Posts Tagged ‘porsche’

Geneva Salon Roundup

Monday, March 8th, 2010

The 918 takes the classic Spyder fomat and plugs it into the 21st century

I'm not the greatest lover of motor shows. They’re all titillation and no consummation. I’ve never really understood their appeal in the same way I don’t get strip clubs. Just looking at cars is the same as looking at an attractive member of the opposite sex; very pleasant, as far as it goes, but you only get about ten per cent of the pleasure that should be had.

And it may be also that motor shows will wither away. The British show was once one of the most important but has effectively died off. Even the mighty Detroit, Tokyo and Frankfurt shows have been clobbered by the recession: non-attendance by a big carmaker at one of those was once unthinkable, but as the recession struck they bailed out in such numbers that last year’s Tokyo show was almost cancelled.

But it’s superfast broadband that might finally kill the motor show. Why would you travel for hours to a grim part of town to traipse around a draughty exhibition hall when you’ll be able to download hi-def, 3D renderings of the latest models which you can configure with your choice of colour and trim, look at without the backs of other people’s heads getting in the way, and then get into (virtually), start up and drive?

But if one show survives, I hope it’s Geneva. For a start it’s five minutes’ walk from the airport, so you can Sleazyjet in from anywhere. Second, it’s small enough that your feet won’t hurt by the end of the day. Third, despite the size, all the major carmakers and lots of insignificant but insane ones are here: nobody bails on Geneva, yet.

I’ll get to the important cars of this year’s show in a moment, but those tiny, loopy tuning firms alone make Geneva worth the trip. You’ll see stuff you just won’t see elsewhere; really outrageous cars that it would be completely unacceptable to launch anywhere else. Thought the flagrant, aggressive SUV was a thing of the past? Oh no. Maybe it’s because Switzerland is neutral territory and non-EU that Hamann feels safe revealing its Range Rover Sport-based Conqueror II, or its BMW X6-based Tycoon Evo M. Carlsson brought its €429,000, 735bhp, Mercedes SL-based C25, whose environmental impact will be limited only by the fact that just one will be supplied to each of 25 countries. Swiss tuner Mansory has somehow managed to get hold of a Rolls-Royce Ghost already and pimped it with a shocking electric blue and gold paintjob, which looked even more garish alongside its more subtle but otherwise entirely pointless carbon-fibre bodied Mercedes G-wagen.

Ugliest was probably the Malaysian-made, V8-powered Bufori Geneva limo: slogan, ‘A Statement of Pride,’ though ‘a statement of staggering bad taste’ might be more truthful. Who in their right mind buys these things? Is Switzerland so awash with idle cash that these excrescences are needed to soak it up? Even Bentley wasn’t immune, displaying a foul purple-and-cream Continental.

The design houses like Giugiaro have always used Geneva to show their own work, unfettered by the restrictions of a commission from a big carmaker, and these cars are another good reason for coming. Pininfarina’s take on an Alfa spider is bewitching; Bertone’s Pandion, a variation on the same theme, more challenging. But you’ve never seen anything like the Pandion’s rear grille: a mad, asymmetric jumble of spikes, somewhere between a porcupine’s quills and broken glass. This is proper, free-thinking car design; you wonder if a big carmaker would have the balls to put it into production.

There were some great-looking cars from the major makers, though. The show-stopper was unquestionably Porsche’s 918 Spyder. It was a genuine surprise; when the covers are whipped off new cars at motor shows they have almost always been leaked in advance or shown to car magazines so they can put them on their covers in time. But this was a genuine shock: a plug-in hybrid supercar with over 500bhp and a 3.2sec 0-60mph time, yet returning 90mpg and 70g/km of CO2. Those figures are greener than a Prius, and Porsche is not in the habit – unlike some other car firms – of making claims it can’t prove. For once, looking was almost enough; the 918 manages to appear compact, delicate and light but raw and aggressive all at once. It also looked bored on that stand; bored being looked at when it’s built to be driven. And you just know it will be incandescent to drive.

The most significant car of the show is probably Audi’s A1, because it sits at the nexus of a series of interconnected trends. Audi is on a roll, despite the downturn. People want cool small cars again for a bunch of reasons and they want a premium badge. The Mini better watch out. Ford showed its new Focus, more significant than the A1 in terms of numbers, but the looks are a little Korean and you just know it will be more of the same from Ford; great dynamics, great quality, and a car that doesn’t treat the ‘ordinary’ driver like a schmo.

