Posts Tagged ‘Mercedes’

Friday Car Crush #31

Friday, January 20th, 2012

Ok, you can’t drive it on the road, it looks like a nightmare in which Hieronymous Bosch inter­prets a Wagner symphony in a room full of blood lusted Valkyries, but we can’t keep our minds off AMG’s SLS GT3.

Merc launched the car back in 2010, but this is the first time we’ve been up close and personal. Ever since we saw it in the steel at this year’s Autosport show we’ve been tormented by the potential of the power and the glory infused in this hell’s teeth baring power machine.

The SLS itself is spectacular enough, but give it the AMG treatment and qualify it for the FIA’s GT3 spec and you can bet it’s going to be jaw dropping.

Mercedes might be enetering a new market in offering these things to privateer racers willing to engage in what the company call ‘a favourable price structure’ to score one of these babies. Image turning up at your local hillclimb with one of these?

Perchance to dream.

All the details available here.

The Schlorwagen, 1936

Friday, December 30th, 2011

This slippery love toy of an automobile, which represents the pinnacle of German exper­i­ments in aero, was designed in around 1936. Its designers, working out of the Northern German town of Gottingen were Karl Schlör and engineer Krauss Maffei.

The full-​​scale car was built on the chassis of the rear-​​engine Mercedes-​​Benz 170H, and it scored a never-​​before-​​seene low in drag coeffi­cient of Cd: 0.113.

Perhaps inevitably known as ‘the Egg’ it was shown at the Berlin Auto Show in the fateful year of 1939. Rumour has it that after going into mothballs during the war until the car was ‘liberated’ by a team of British soldiers in the British sector of Belin.

We can’t be sure of anything else, except that this was an incredible feat of aerody­namic styling. Herr Schlor died in 1997, and perhaps the secret of the Egg’s wherabouts forever.

Unless you, of course, know different.

via Deisel punks

The Aero Alfa

Wednesday, July 20th, 2011

As most of you know, The Goodwood Festival of Speed is a huge celeb­ration of many of the things we love. Every year it seems to get more and more of an essential date in the summer diary.

If you care even a little bit about the the style, mechanics, heritage, design — and general magni­fi­cence of cars, then you have to be there.

Thing is, there is so much to see, a single day is nowhere near enough.

We regularly rely on lensmen of repute to dish up the best stuff from the event every year.

And Scott Dennis’s amazing motion blur of the obscure and beautiful ‘Aero Alfa’ (above) takes the proverbial biscuit.

This car has a really murky, complex history, much of which is documented very well here.

Suffice to say that this car was an Italian attempt to match the velocity and panache of the ‘silver arrows’ being produced by Mercedes and Auto Union during the thirties.

Its slippery design — straight out of the manifesto of Italian Futurism — is heart­break­ingly pleasing to the eye.

Stay tuned for more of Scott Dennis’s work in the forth­coming print mag — and go to Scott’s blog for more high-​​end photo­graphy from Goodwood.

It’s some of the best we’ve seen.

Europe's Glory

Thursday, June 16th, 2011

Fiat Abarth 750 Zagato
Give a tiny Fiat chassis the Zagato bodywork treatment and a tuned engine and tweaked running gear from Mr Abarth. What more could you want from a pocket rocket for the fifties? Post war Italian austerity gets a shot in the arm, If you couldn’t afford Ferrari’s 250 TR – this was the bargain basement racer of its time.

 

Ferrari 250 TR
With a body by Scagietti and Ferrari’s race-​​focussed engin­eering, the TR was dominant in its various arenas and remains unassailable in its aesthetic appeal. This was the car that announced the true arrival of the prancing horse as a global force. Not surprising, then that the few on the market command as much dinero as a prime Picasso.

 

Mercedes 300 SLR Uhlenhaut Coupé
Benz’s head of motor­sport Rudolph Uhlenhaut bespoke two of these enclosed, gull-​​winged versions of the W 196 SLR for road use. Reputedly the fastest car on the planet in 1955, the coupé version of Moss’s record­breaking Mille Miglia winning car invokes the Ride of the Valkyries with a Gene Vincent backbeat. Scarily teutonic.

 

Maserati Tipo 61 ‘Birdcage’.
Unveiled with Stirling Moss at the helm in 1959, the Tipo 61 got its moniker because of its cage-​​like space-​​frame chassis — which was lighter and stiffer than its compet­itors at the time. We like it, though, because of its arachnid styling and the way its design exemplifies that moment when the fifties with its make-​​and-​​do feel of the ancien régime gave way to the self conscious modernism of the relat­ively affluent sixties. Lecture on social history over. Just look at it!

