Posts Tagged ‘porsche’

Le Mans '77

Wednesday, July 28th, 2010

We’re suckers for onboard footage. And if this footage is from the days before modern tech took all the fun out of it, then so much more the better. We reckon this sort of juddery, intense photo­graphy comes closer to the  visceral exper­ience of driving a sports car at the limit. But that’s just us. We’re kind of luddites, though we’re doing it online.

Check it out.

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Jimmy Dean and The Curse of Little B***ard

Tuesday, July 27th, 2010

There’s been a lot of spooky stuff written over the half century that has passed since James Dean’s  fatal car crash. Whichever way you choose to look at the glamorous cult of death surrounding the star of Rebel Without a Cause: there are some strange coincid­ences relating to Jimmy Dean, his little Porsche Spyder and the grim reaper. Look at the facts.

After the actor dies in the wreck in inland California in 1955 legendary creator of Kustom Kulture George Barris buys the wreck. Back at the Barris workshop, it falls on a mechanic whilst being unloaded, breaking both of his legs.

During a race at the Pomona Fair Grounds on October 24, 1956 -  a pair of drivers are racing cars that have parts from the “Little B***ard.” One dies when his car, which had the engine from the notorious Porsche installed, went out of control and hit a tree. The other driver’s car flips over after the car appar­ently ‘locks up’ just as he is intro­ducing it to a turn.

Barris reluct­antly sells two of the car’s tires to a young man and within a week the two tires blew out simul­tan­eously. The kid is lucky to escape with his life.

The  California Highway Patrol borrow the car from Barris for a touring display to illus­trate the importance of road safety. Within days the garage housing the Spyder burns to the ground. Every vehicle parked inside is destroyed. Apart from the Porsche.

The car is put on exhibit in Sacramento and it falls from its display and breaks a teenager’s hip. Later, a man who was hauling the Spyder on a flatbed truck, is killed instantly when the Porsche falls on him.

Apparently in 1960 the Porsche myster­i­ously disap­peared en-​​route to a road safety exhib­ition, never to be seen again.

Now this would be one hell of a barn find. Would there be any takers at auction? Of course there would.

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Thirty Reasons...

Friday, July 16th, 2010

Stars of the Seventies

Friday, July 16th, 2010


1970 Plymouth Superbird

A few more muscle cars trickled out in ’71, but the Superbird’s massive rear wing marks the literal high-​​point of muscle car design, and also its swan-​​song.

1971 Lamborghini Countach concept

Why are all the best supercars – McLaren F1, Bugatti EB110 – launched into the teeth of reces­sions? Fortunately, the Countach’s incan­descent styling meant it lasted into the nineties.

1972 Volvo VESC

This ESV embar­rassed some of the bigger players who had taken a distinctly lax approach to their buyers’ health. Volvos have sold on safety ever since.

1973 Austin Allegro

Just bloody awful: epitomized everything that was wrong with the British car industry. Some say there’s no such thing as a bad car now, but there was back then.

1974 Volkswagen Golf

There had been hatch­backs before, but none looked as good, or mixed premium feel with affordable price like the Golf. Set the template that family cars still follow.

1975 Porsche 911 Turbo

911’ and ‘Turbo’ put together have always seemed slightly tauto­lo­gical, and were certainly terri­fying in these early cars. But 35 years on they’re still being made.

1976 Aston Martin Lagonda

William Town’s insane styling is one of the stand-​​out designs of the decade. Digital dash and computer-​​controlled everything meant they broke down as much as they stood out.

1978 Lancia Megagamma

At the Turin motor show Giugiaro unveiled a concept that would spawn not just a new car, but a whole new type of car.

1980 Audi Quattro

It might have been launched in 1980 but the Audi Quattro  –  full of brawn but laced with new tech – was the ultimate expression of seventies automotive ethos. A truly modern performance car; still sensa­tional to drive, and still inspiring current fast cars.

Porsche Tapiro

Wednesday, July 7th, 2010

Fans of Giugiaro’s Lotus Esprit like to imagine that all design roads from the sixties and the seventies lead to their beloved. But wether or not the evolution of car design would inevitably get the Esprit’s wedge-​​like sleekness or not, you can see many of its antecedents in cars from the late sixties/​early seventies.

Porsche’s Tapiro concept from 1970, for example, which was Giugiaro’s fourth full concept car for Ital Design, featured gull wing doors up front with matching gull wings over the engine and load-​​carrying area.

It featured a longit­ud­inally mounted air-​​cooled 2.4 liter flat 6 and a 4 speed gearbox and though it was appar­ently never properly intended for production, it featured all those great Giugiaro styling flour­ishes from the era: geometric air-​​ducting a cheese wedge profile and a futur­istic cabin surrounded by an acreage of glass.

The car was of course perfect for showing off the kinky boots that were the era’s booth babe leitmotif, too. Let alone the leopard print. Tapiro is the Italian for the pig-​​like, jungle browsing creature the Tapir, after all. Go figure.

Eleven Ice-Cold Scandinavian Cars...

Wednesday, May 12th, 2010

Top 11 Scandinavian cars

Zenvo ST1

Where do you start with the Zenvo ST1? With the fact this it is Denmark’s first and only supercar? With its extreme, angular, ground-​​breaking looks? With its equally extreme power and torque figures, both of which are in four figures? With the fact that its top speed has to be electron­ically limited to 233mph, at which speed it will cross its home country in just 18 minutes? Whichever way you look at it, the ST1 is a staggering new sportscar from a brand — and indeed a country – with no automotive heritage. Zenvo’s Nordic logo incor­porates a shield with the name at the top and a stylized drawing of Thor’s hammer, intended to represent “massive cars with plenty of strength”. Just 15 units are scheduled for production.

