Posts Tagged ‘Motorbikes’

We Come from Garageland

Thursday, January 19th, 2012

image via Bike Exif

Three-​​chords, crap equipment, not much talent, lots of enthu­siasm. Young men and women have been in garage bands since skiffle was The Next Big Thing, but it was only during the wave of 1977 punk that the garage bands broke big.

Top-​​selling punks may not have had the same skills as the Stones or Fleetwood Mac, but they offered an altern­ative that was lapped up. A similar revolution is happening in motor­cycle customisation.


Image:Wrenchmonkees

Like punk rock often said it was rebelling against the overblown excesses of ten-​​minute guitar solos and prog rock, the new gener­ation of custom builders are the antithesis of American Chopper’s fat tyre monstros­ities, and showrooms full of 190mph traction-​​controlled super­bikes. And, though the movement started before the global meltdown, its growth has mirrored the fall in sales of big ticket bikes.

The new wave customs are neither chopper nor café racer, but they borrow cues from all genres. They tend to start with unloved, cheap Japanese bikes – though the burgeoning scene is sending prices of air-​​cooled, spine-​​frame Jap stuff roofwards. Anything from the 1970s onwards is fair game. Singles, twins, fours; two-​​stroke or four; Jap, Brit, German, Italian: animal, vegetable or mineral. This isn’t a cult with a basis is performance one-​​upmanship. It’s creativity and origin­ality (without straying into parody or overt gimmickry) is what pushes the bound­aries and attracts the four-​​figure facebook ‘likes’.


image: Untitled

One reason this style of custom is becoming so popular is due to the fact they’re relat­ively easy and cheap projects to complete by someone, anyone, with a few spanners. You don’t even need a garage to be in this garage band. Inspired hopefuls see bikes being fawned over on the Net and, like a thousand oiks of previous gener­a­tions watching Top of the Pops in the late-​​70s, think ‘I could do that.’

Wheels, brakes and suspension can be changed, but aren’t always. Rake, trail and wheelbase all tend to remain the same. No one is building one-​​off frames or investing in forced induction or race tuning. Replace the tank, seat and bars with stuff picked up cheap online or at the autojumble. Paint is simple or non-​​existent. Steel or alloy tanks stripped bare and lacquered or left to ‘weather’ are popular.


image via Bike Exif

Next, junk standard airboxes and exhausts and fit filters and new silencers. If you’re more adept, make a new sub-​​frame for the stripped-​​down back end. Fit new tyres – chunky is best — and a tiddly taillight. Voila! But, like a punk band, however much you sneer and spit, if you haven’t got the chops you are going to fail. For the garage-​​built bike scene, if the stance of bike is hinky, it’ll still look like an unloved bike with a rusty petrol tank and knobblies, however hard you try. There are plenty of those around.


Image: Deus

The godfathers of the scene are the Wrenchmonkees. Based in a cellar in the outskirts of Copenhagen, they modified a trio of big, four-​​cylinder Kawasakis back in 2008, before moving onto twins and singles. It’s no coincidence two of the original trio of Monkees were profes­sional photographers.

They shot and dissem­inated their tough street bikes in a fresh, urban style. The Monkees themselves – Per, Nicolas and Anders – didn’t look like stereo­typical motor­cyc­lists from any pigeon-​​hole, either. They wore a gene-​​defying mixture mountain­eering Gore-​​Tex, full-​​face lids, dark jeans and skate­board shoes and rode in cities, not the unreal­ist­ically empty racetracks of mainstream bike ads.

A new gener­ation of motor­cyc­lists saw them on a new gener­ation of website – blogs that would cherrypick inspir­a­tional images from all over the web and mash these images of bikes up with archi­tecture, art, cars, tattooed femmes and historic style icons. The Wrenchmonkees didn’t look out of place.

Coincidentally, Deus puffed spores of goodness from their sweet-​​smelling Sydney HQ. Though not garage-​​built, their big dollar Yamaha SR500-​​based builds were close to faultless and had a clean­liness only a truly well-​​built road bike can achieve. They’ve influ­enced a thousand builders from Beijing to Bristol, some who copy on the cheap, others who have moved the game on.

People who wouldn’t dream of wearing full leathers and riding a superbike or pulling on a cut-​​off denim and riding a chop realised there was a bike scene waiting for them. They just had to make it. And they have.

Rollerburn!

Thursday, January 19th, 2012

Images Sideburn/​Jonny Wilson/​Subsculptures

Britain has some great motor­cycle events, but many are as stale as the last supper’s leftovers. A few years after first launching our own independent motor­cycle magazine, the Sideburn team started thinking about bigger events. We were jealous of cross-​​genre shows in Yokohama and Brooklyn and knew British riders needed something more stimu­lating than sitting in a field wearing a jester’s hat while listening to an AC/​DC tribute band.

The result was Rollerburn. Held last November, in Nottinghamshire, it mixed a broad custom show with a slalom skate­board race. It threw in a full, all-​​girl roller derby match and an art show. Thirty dealers and three bands set up. A couple of Arctic Monkeys paid on the door. Comedian Charlie Chuck destroyed a drum kit. Donkey!

Sideburn magazine focuses on motor­cycles that ‘go fast, turn left’ from the worlds of dirt track and speedway, and also the road bikes loosely inspired these worlds and the DIY ethic, but we wanted Rollerburn to have much wider appeal.

The roller girl connection came from feature we did on the cult 1970s movie Rollerball. Roller girls go fast and turn left too. And a lot of them are better looking than the majority of people who turn up at British bike events. They were in.

