Posts Tagged ‘Norton’

Internationalist!

Thursday, June 16th, 2011

words and pictures Liz Seabrook

Andy Watkins is a self-​​confessed motorbike geek. In his basement garage in Bristol sit five beauties: a 1937 Ariel, a Hailwood Ducati replica, a ’66 Harley patiently awaiting attention, a Norton 650 and the apple of his eye, a 1958 Norton International Model 30.

By the time the ’56 came around, the Manx International was a dying breed and Norton itself was hurtling into diffi­culties. The American market wanted the power that a twin could offer and Norton was strug­gling to produce the goods. The golden pre-​​war years of the marque were fading fast. Norton had pulled out of racing and the ’58 Inter was the last to be produced. For a few years after 1958 a number of private dealers lovingly sourced and assembled the abandoned Manx cat, but by the mid sixties production had halted all together.

But this is, of course, what makes this bike so appealing. This is a simple beast. There are a couple of specialist tools needed for maintenance„ but nothing compared to the bikes of today, or even older bikes from other marques. Knowledge flows uncensored owner to Norton owner along with the relevant tools. And it’s what Andy loves about it.

You can mess with them yourself with very little equipment. A lot of the old manuals tell you how to do it – some of the techniques I wouldn’t advise; ‘hit it stoutly with the hammer.’ A lot of stuff you do have to clout to get off, but it’s probably better to use a copper hide mallet.’

Not only were these bikes easy to fix, but also – and still are – cheap to run. They burn the purist’s lubricant of choice, Castrol R. Ok, so you might smell like you’re towing a chippy and the laxative side effects may not be for everyone, but it’s the other side effect everyone craves: nostalgia. “I’ve known people to put a bit of Castrol R oil in their tanks just to give off the impression that they’re riding a classic,” boasts Andy, with a smug little smile.

[Back in the 1950s], cars were just too expensive for most people to own. Owning a bike like this was a way you could get out and about – and you could emulate the racers of the time – partic­u­larly on this sort of bike.”

What’s partic­u­larly special about this Cat is that it has never been restored, what you see is what you got more than half a century ago. History is what makes old bikes so exciting to ride. You are fully aware of the where they’ve been and what they’ve accom­plished. From the transfers on the frame to the oil badge to the worn out bevelled rubber on the tank, vintage bikes wear their miles proudly. “Everyone says with this one that it would be a shame to restore it. You couldn’t recreate that origin­ality.” Andy explains.

For all its years and its retro­grade engin­eering, it’s still this enthusiast’s favourite bike to ride. “This bike just handles like it’s on rails. It’s a simple big single and just thumps along. When you get it really wound up, it gets into the groove and it just goes.”

And when you can give something that high praise why change it?

American Anglofailure

Thursday, December 16th, 2010

This might come as a shock, but we Brits do not have a ‘special relationship’ with the United States. Anyone involved in motor­cycling during the Fifties and Sixties, however, might have thought otherwise. Sure, British bikes flooded into North America as fast as the factories could ship them – but his was not the virile thrusting of manufac­turing in its potent prime, it was the final spasms of the British motor­cycle industry’s dying manhood.

All-​​American marketing knowhow played to the exotic in the heart of the Brit Empire

By the mid-​​Fifties, with Indian motor­cycles recently dead and buried, Americans had one viable choice of home-​​built bike – the Harley-​​Davidson, which even in its sportier forms was, frankly, a fat plodder. The post-​​war US fashion for bobbing motor­cycles (which entails ripping off tinware and bracketry and chopping short the heavy mudguards) helped to some degree. Bobbing was after all the birth of the custom scene as we know it. But sporting riders after light, quick, fine-​​handling machinery looked to Britain.

Well actually, they didn’t. Whether they knew it or not, they were looking to the major US importers such as TriCor, Johnson Motors and Berliner. Ran by switched-​​on blokes with bikes in their blood, these firms knew what the vast American market wanted and used their consid­erable leverage to squeeze changes and new models from England’s staid factories.

High-​​piped off-​​road exotica such as the Triumph TR6C and T120TT, Norton’s steroid-​​guzzling P11 or BSA’s Spitfire and Catalina scram­blers poured across the Atlantic along with lithe and hopped-​​up road burners.

In 1965 alone, TriCor and Johnson Motors brought around 15,000 Triumphs into the States and the Meriden factory was working full-​​tilt to turn out about 700 bikes a week, almost 600 of which were exported, mostly to North America.

So, the Sixties progressed and America’s racers took British iron to huge success in desert races, dirt track, scrambles and road racing, while blissed-​​out loafer-​​shod glitterati cruised the boulevards of New York, LA and San Francisco on Bonnevilles, Lightnings and Commandos.

Meanwhile, back home in Brum, sallow-​​faced youths raised on boiled cabbage and drizzle were hunched over the elusive bike porn of US sales brochures, wondering why they were saddled with more conser­vative UK models that lacked the vital glint of California sunshine.

