerland is neutral territory and non-​​EU that Hamann feels safe revealing its Range Rover Sport-​​based Conqueror II, or its BMW X6-​​based Tycoon Evo M. Carlsson brought its €429,000, 735bhp, Mercedes SL-​​based C25, whose envir­on­mental impact will be limited only by the fact that just one will be supplied to each of 25 countries. Swiss tuner Mansory has somehow managed to get hold of a Rolls-​​Royce Ghost already and pimped it with a shocking electric blue and gold paintjob, which looked even more garish alongside its more subtle but otherwise entirely pointless carbon-​​fibre bodied Mercedes G-​​wagen.

Ugliest was probably the Malaysian-​​made, V8-​​powered Bufori Geneva limo: slogan, ‘A Statement of Pride,’ though ‘a statement of staggering bad taste’ might be more truthful. Who in their right mind buys these things? Is Switzerland so awash with idle cash that these excres­cences are needed to soak it up? Even Bentley wasn’t immune, displaying a foul purple-​​and-​​cream Continental.

The design houses like Giugiaro have always used Geneva to show their own work, unfettered by the restric­tions of a commission from a big carmaker, and these cars are another good reason for coming. Pininfarina’s take on an Alfa spider is bewitching; Bertone’s Pandion, a variation on the same theme, more challenging. But you’ve never seen anything like the Pandion’s rear grille: a mad, asymmetric jumble of spikes, somewhere between a porcupine’s quills and broken glass. This is proper, free-​​thinking car design; you wonder if a big carmaker would have the balls to put it into production.

There were some great-​​looking cars from the major makers, though. The show-​​stopper was unques­tionably Porsche’s 918 Spyder. It was a genuine surprise; when the covers are whipped off new cars at motor shows they have almost always been leaked in advance or shown to car magazines so they can put them on their covers in time. But this was a genuine shock: a plug-​​in hybrid supercar with over 500bhp and a 3.2sec 0-​​60mph time, yet returning 90mpg and 70g/​km of CO2. Those figures are greener than a Prius, and Porsche is not in the habit – unlike some other car firms – of making claims it can’t prove. For once, looking was almost enough; the 918 manages to appear compact, delicate and light but raw and aggressive all at once. It also looked bored on that stand; bored being looked at when it’s built to be driven. And you just know it will be incan­descent to drive.

The most signi­ficant car of the show is probably Audi’s A1, because it sits at the nexus of a series of inter­con­nected trends. Audi is on a roll, despite the downturn. People want cool small cars again for a bunch of reasons and they want a premium badge. The Mini better watch out. Ford showed its new Focus, more signi­ficant than the A1 in terms of numbers, but the looks are a little Korean and you just know it will be more of the same from Ford; great dynamics, great quality, and a car that doesn’t treat the ‘ordinary’ driver like a schmo.

Alfa’s new, Focus-​​sized Giulietta was much better-​​looking, but like I said, the looks are only ten per cent of the appeal.
Elsewhere, like every other motor show for the past two years, pretty much every big carmaker had some sort of electric/​hybrid/​whatever concept on display, but there’s a big difference between just saying your new concept runs on manure and emits only butter­flies, and actually putting an appre­ciably greener car into profitable mass production.

And like every other motor show, Geneva’s halls are crammed with car-​​anoraks festooned with cameras and laden with brochures, with the garishly-​​dressed and bouffanted ‘valued clients’ being buttered up by the more exclusive carmakers (so that’s who buys a Bufori…), with teams of Chinese engineers taking digital pictures of obscure parts of the latest models, and with the angular, archi­tec­tural, intim­id­at­ingly beautiful stand-​​girls.

I’ve never quite under­stood this either; if a carmaker wants us to look at its new model, why does it distract us with beautiful women wearing very little? And why does the car industry continue to get away with a ‘marketing’ tactic that should have died off at the same time the Miss World contest was taken off TV? Maybe there’s a parallel with motor shows in general; maybe predic­tions of their demise are premature. A few more will die off, certainly. But if you don’t mind just looking, go to Geneva.

Now Maserati Rock Ice

Friday, February 5th, 2010

Ok, so you’re about to bin your Corolla, you can’t get an extension to your mortgage to build that third bedroom you so desper­ately need, and you’re working out how your favourite Premiership side is going to last the season without diving headfirst into administration.

Never mind! Not to worry! Maserati have just licensed a new line of luxury jewelry!

Supercar brands have never given succor to the financial concerns of the rank-​​and file of the Great British public, but Maser’s new move into diamonds with luxury Italian jeweler Diamani goes one step beyond the pale.

Revhead model Jodie Kidd was there at Mayfair’s Connaught Hotel as she usually is, all seven foot eight of her – as well as singer Paloma Faith (below) and, Brummie-​​raver-​​turned-​​US-​​TV-​​superstar Cat Deeley.

We at Influx towers of course will take the oppor­tunity to share this piece of earth-​​shattering news with you (and to run some nice press pictures of the gorgeous Gran Cabrio, set off nicely by Jodie’s exquisite line, bespangled by the Diamani rocks that, undoubtedly look lovely too).

But we can’t help thinking that, say, a SsangYong tie-​​in with a brand of tinned spam would be more suited to the times?  An Albert Steptoe look alike would be the perfect brand rep for the deal, and maybe Rising Damp’s Mr Rigsby could do standup at the launch party.

Oh well. We suppose those Merchant Bankers need something on which to spend their bonuses .

Maserati Ghibli SS

Thursday, September 18th, 2008

The Maserati Ghibli is one of the finest car designs ever to flow from the pen of Giorgetto Giugiaro (see our feature on Giugiaro on page 20 of influx issue 6). Powered by a V8 mounted up front, the car came with the unusual feature of two fuel tanks.

Requiem for a Supercar

Thursday, September 18th, 2008

As the credit crunch bites, the price of petrol seems to spiral ever higher and envir­on­mental respons­ib­il­ities start to weigh on manufac­turers, you have to wonder — is the Bugatti Veyron going to be the last true supercar for a while? For ever, even?

influx gathered six iconic supercars from the last four decades and spent the day with them.