Alfa’s new, Focus-sized Giulietta was much better-looking, but like I said, the looks are only ten per cent of the appeal.
Elsewhere, like every other motor show for the past two years, pretty much every big carmaker had some sort of electric/hybrid/whatever concept on display, but there’s a big difference between just saying your new concept runs on manure and emits only butterflies, and actually putting an appreciably greener car into profitable mass production.

And like every other motor show, Geneva’s halls are crammed with car-anoraks festooned with cameras and laden with brochures, with the garishly-dressed and bouffanted ‘valued clients’ being buttered up by the more exclusive carmakers (so that’s who buys a Bufori…), with teams of Chinese engineers taking digital pictures of obscure parts of the latest models, and with the angular, architectural, intimidatingly beautiful stand-girls.

I’ve never quite understood this either; if a carmaker wants us to look at its new model, why does it distract us with beautiful women wearing very little? And why does the car industry continue to get away with a ‘marketing’ tactic that should have died off at the same time the Miss World contest was taken off TV? Maybe there’s a parallel with motor shows in general; maybe predictions of their demise are premature. A few more will die off, certainly. But if you don’t mind just looking, go to Geneva.

New (Favourite) Porsche Turbo

Monday, February 8th, 2010

OK: so it goes without saying that the Porsche Turbo is probably the most iconic performance car brand in Automotive history. So, when the company releases a new edition of the Turbo, it's going to cause waves.

The 2010 Turbo S, which will be unveiled in at the forthcoming Geneva show, will boast power figures of 530 hp and 516 lb-ft of torque. And along with these new power figures it looks as if performance has gone through the roof.

The company reckons that the 911 Turbo S accelerates from a 0-62 mph (0-100 km/h) in 3.3 seconds and reaches 124 mph (200 km/h) in 10.8 seconds. Top speed is 196 mph (315 km/h). Lightweight and fade-resistant Porsche Ceramic Composite Brakes will) provide the same sublime anchoring, too.

The usual elements are there of course : the rear-mounted six-cylinder ‘boxer’ engine boosted by two turbochargers with something called 'variable turbine geometry'. And despite its significant increase in power and performance, Porsche reckon it will return 24.8 mpg Combined (11.4 l/ 100 km) –exactly the same, that is, as the existing straight ahead Turbo. Serious tech has been bought to bear to squeeze 30 more horses for identical fuel consumption.

The first Turbo S in five years comes with new standard equipment, including Dynamic Cornering Lights, 19-inch RS Spyder-style wheels, adaptive sports seats, cruise control, a CD/DVD changer and two-tone leather.

We think this beauty approaches the utilitarian loveliness of the 993 Turbo (Below), favourite turbo to date.

What's your favourite Turbo?

Porsche 909 Bergspyder

Tuesday, February 2nd, 2010

Porsche 909 Bergspyder

Every manufacturer of performance cars is obsessed with power-weight ratio. You don't have to be a physics professor to realize why. If you take away the adornments of luxury and concentrate all efforts on optimizing performance you’ll give yourself every chance of producing a truly dynamic vehicle that stays ahead of the pack.

Just look at the popularity of relatively affordable pocket rockets like the Ariel Atom and the KTM Xbow – which produce power-weight ratios that are staggering and match the performance of hyper-cars that retail at six figures. The thing is, however, about these high-revving flyers that while they are extremely quick – they don’t exactly tick all the aesthetic boxes.

But whilst planning a trip to Porsche's Museum at Stuttgart, we came across an early superstar in lightweight sports car engineering that manages to retain it’s svelte beauty in the face of all the imperatives of desired speed. When form follows function closely, you often get a beautiful product. The 909 Bergspyder is certainly beautiful to behold.

The car was conceived in 1968 by Porsche to become the dominant force in hill climbing. The roots-and-culture time trial  form retains a simple and classic appeal – and cars like the 909, with its low kerb weight, high power output and low centre of gravity, have a natural advantage.

Tipping the scales at a measly 380 kilograms, the 909 packed an 8-cylinder boxer engine that produced close to 300 horsepower. The engine was almost exactly centred and the cockpit hovered over the front axle and the frame was made from lightweight aluminium. The shell meanwhile was formed from a plastic composite and the brakes and fuel tank also featured experimental lightweight design and materials.

