Posts Tagged ‘Motorcycles’

Hells Angels Artwork

Thursday, July 29th, 2010

Stumbled upon this beautiful little piece of artwork today. What appeals to us about it is the way it skill­fully re-​​imagines the whole world of the Hells Angels by using a simple but effect graphic treatment and a bit of colour.

We’re guessing the artwork is from an early paperback edition of the superb opus of gonzo journ­alism by the great Hunter S Thompson — but we can’t be sure.

We love exactly this kind of alternate take on bike culture that veers away from the grease­monkey clichés.

If any of our knowledgable readers can enlighten us as to who the artist is/​ exactly which edition of the book the cover is from, then we would be super happy to hear.

In the meantime when you get the chance, listen to this really inter­esting piece of audio of the author inter­viewing one of the main protag­onists of this brillliant work of journalism.

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Honda - Mentalism

Wednesday, July 21st, 2010

We’re huge Honda fans here at Influx. We make no secret of it. We’ve owned a few Hondas between us over the years, and each vehicle — from monkey bike to Civic estate: has been at heart a passion­ately engin­eered, fun-​​to-​​own specimen of veh-​​hicklehood.

So when we stumbled across this promo shot of Honda’s bike range from the early eighties, we’d thought we’d share the colourful panoply from the Dream Factory. There was a colourful correctness to the bikes of the era that was bang on-​​message. Fun.

And while you’re there, check out the Japanese promo from the same period. We had no idea another set of early eighties super­stars repres­ented the brand with so much nuttiness. Madness.

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Pops Yoshimura and the Birth of Muscle

Friday, July 16th, 2010

Look, I’m a stick in the mud. Not only that, I’m incon­sistent. On one hand, bullets of nervous sweat pop up on my forehead the minute my home Wi-​​Fi hiccups, on the other I dream of all electronics, rider aids and sophist­ic­ation being removed from motor­cycle racing.

Why? They’ve ruined it. Sure, the best guys still win, but electronics, even the most basic examples, have helped homogenise racing. Now there is barely any variety.

Look at any class and there is a right way and wrong way to do it. Technology has removed the grey areas. No one needs to go with their ‘gut feeling’. And even fewer take risks when it comes to devel­opment. In public, at least.

The scientific approach — testing everything behind closed doors, on wind tunnels and with telemetry, has taken romance, repeatedly slammed its head in the garage door and buried it behind the Research and Development department.

Now there is just one approach, one line, one tyre. To spot the differ­ences you need a micro­scope. And I’m not just talking about the machinery. It’s the riders’ approach too. There are nutri­tionists, personal trainers – three hours consulting the data while sucking on a bucketful of isotonic slurry. There are teams that even use satellite tracking to determine the optimum apex of any given bend. That’s three satel­lites to work out the best way around a corner!

To find my race paddock nirvana you need to return to America in the late seventies. For a good example set the time machine specifically for October 1977 at Riverside International Raceway, California. Look for two dudes in Nippondenso leathers hanging around with a crew of oily Japanese fellas.

Steve McLaughlin is one of the racers. Wes Cooley is the other. The leader of the engineers is Pops Yoshimura. A former boy pilot in the Japanese Navy, Pops was fortunate not to become part of the ‘Divine Wind’ ordered to take a one-​​way flight into an American aircraft carrier during World War II. Lovers of fast Suzukis the world over should be glad he somehow side-​​stepped the dubious honour of becoming a kamikaze pilot.

Bike-​​mad and with an under­standing of how engines worked and what to do to improve them, Yoshimura arrived in America in the late-​​1970s and put the cat among the pigeons in AMA Production Superbike racing. And it is those Production Superbikes I love.

Yoshimura worked on both Kawasaki Z1s and Suzuki GS750s and 1000s. Back in 1977 and 1978 the US Superbike road racing scene was on the cusp of hitting the big time. Yoshimura has been described as the founding father of Superbike racing.