Fisker Karma

Although its HQ is officially in LA, we think the Fisker Karma deserves inclusion here. The firm’s founder and chief designer Henrik Fisker is Danish; previous credits include most of the current Aston Martin range, so he has form. His radical, gorgeous £80,000, 400bhp plug-​​in hybrid Karma will be built by Valmet in Finland; it can cover 50 miles on emissions-​​free electric power and give an average of 100mpg.

Volvo XC90

A relat­ively rare example of a Swedish car company producing an iconic car while under foreign ownership. On its launch in 2003 the XC90 was so popular that there were waiting lists a year long in the UK – and this for a Volvo, remember, not some new Ferrari. Early versions had a lethargic diesel engine-​​gearbox combin­ation but apart from this, the firm’s first SUV was pretty much flawless in concept and execution. The seven-​​seat cabin layout is its strongest suit, with a usable third row that folds fully flat, a genius integ­rated child-​​seat that slides forward to within reaching distance of the fronts, and a front cabin almost without equal for comfort and ergonomics.

Koenigsegg CCR

Sweden makes dull, safe, dependable cars. Italy does the outrageous supercars with unpro­nounceable names, right? Not entirely. In 1994 Sweden added a third automaker to Volvo and Saab, and it makes rather different cars. In 2005, a Koenigsegg CCR broke the McLaren F1’s long-​​standing record as the world’s fastest production car at a test at the Nardo high speed circuit deep in southern Italy; home territory for its exotic rivals. Two other cars have since bested it, but Sweden’s only sports car maker had finally arrived. Founder Christian von Koenigsegg founded his firm at the age of 22. Owning a supercar by that age would be impressive; starting your own supercar maker and creating a new model that bears your name seems barely credible. He sketched the original design and two years later he had a prototype. His first client took delivery of his car at the Geneva Auto Show in 2002. Top Gear famously binned one at its test track and criti­cized the aero package, but your corres­pondent did 214mph in one and found it pretty composed.

Porsche Boxster

Eh? What’s more German than a Porsche? But since 1997, over 220,000 Boxsters and Caymans have been built for Porsche by Finnish coach­builder Valmet at its near-​​unpronounceable factory in Uusikaupunki, Finland. It is the only company or factory licenced to build Porsches outside Germany, and a sign of real confidence from a company obsessed with build quality. Other than a letter on the VIN plate, you just can’t tell the difference between a Finnish and a German-​​made Boxster or Cayman.

Volvo Venus Bilo

The first concept car is generally thought to be the sensa­tional Buick Y-​​job of 1938, created by Harley Earl, head of General Motor’s famous ‘Art and Colour’ section. But Volvo would disagree with that claim. In 1933 it built the one-​​off Venus Bilo, intended, like the Y-​​job, to test public reaction to futur­istic, stream­lined styling. The production car it spawned, the radical-​​looking 1935 PV36 wasn’t a great success, but it didn’t put Volvo off making mad concepts.

Saab 900

If space constraints mean we could only include one ‘standard’ Saab, I guess it would have to be the 900 Classic, though plenty of Saab anoraks will argue. But this car lasted 15 years and united all the attributes that we now think make a Saab a Saab, from the wraparound, helmet-​​visor screen to turbocharged engines. There was a lot that was odd about it, like the combin­ation of front-​​wheel drive and longit­udinal engine that was so space-​​inefficient you could fit a couple of suitcases in lengthwise between the motor and the wings. But much was brilliant too, like comfort, space, ride, torque, quality and reliab­ility. 900 Classics are rightly going up in value.

Saab 96

Oh, okay, one more Saab. You can’t really leave out the 96, which although it didn’t sell in such big numbers as the 900 has a madder and more distinctive and recog­nizable shape, and which opened up Saab’s most important export markets in its 20-​​year production run. Erik Carlsson’s three RAC and two Monte Carlo rally victories in the early sixties in the 96 had the same effect on Saab’s image and acceptance as Mini’s exploits in the Monte.

Volvo 240

If the 900 is the defin­itive Saab, then the 240 is defin­itely the defin­itive Volvo, with almost 3 million made over nearly 20 years from 1973. Unlike the Saab, its super-​​square looks owe nothing to aerody­namics but everything to Volvo’s seminal early ‘70s Experimental Safety Car concept. It unques­tionably saved lives, but the hearse-​​like styling looked like it was better suited to carrying those already deceased. But if Sweden had a national car, this would be it. British designer Peter Horbury, asked to style the later Volvo V70 estate, said it was ‘like being handed the Swedish crown jewels’.

Volvo P1800

Proof that the Swedes can do cool as well as cold when they try. The P1800 was designed by a Swede working for Italian styling house Frua, and its launch at the ’61 Geneva motor show was overshadowed by Jaguar’s lissome E-​​Type with its claimed 150mph top speed. But the P1800 won the public’s attention back by providing Simon Templar’s wheels in the original run of The Saint, making it one of the iconic shapes of the sixties.

Think City

Nineteen years of devel­oping electric cars, including a flirtation with Ford which cost the bigger firm $150m might finally be about to pay off. Think is putting its 60mph electric city car with a 100-​​mile range on sale in its native Norway, Austria and Switzerland, is eying other markets and planning to start production in the US too. Buyers are desperate for usable electric cars, govern­ments are keen to encourage them, and the falling cost of batteries will soon make them more affordable; expect Think to capitalize.

Stars And Their Cars

Friday, April 30th, 2010

A skyrock­eting star need a killer car.

And over the years various shots of legends of music, screen and stage have been photo­graphed with their ride of choice. Each has added something to each’s image.

Here’s our latest selection of inter­esting cars and their signi­ficant others.