Posts Tagged ‘pininfarina’

Enzo Ferrari

Tuesday, November 9th, 2010

It’s been a while since we considered the Ferrari Enzo. Named after the founding father of the prancing horse himself, it was always one of those cars destined to attain mythic status.

With only 400 units ever made, and a technical specific­ation that brought fully fledged F1 devel­opment for the first time –it’s so often cited as the ultimate Ferrari that it’s almost impossible to look at it except through the stylised lens of its own legend.

Strange to think that the car was announced as recently as 2002. It seems to be have been part of mythic car culture forever.

But now and then, you come across a new angle — a new aspect of what makes this car so truly incredible.

These pics reminded me of the gaping, snarling aspect of the Pinifarina designed body. Like some sort of Autobot that’s about to transform into a Latinate killing machine ; even compared to the mentalist Ferrari issues that preceded it — the F40 and the F50 — the Enzo was a shock to the eyeballs.

All Hail The Wedge

Friday, July 16th, 2010

If any single design concept is synonymous with the 1970s it must be The Wedge. Redolent of an imagined space-​​age future, the design was conceived at the end of the 1960s by epoch making designers like Giugiaro and Gandini. It wasn’t until the decade that moon shots came and went, however, that they saw the light of day, wrought in steel. Here are six of our favourite wedges.

The Dome Zero

Japanese company Dome released the Zero concept at the Geneva Motor Show in 1978, It was supposed to be a demon­stration of homolog­ation special for a new line of sports cars. However, it failed to pass homolog­ation regula­tions in Japan. In 1979 the company debuted a revised version of the car that came with U.S standard safety equipment. In the same year, a racing effort was launched at Le Mans but the ‘Zero RL’ failed to finish the race. Not the most successful wedge design, but it looked great anyhow.

The Lancia Stratos Zero

The Lancia Stratos Zero was a Bertone design exercise that was showcased at the Geneva show of 1970. The Zero was just 883mm high so drivers would have to lift the windscreen to mount the car. The Stratos HF production car was based on the concept – albeit very loosely.

The Maserati Boomerang

The Maserati Boomerang concept was presented at the 1972 Geneva Motor Show – sitting next to Giugiaro’s other famous wedge of that year, the Lotus Esprit M70. Its windscreen had an extreme 15 degree windshield rake. Giugiaro’s company ItalDesign appar­ently used the Boomerang as inspir­ation when designing the Delorean. In 2005 the original Boomerang concept was sold to a collector at a Christies’s auction for $1,000,000.

Pininfarina-​​Ferrari Modulo

Paulo Martin designed the rare and famous Pininfarina-​​Ferrari Modulo concept– and gained 22 design awards along the way. The extreme design was developed using the Ferrari 512-​​S racer, and was primarly a showcase for cutting edge build techniques – and of course to flex the flair and passion of Pininfarina to maximum degree.

Countach Concept

The original Countach concept was an unadul­terated, ground­breaking production design drawn by Gandini for Bertone in 1971. Its striking scissor doors were pilfered from the Alfa Carabo of 1968 – but were actually a practical requirement because of the extreme width of the car. The pure design of the concept was trans­lated loosely into the production first LP400. Soon however, splitters, wings and other safety equipment were added to the mix – watering down this most pure of seventies wedges.

Ferrari 458 in Black

Tuesday, April 6th, 2010

These are the first pictures we’ve seen of Ferrari’s new glamour-​​puss in stealth mode.

The monochrome brings out the chiselled angles of the stunning Pininfarina design. From the rear the purposeful stance of the car is accen­tuated by the acreage of carbon fibre — and the Rosso slash of the engine and the subtle light brown leather of the interior is picked out nicely against the black too.

With prices starting at £169,545, Ferrari North Europe are said to be inundated with pre-​​orders for the replacement for the F430. Time to start saving.

Mystery Pininfarina Curvitude

Monday, January 11th, 2010

Every now and then we stumble upon an image that beguils as well as excites.

Out of all the beautifully-​​rendered concept cars from the period of the late sixties and the early seventies, this is one of the most mysterious we’ve come across.

Looking closely at the badge on the rear three quarter panel you can see it says ‘Fiat Abarth 2000′ – and the Pininfarina log is in its usual place on the side panel toward the bow. But extensive consultation of our friend Mr Wikipedia, as well as Pininfarina and Abarth web manifest­a­tions, cannot shore up any record of what this car whatsoever.

Seems that the blogo­sphere has reached a similar fact-​​free postages of what is an undoubtedly one of those concepts that was influ­enced by and influ­enced in turn cars from designers like Bertone and Ghia and Zagato.

Almost all of the leading Italian coach-​​builders were outdoing one another in the audacity of their futur­istic designs. The era seemed to be all about pushing possib­il­ities of late 20th century motoring in exquis­itely curved steel.

The louvres on the engine cowling, the flip-​​top lid as well as the trumpet-​​like exhaust recall some more familiar exper­i­ments of the era – partic­u­larly Pininfarina’s own space-​​mobile the Modulo but this red beauty seems to exist on an entirely different plane.

Perhaps it was a hallu­cin­ation that crystal­lised in a fashion photographer’s lens – or perhaps there’s a gaping hole in our retro-​​motoring knowledge.

Any more inform­ation our dear readers may be able to offer is of course, more than welcome.

Pininfarina: Tradition and Innovation

Wednesday, November 7th, 2007

BATTISTA ‘PININ’ FARINA founded his company in May 1930. It was launched as a specialist coach­builder for private customers and small production runs. Right from the start the company undertook commis­sions from major Italian manufac­turers, and at the Paris motor show of that year, cars badged Lancia, Alfa Romeo, Isotta-​​Franchini and Fiat appeared that were penned by Farina. The company continued to push bound­aries of design and innov­ation in the immediate post-​​war years. In 1947 New York’s Museum of Modern Art exhibited the Pininfarina Cisitalia. The automobile was recog­nised by the art estab­lishment to be worthy of exhib­ition. It now set the tone for Pininfarina’s image for the subsequent decades.

Drop tops

In the fifties Pininfarina produced a succession of drop-​​tops with the Lancia Aurelia and the Alfa Romeo Giuletta Spider. The decade’s successes culminated, however, in the sublime 250 GT SWB for Ferrari, an instant and durable classic that proved itself on the track as well as the road. The early success with the SWB encouraged the collab­or­ation that continues to this day. In the sixties cars like the Ferrari P6 produced innov­a­tions that informed Maranello supercars of the seventies and eighties like the Berlinetta Boxer series and the 308. Now with Battista’s son at the helm, the Italian touch was intro­duced to Peugeot with the design of the 504 Coupé. The 504 would become Europe’s top-​​selling 2-​​litre car of 1968.

Art for the masses

Throughout the latter years of the 20th century, the company continued to produce beautiful designs for a huge variety of customers, notably the era-​​defining Lancia Beta Monte Carlo, Ferrari’s F40 and Testarossa as well as Peugeot’s mass market 205, 405 and 106. With global markets broad­ening, in the 1990s the Italian masters of design for the first time worked with Mitsubishi on the Pajero SUV, and began to explore the huge possib­il­ities of the rapidly growing Chinese car market.

Back to the future

p_0481x_wheel-arch-detail.jpgIn 2005, the company celeb­rated its 75th anniversary by unveiling the Ferrari Superamerica in Detroit, and later the Maserati and Motorola-​​inspired birdcage concept that swept design awards that year. With recent hits in the shape of Ferrari’s F430 Spider and the Alfa Romeo Brera, Pininfarina looks set to continue one of the grandest tradi­tions in styling.