Back then the super­bikes had high handlebars, twin shocks and conduit for a frame,’ remembers Eddie Lawson, ‘But they had a lot of horsepower.’ Science hadn’t caught up with tuning. In fact, science hadn’t even been given a pit pass. It wasn’t until the mid-​​90s that it would start to make a big impact. Back in the 1970s the cutting edge of pit-​​lane tech was a new digital stopwatch on a string around your mechanic’s sunburnt neck. The bikes were as dumb as dinosaur droppings.

So while Pops Yoshimura could coerce obscene gobs of power out of an eight-​​valve, four-​​cylinder Kawasaki, the bits of the bike he wrapped around the hulking power plant couldn’t handle it.

The tyres?’ says Wes Cooley and starts to laugh. ‘Ha, they were really different. Nothing like they’ve got now, that’s for sure. When I started riding the Kawasaki 900 it handled better with street tyres than with slicks. It would hook up too good with the slicks, which would make the frame torque [flex]. I could get away with running road Dunlops and make it slide a lot better. With slicks it would just wobble all over the place. And the brakes? I could put my feet down and probably slow down better.’

What kind of power was Cooley and his compet­ition dealing with? Probably 100-​​110bhp in 1977 and going on for 130 a few years later (or the same power as 2002 Fireblade).

Lawson really came to the fore in the Superbike class in 1980 – 81 (before launching into Grands Prix and winning the 500cc title twice), but he first tested Kawasaki’s 1000 in 1979.

You look back on it now and you wouldn’t even ride it. At the time you just thought “All right, it’s not actually gonna spit me off, I don’t think. So hold it wide open.” It was pretty crazy. If you could ride that you could ride anything.’

Every top-​​level bike racer from any era has his own problems to deal with, and it’s indis­putable that racing is much closer now that it was then, but I still yearn to see the best of their day bucking and weaving on a glorified, petrified muscle bike. Forget electronic damping and anti-​​wheelie, in 1977 adjustable suspension was still around the corner.

Wes Cooley knows where I’m coming from. We spoke about those days, when he was one of the most famous racers in America (now he’s an ortho­paedic nurse). ‘I think the period is so fondly remembered because it was the beginning of the super­bikes… Because it wasn’t all computer-​​controlled, riders had to ride the bikes differ­ently. It was real life, down to the nitty-​​gritty, salt-​​and-​​rock, blood, sweat and tears. They were rough-​​looking motor­cycles: the high handlebars, the 19-​​inch wheels and the four exhaust pipes. They weren’t sleek and modern.’

And it is those motor­cycles from that raced on circuits across America and beyond, from 1977 to 1981 that still define the term ‘muscle bike’ – they were strong in the arm, thick in the head. They didn’t have electronic brains. They didn’t even have clockwork brains. They were about speed and power, not precision or efficiency. They were of their time. Of course, they were as doomed as they were dim-​​witted. Progress would see to that, but look at a period photo, of one of the brave riders hanging off, gaffa tape prototype kneesliders licking tracks called Loudon, Daytona and Sears Point or tucking behind number boards to escape the 160mph windblast and try to argue that there are many more evocative sights in bike racing. I dare you. I double-​​dare you!

Shinya Kimura

Thursday, July 1st, 2010

Portrait via www.chabottengineering.com

The Japanese are blessed with a long tradition of rigorous crafts­manship. From calli­graphy and type design to silk printing and sword making – there are centuries old ways of doing things that put process as far to the forefront as product.

Tokyo bred Shinya Kimura is one of the many Japanese craftsmen in this tradition turning their hands to motor­cycles. Working these days in California, the applic­ation of his metic­ulous, back-​​to-​​basics philo­sophy is producing fiendishly beautiful bikes.

For me a motor­cycle is more than art,” he says, “it’s something that brings out my instincts, the wildness and vulner­ab­ility in me.”

Do yourself a favour. Take two minutes and forty five seconds to watch this video.

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Guzman's Third

Monday, June 21st, 2010

NYC based lensmen Cicero deGuzman JR knows how to train a lens on a motorbike.

We recieved word from Cicero this morning, informing us that the 3rd dispatch from his grease-​​caked world has been published.