And why were they? Because the British industry was being run with the panache of a drunken monkey riding a neurotic ostrich.

Yes, there were great devel­opment engineers, not least Doug Hele (above) and Bert Hopwood who worked on some of the best Norton and Triumph/​BSA bikes of the late sixties —  but management had become bloated with so-​​called experts from outside the industry, with heads full of bile-​​inducing managerial nonsense.

On the other side of the boardroom table sat the Old Guard, who still believed that British was best and that those funny Japanese could jolly well have the small bike market, because they simply couldn’t build big bikes. Well, small capacity they may have been, but the States were importing ten times more Japanese bikes than British, laying down a solid customer base and dealer network. To say that the success of Honda’s advanced, slick and desirable CB750 Four of 1968 came as a surprise would be laughable if it weren’t so pathet­ically tragic.

Americans by now thought of Triumph, BSA and Norton as their own so casual xenophobia held back the inevitable for a certain amount of time. But it couldn’t last. As pressure from the compet­ition grew quality control slipped. Loyal US importers were forced to spend increasing amounts of time correcting faults on British bikes fresh from the shipping crates just to make them fit for sale. Shameful.

The Brits simply hadn’t seen it coming. To say they were complacent is like saying the Ku Klux Klan is mildly provoc­ative. Some would call it criminally negligent to sit on laurels first won in the 1930s.

At its height of British dominance of the Motorcycle industry more than 12,000 people worked at BSA’s main Small Heath factory in Birmingham. It covered 250 acres and housed the biggest motor­cycle manufac­turer in the world. It takes talent to wreck a business like that.

But by 1973 it was all over, the factory levelled soon after. Triumph meanwhile struggled on at Meriden, but a debil­it­ating sickness of misman­agement, ownership changes and union unrest finally killed it in 1983. We should be thankful that the man who bought the Triumph name and manufac­turing rights, John Bloor, has gone on to create a sound company that turns out world-​​class bikes from a state-​​of-​​the-​​art factory. And this is a man who is very switched on to the American market.

Norton Rebranded

Monday, November 8th, 2010

Twitter sometime shores up some inter­esting points. This morning came the news from Creative Review that London agency Carter Wong have under­taken the awesome challenge of rebranding totemic bike company Norton. And we like what we see.

James Lansdowne Norton, when founding the company in 1898, also appar­ently designed the inaugural logo, wth the help of his daughter. There’s been a steady evolution in the brand’s curvy niceness as you can see below. We think the new logo is working.

The two ‘o’s had an element of speed to them, both leaning at an angle to create this illusion,” agency head Phil Carter told Creative Review recently, of the original logo. “It was only after manip­u­lating these shapes that the correct amount of motion was achieved by turning the counters only – the inside shapes – rather than the whole letterform. By doing this we created the element of tension as in the original, just where these ‘tyres’ would touch the surface.”

Carter Wong were aided in the redesign of the identity by master typographer Geoff Halpin.

On a project such as this, looking back is always a sound place to start moving forward, and this proved a true revel­ation to us on a number of scores,” Carter went on. “The first was our initial idea of doing away with the double crossing of the “t” as we thought that the one provided by the dynamic swoosh should prove sufficient.”

The bike looks pretty cool, too, eh?


The Cult of the Café Racer

Tuesday, April 28th, 2009

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Ok, I know. A true café racer shouldn’t have anything as preten­tious as a French accent anywhere near it. And alright, I know as well that at least the engine on a true ‘Caff’ racer should have been milled in the greasy environs of the West Midlands. But there was something about this image of a German man on his caffed up Honda CB500, liberated from a US-​​based enthu­siasts’ site , that summed up what my idea of a customised street racer out of the classic mould should be.

The whole idea of a café racer, of course, comes from the fifties, when greasers lathered up into a frenzy by Gene Vincent records from a transport café’s jukebox, would race from round­about to round­about for kicks. The obvious need to stay clear of alcoholic beverages meaning that a nice cuppa char served in your average transport café by the side of a British A-​​road was much more conducive as a meeting point than a local hostelry.

The classic café racer was a bike that had been modded for quickness surf-​​footedness — fifties and sixties examples aped the homologated road racers of the time. Long, flat stripped or chrome fuel tanks and small, one man seat right at the back of the frame were the most visible leitmotifs, along with dropped, ‘clip-​​on’ handlebars. The defin­itive machine in the early years was a hybridised beauty that was the progeny of a Norton frame and Triumph engined machine called “The Triton” (Triumph and Norton, geddit?).

The café racer cult has since the days when they were simply stripped-​​down mods, become a scene in itself, and acolytes of the scene fetishise all that is utilit­arian – even though it is often filtered through the lens of youth cult and the fashion business. Whatever the roots and the rhymes and the reasons, there’s something about the classic set up that brings us out in the need for English iron and unadul­terated grease.

Stay tuned for a fleshed out feature on our favourite sort of motorbike.

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