The show bikes were inclusive too. This wasn’t a chopper show. Exhibits ranged from Shinya Kimura’s Junkyard Phantom (that featured in the movie Iron Man) to a Rossi replica Ducati Desmosedici RR.

The artist Conrad Leach created an 8ft square painting to face the ramp (it was later auctioned for charity) and slalom skaters, some of who turned up on their own Harley lowriders, launched themselves down it.

The highlight of the nine-​​hour event was world’s first and last indoor Rollerball drag race. Three 600cc dirt track race bikes towed three fearless roller­girls down the 150m strip. The team of TT hero Guy Martin and Catfight Candy won the three-​​way heat. Candy limped away with friction burns as big as your fist.

People came from all over the UK, France and Spain. The only lows of organ­ising an event like this is the fact it takes over your life in the run-​​up, when you regularly ask yourself, ‘why are we doing this?’ That and the fact we couldn’t do everything we wished due to restric­tions from the venue. It’s the kind of stuff that made me publicly state ‘never again’. The highs are the feedback, in the form of smiling faces on the day and internet buzz after it. That’s what makes me think, maybe we should do it again.

It’ll take some beating, but we’ll try. And there wasn’t a jester’s hat in sight.

www.sideburnmagazine.com

Crowe Customs

Thursday, January 5th, 2012

We came across Crowe Customs delightful document­ation of all things lathe-​​ish and metalspun while admiring Benji Wagner’s rather nice photoblog. Benji is a west coast photo­grapher and purveyor of fine outdoorsy type gear in the shape of the Poler brand, and he happens to be a mate of the Oregon custom bike builder.

Our favourite in his small collection of bikes is defin­itely the CB 750 with the Café treatment — we’re not sure if its derived from an original seventies 750 Four (the one with the four pipes all the way to the rear) or whether that lovely exhaust set up is a purely creative act.

Our growing crush on twin potted BMWs given scram­blerish makeovers continues too, though, with the work in progress documented here.

We have to admit that the online appeal of these passionate little outfits is bolstered by the relative quality of present­ation; both photo­graph­ically and in terms of the way their sites are built.

We think the talented Mr Wagner might have something to do with the former in the case of Crowe Customs.

Oil Advertising

Tuesday, January 3rd, 2012

We were thinking recently how pathet­ically wimpish current oil ads have to be. Gone are the days when you could sell lubricant with hot cars and hot babes. Post BP oil slick,and taking envir­on­mental realities into consid­er­ation, it’s not partic­u­larly surprising that oil companies are managing their image with kid gloves.

So, commer­cials for oil are packaged with tweeting birds, and laced together with a sting of pure, green air. We thought we’d dig up a couple of gems to show you how it wasn’t always neces­sarily so.

Here, for example, Mobil use a whacked out, hyped up Charles Manson lookalike to publicise their product, presumably to make the far-​​reached spin that using their brand of lube will chill you out.

This South African Castrol ad, meanwhile, straddles the hard-​​edged line between xenophobia, homophobia and the cherished boorishness of the Boers…

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Its pretty hard to unravel the semiotics of this animated beauty from India (below). There’s bullets, murder, mayhem and other fun stuff that seem to be equating the performance aspects of Castrol lube with moving faster than a speeding bullet. We love the Bollywood steez, whatever it all means…

YouTube Preview Image

Derringer Cycles

Thursday, November 17th, 2011

Images Adrian Van Anz/​Derringer.

We’re moped fans. They’re cheap, fun and quick, and if you live in a sunny envir­onment like southern California they make more sense than a smart car.
And while moped is usually a cypher for all that is terminally uncool, there’s no tangible reason why there has to be something geekily anti-​​stylish about them.
This is wear Derringer cycles come in.

The person behind Derringer is a Santa Monica native and indus­trial designer by the name of Adrian Van Anz.

The bike-​​crazy Van Anz realised a few years ago that light motorised bikes just might be the perfect form of trans­port­ation for Angelinos — residents of a city where you not only can you turn right on a red, but is almost perman­ently mild and sunny.

But rather than stick to the functional form of the European moped, this Californian decided to base his new designs on board track racers of the 1920s.

But while the original, hugely popular form of racing featured perman­ently opened throttles and little or no braking facil­ities, these cool little beasts make small conces­sions to safety. They’ve got brakes and everything.

A custom Derringer has a top end of a less than adrenalin-​​pumping 35mph — but appar­ently have a lot of torque and reach terminal velocity quickly.

Now we just need a plane ticket…

Suzuki RE-5

Wednesday, November 9th, 2011

If you thought a rotary engined bike was something out of seventies scifi, then think again.

Suzuki produced the RE-​​5 for a couple of years in the mid seventies.…We’re not sure how successful the bike ended up being. We can only imagine that the big rotary whirring in the middle of the bike must have tended to instability.

The very cool old video says most of the things that we could say about this thing and more. So. Enjoy.

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Southsiders at Goodwood

Monday, October 31st, 2011


images: Southsiders

We might be a bit slow off the mark here, but this morning we stumbled across some of the nicest pictures we’ve ever seen coming from the Goodwood revival.

The images come from those fine folks at Southsiders MC, whose blog is on our regular roster of daily browses.

Every year the event is one of the most photo­graphed on the calender and is getting bigger every year.

This set is a testament to the worth of the slow, delib­erate process of larger format film photography.

Bravo Southsiders.

See the full set here.