Unfortunately we couldn’t make it out to join him to celebrate the release of Godspeed 3

Check out the books, hunt them down, by one online. You won’t be disapointed if you like cool motorcycles.

Grease is the Word

Thursday, June 17th, 2010

1964: Boyhood dreams of Grease, rock & denim.

In my dreams I was a British Biker. I was a mod-​​baiting, leather wearing fetishist of all things American. That was the look anyway. But it was only English Iron that would do for my ride. Clip on bars. Pegs way back. Buffed steel tank. In my mind I nicked a featherbed frame from a greaser mate and bolted the Bonneville engine and I was away. Brilliant. The new roads of boom time Britain had me burning from caff-​​to-​​caff, round the gyratory and back again. Ton up to the bass string notes of Eddie Cochrane. That was the life in Levis and leather. Transatlantic exchange meant everything to me. In my imagin­ation at least.

1975: Fizzy — first flights of Freedom

Then I came to consciousness. Reality check. Kenny Roberts was the hero. Forget Sheene. You could squeeze so much power and speed and noise out of the Yamaha FSIE’s 50 ccs. So it seemed to me anyway. I had a Roberts replica complete with wasp-​​like yellow and black paintjob. The boom time was over and there were power cuts and the three-​​day working week. Our estate was seething and humming and buzzing with the sound of my mates and their fizzies and the smell of two stroke and the heavy riffs of Metal. The dole money was enough to keep her going. They’re cool again now — icons of sustain­ab­ility, appar­ently. For us, they were icons of the future.


image: thanks to Shane@ FS1E.net

1985: RDLC Powerbands and driving bans
The miner’s strike was over before it started. And we had scored our first licence. We never cared about politics, anyway. We were more inter­ested in powerbands. And Elsie had a serious powerband. She kicked in hard and it was all you did to keep her lit and in the straight line. Elsie was all about first shunts, broken bones and first loves. If you tried to ride her like a fizzy you were doomed. And we were doomed alright. There was a certain feeling to the Elsie on the roads above the moors, and we were convinced it was all about the liquid.

1990s Kawasaki Ninja 600: knee dragging in middle age
By the mid nineties, you’d fallen out of love and back into lust with two wheels. The Ninja was the thing that did it. Elsie had proven too hard to live with, too riotous to handle. You had to get a job and get into four wheels. You first saw them on the road in Southern France. Well-​​off French kids in tooth­paste leather scraping their knees in the border­lands up in the Pyrenees. All of a sudden everyone was riding sports bikes and I was a flash of green, with that slightly camp pink type on the rear. I left the Yam kink way behind. And the speed. It was the first time I’d travelled signi­fic­antly over the Ton, a guilty secret which had inspired us all in the first place, but when you did it on the M1 you felt the breath of the grim reaper too keenly down the back of your neck.



2010: Back to the Future
I am a British biker. I am a Prius-​​baiting, Belstaff wearing, fetishist of all things British. Now it’s the clothing as well as the bike. I’ve paid Triumph and they’ve given me a recre­ation of the bike I dreamt of and I am away. The roads may be clogged, but I can bypass all that on the weekend. I get up early on a summer Sunday and I am back to those dreams of my youth. But now they are real. I avoid the Ace Café and all that retro nonsense. There’s nothing retro and ‘fashion’ about English-​​bred speed. All I need to do is twist my grip and I leave the last forty years behind. And it feels good.

Image: Deus Ex Machina

Words: Barney Morgan

Falcon Motorcycles

Tuesday, May 11th, 2010
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It boggles the mind how beautiful these bikes are. And how detailed their commitment to hand-​​wrought crafts­manship appears to be.

Born of a couple of Californian bike builders, Falcon is a collective of craftsmen who will fabricate to order. Give them your old donor ride, agree on a build plan, plan for a fee of $90 per hour and they will make your dreams a reality.

It’s as if the clock was turned back to the forties and hard won technical knowledge was being applied to the raw material of boomtime America: only this is 2010 and there are even more possib­il­ities to contemplate.

Follow your dreams.