Posts Tagged ‘Mini’

The Ten New Cars We'll Lust After in 2010

Thursday, December 17th, 2009

Stare into the crystal ball. The motoring industry tugs us in two direc­tions. On the one hand it fuses the heights of driving passion, design discernment and techno­lo­gical exactitude to produce the most dizzying hypercars of which we could ever have dreamed.

On the other meanwhile, that same passion and techno-​​savvy explores new ways of powering, driving and being on the road.

Somewhere in the middle lay the worse of marketing-​​led product launches and misguided nods to trend. Meet our heroes and villains of the next 12 months.

The Eight Principles of the Classic

Friday, July 10th, 2009

There’s a lot of misun­der­standing about the word ‘classic’. And for such a contro­versial word, petrol heads and general lovers of cars and bikes use the word perhaps more than any other. In a noble attempt to clarify our terms at the start of our ‘classic’ feature thread, we thought we’d consult the good book: and find examples out there in the real world that exemplify the various defin­i­tions of the ‘C’ word. Tell us what you think of our choices, and please, feel free to suggest your alternatives.

Classic (adj) (as defined by Collins Dictionary 1991)
1 ‘of the highest class’ : The Rolls Royce Phantom Coupé

rolls-phantom-coupe

Synonymous with the highest possible ideals of motoring perfection, many believe that Rolls Royce has reached new heights with the latest range of models. Combining as it does super­lative performance with bespoke tailoring, could the Phantom Coupé be the most classic Rolls ever?

2 ‘serving as a standard model of its kind’: The Honda Civic Type R

civic-typer2

In its many and various manifest­a­tions the Civic Type R has set the standard by which all hot hatches are measured. They are engin­eered with the perfect balance of fun-​​focused emotion and workaday reliab­ility – and that’s what Hot Hatches – the icon of the everyman – are all about.

3 ‘adhering to an estab­lished set of principles’: The Morgan Plus Four

morgan-plus42

Sticking with a formula of hand-​​wrought production values in a self consciously retro­spective style, a Morgan is instantly recog­nisable. Though that self-​​conscious styling plays on deep-​​lying popular ideas of what consti­tutes a classic (falling perhaps into cliché), it achieves its aim every time.

4 ‘charac­terised by simplicity, balance, regularity or purity of form’: Harley Davidson Sportster

harley-davidson-sportster

Love them or hate them, the perennial popularity of the simple but burly V-​​Twin form is the core of one of the strongest brands mankind has ever known. As such, the consist­ently pure idea that is the Harley will continue to rumble into legend.

5 ‘of lasting signi­ficance or interest’: McLaren F1

mclaren-f1

In 1998 the McLaren F1, setting a still rarely matched top speed of 243 MPH, almost single-​​handedly ushered in the era of the road going hypercar. Representing the boomtime economics of GP-​​roadcar crossover it remains a totem­ically signi­ficant classic – even in a world where the Bugatti Veyron exists.

6 ‘continu­ously in fashion because of a simplicity of style’: The Mini

mini

Despite the current mania generated by the fiftieth anniversary of the launch of Alex Issigonis’s Mini design, the little cars never really went out of fashion. Devastatingly simple, accessible and fun, the design will be forever associated with a time and a place in when Britain was at the centre of style.

new-mini

And it’s difficult to argue that the new Mini doesn’t carry on many of the tradi­tions initiated by the BMC version. Loved partic­u­larly by women of a certain age, and an ongoing exemplar of the British thing (ok, we know they’re German, but still…) their strato­spheric sales figures are testament to the brand’s ongoing appeal.

7 ‘of the highest excel­lence’: The Land Rover Discovery 3

land-rover-discovery3

With its ability to range deep into the most inhos­pitable terrain imaginable as well as being the perfect luxury long-​​distant ride for a family of six (or a handful of outdoor adven­turers), the Disco 3 is the apogee of a much-​​maligned form.

8 ‘regarded as defin­itive’: The Lamborghini Countach LP400

lamborghini-countach1

If you were a man-​​child of the seventies or early eighties, the Countach will always be the defin­itive dream car. The Gandini designed shell, the scissor doors and its multilayered hooligan chic remains unsur­passed. Hats off to Bertone.

A Mini Obsession: Two Generations and Counting

Thursday, July 9th, 2009

mini-fifty_1

It all started for me seeing Minis winning Monte Carlo Rallies in the sixties,” Malcolm tells me. He goes on “It was the rally success combined with the glamourous people who owned them that captured my imagination.”

They call him ‘Mini’ Malcolm, in this corner of Somerset, where with his son Alex he runs one of the busiest little garages this side of the Avon. “we’re busier than we’ve ever been. And we have been turning away work, and have more business to keep us going for the next ten years.”

mini-fifty_3

The rise and rise of designer Alec Issigonis’s revolu­tionary automotive vision is easily under­standable, especially in this, the year of its fiftieth birthday. Built to make a car accessible for everyman and convenient for a newly affluent gener­ation of post war baby boomers, the Mini was popularised not only by its phenomenal early success in Rallying, but also by the much hyped psycho­drama of the swinging sixties. Britain was for the first time branded with the language of cool and the Mini was right from the start associated with that newly hip, metro­politan attitude.

mini-fifty_2

The burgeoning media in the sixties provided the context for celebrities like Peter Sellers, James Garner, Spike Milligan, Lennon & McCartney, and perhaps most crucially, skeletal waif Twiggy — to be photo­graphed in their cars. It wasn’t long until the Mini was associated with all that was dynamic, progressive in sixties Britain.

Malcolm and Alex preside over an inter­esting collection of cars and cater for a new gener­ation of Mini obsessives, as well as men and women who recognize that not only is the Mini’s design a classic, it’s practical applic­ation in these days of pain-​​in-​​the neck parking and high fuel prices, is second to none.

mini-fifty_8

Perhaps the most crowd pleasing of the collection is this flip-​​painted roadster, which was designed by Kit Car guru of the seventies Paul Banham. “If I put her out in the front of the workshop, it’s unbelievable the amount of people, especially young girls, who stop to take a look. Minis have always appealed to women, there’s just something that’s cute and accessible about them I suppose.”

mini-fifty_6

Malcolm’s pride and joy, though, is this Mk 2 Cooper S Crayford Cabriolet conversion, a car which he coveted for years. “I’d ride past the car on the bus when it was parked on a street corner in Bristol, and always dreamt of owning it. I eventually tracked down the last owner through a traffic warden friend of mine. ”

What is it about Minis, I wonder, that creates that sort of generation-​​breaching devotion? “Mini’s are just simple, beautiful and easy to maintain and so were always classic. My real concern is this ridiculous scrappage scheme that the government is running. When that happened in Italy a few years back, thousands of brilliant Innocenti minis were destroyed. It’s be a crime if that happened here.”

mini-fifty_7

Alex, who picked up the art of Mini maintenance and restor­ation at his father’s elbow was given his pickup truck by dad for his eight­eenth birthday. And he has spent the last four years lovingly creating the ice white beauty that exists today. “ So many of my friends have these dull boring, modern motors. My pickup is everything but that, but it’s super-​​practical too.”

mini-fifty_4

The thing that always sticks out in my mind,” says Alex, “is that little kids, I mean babies, point to you and say “Mini car”. That’s pretty unique. You don’t get kids pointing to Ford Fiestas, do you?”

mini-fifty_5