 

Jaguar XK SS
Contender for sexiest car of all time, let alone the fifties — this was the road-​​going version of the all conquering D Type racer – with a passenger seat, a door and a proper windscreen. Unseemingly curva­ceous and rare – due to a fire at the Jag plant – it remains a totemic road-​​going piece of British automotive crafts­manship. Steve McQueen and his XKSS were, appar­ently the focus of a free donut bonus scheme by the LAPD. The Coolest Man in the Universe and his ride would tool around the Hollywood Hills on the limit it seems…

 

Maserati A6 G
We’re repeating ourselves here a bit but we couldn’t leave this beauty out. The curved propor­tions of the coachwork combined with its laid-​​​​back, hunkered down poise get us in the back of the throat. Those tiny rear headlamps. The huge Maserati trident on the grille. The minimal brushed steel bumpers and the pertly curved boot! Those Webers! Those wire wheels! We’re STILL in love.

 

BMW 507
Originally intended for export to the US to compete with sporty and succesful Mercs and MGs, the 507’s pretty roadster lines live on in the Z-​​series of roadster. Never selling in numbers due to high costs they now fetch silly money. There’s only 200 or so in existence — and we doubt you can name a prettier German car.

The Most Beautiful Silver Arrow?

Friday, May 6th, 2011

The C11 — Mercedes’ 1990 Sports Car stallion might appear to be retro in design terms these days, but we’d more readily call it a classic.

Carbon Fibre hulled and packed with that monstrous twin turbo-​​ed engine packing over 700 horsepower, this was the car that Michael Schumacher drove when promoted from his drive in F3 — before moving on of course to make F1 history.

The young Schuey was mentored in the C11 by died in the wool racers Jochen Mass and Mauro Baldi — while his current F1 technical director and team principal Ross Brawn was working across the pits for Mercedes’s great rival Jaguar.

YouTube Preview Image

Strangely enough Mercedes decided to swerve Le Mans for that year, choosing instead to focus on defending their the Group C sports car champi­onship itself — which in fact they did easily.

In our opinion this was the prettiest of the bunch of that late-​​period sports cars — F1 would soon come to totally eclipse these sorts of cars in popularity — mainly because of the complex machin­a­tions of the FIA — it had the aggressive essence of the Porsche 917 with a hint of the carbon-​​fibre trickery that changed Motor Racing forever.

This was a real bridge builder between the steel and valves ancien régime and the CG-​​dominated future…

Analogue Auto ABCs

Monday, April 4th, 2011

Of all the inter­esting stumble-​​upons that we have, er, stumbled upon recently, we think this beautiful little set of drawings is up there with the best.

Published in France some time in the 1960 the book is a a nice example automotive art before the Apple Mac came and swept pen and crayon aside forever.

We haven’t been able to find much in the way of info about who author or publisher might be. Perhaps some of our readers who fetishise automotive ephemera might be able to help with that.

We reckon this pre-​​digital showcase of line and colour has a colourful vibrancy and fascin­ating appeal that is lacking in a lot of the contem­porary stuff…

thanks to The William Brown Project

Cars As Movie Stars

Wednesday, February 2nd, 2011

It’s a bit of a cliché to say that cars are often the stars of many a movie.

But sometimes its not the tyre smoking rubber-​​laying car-​​chase moments through cinematic streets that are the lasting impres­sions.
There was, for example , the spooky Lambo is Roger Moore’s pre-​​bond performance in the Man Who Haunted Himself..

And Harvey Keitel’s NSX driving trouble shooter was the coolest character in Pulp Fiction.

Dustin Hoffman’s classic portrayal or a privileged kid in his Alfa Duetto is a more immedi­ately iconic moment.

In Louis Malle’s first film Lift to the Scaffold the cars are only outdone by the cool moodiness of the Miles Davis soundtrack.

The strangely balletic duel however, between the 911 and the Alfa Montréal, is ruined by an awful hurdy gurdy soundtrack .

We think that the car driven by the eponymous antihero of The Day of the Jackal is an Alfa Guilietta Spider, but we can’t be sure.

Anyway, it’s a killer car and a killer thriller.

Sometimes its the more fleeting, less in-​​your-​​face car charac­ter­isa­tions that burn into the brain.