According to experts the 909 wasn't easy to drive and in June 1968 Ludovico Scarfiotti was killed when the 909 he was driving went out of control, flew off the road, and slammed into some trees - a stuck throttle blamed as the culprit.

Plastic shells, high speeds and safety rarely mix. No matter. We love the 909 because of its sheer prettiness.

Porsche 909

Porsche: Stuttgart vs Shepherds Bush

Tuesday, December 1st, 2009

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There's something ridiculous about a scenario when journos gather round like piranhas waiting to strip the meat off a car that, for whatever reason, has been found to the distaste of the head Piranha of the pack (otherwise known as Jeremy Clarkson).

Yep, you know that Jezza holds the rank and file of motoring opinion in the palm of his voluminous, slightly sweaty, palm.

But wether or not you take the TG team's doubtlessly machiavellian 'opinions' as gospel or not, we reckon Ferdinand Porsche's company of dedicated design engineers have a better chance of getting things right than a handful of badly dressed TV hacks.

Of course, the comments made by the Anointed One on the Panamera might reflect to an extent what is obvious. The Panamera could well be scene as a desperate fusion of über successful styling elements in a landgrab for new markets in a time of industry trouble.

But can form as function ever really produce something as ugly as 'an inside-out monkey?'

Anyway, as demonstrated by Stuttgart's determination to highlight the Panamera's geneology, the fact that the Panamera takes so many strands of Porsche genius and fuses them in a design that isn't compromised by popular opinion should make potential buyers feel cossetted by history.

Porsche are certainly spending a lot of money to place the Panamera firmly in the mainstream of Porsche evolution. In North America at least, the campaign to brand the Panamera is being supported by some of the most sophisticated marketing we've ever seen.

We actually love the way the Panamera looks. In an age of convergence of all things aesthetic, it retains a unique presence – and that sort of uniqueness usually denotes a classic.

New Boxster Spyder

Thursday, November 5th, 2009

When Porsche released official pics of its new lightweight champion this morning, they bound to point out that the Boxster Spyder always be driven, loved, cooed-over with the top down.

Because like a great Hollywood leading man disgracing himself with a cheap toupé, this racing beauty was never meant to be covered up on top. In fact, we think with the ragtop in place the car looks awful.

But sling the cabin open to the elements, and the whole car's dynamic aesthetics come alive.

It's not only the Carrera GT like twin humps that rise provocatively from the rear three quarter of the car that floats out boat. It's the fact that Porsche have produced a completely re-imagined, sports oriented Boxster for the legions of the faithful. Because in our opinion the bog-standard Boxster has become a bit of an eyesore on the streets these days. It has become an icon of aspirational motoring that fails by and large to live up to the nobility of the brand.

But no matter. A tweaked evolution of the Boxster S six cylinder rests just forward of the Spyder's rear axle, and produces ten more horsepower than the engine in the S. But crucially, the extra power here will combine with around 80 KG less bulk, a lower centre of gravity and revised running gear to create a guaranteed tarmac hugger in the tradition of great GT racing Spyders of other eras, like the brushed steel cool of 1953's 550 Spyder (pictured).

Porsche reckon the car will accelerate from 0-60 in around the mid-four second mark, and  top out at 166 MPH (with the top down, of course). We particularly dig the retro detailing and the almost carnal rear three quarter perspective.

The Spyder will be available worldwide from february 2010, and will retail at around £44,500.

Porsche Poster Art

Wednesday, April 15th, 2009

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Somewhere out there is a world where speed is just speed and cars are just cars. But I don't live in a world where that is true.

Sometimes here at Influx towers we can twist ourselves into contortions trying to define what it is about the relationship between man machines and speed that turns us on so much.

But we stumbled upon a collection of motoring posters recently that defines in simple graphic imagery and type, what makes cars worth caring about.

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The posters are classics of sixties and seventies graphic design from individual artists as well as a variety of graphic collectives. Each of the posters combined simple graphic imagery with a dynamic sense of colour and cool typography to encapsulate Porsche's sports car racing aesthetic.

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Stay tuned for a forthcoming collection of themed features that will explore with more depth the Art of the Motor. This tongue-tip taster of killer graphic art is just the tip of a very large iceberg.

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When good design, passion and the urge for movement comes together, great things happen.

Porsche GT for Four

Friday, February 13th, 2009

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Yesterday Porsche for the first time presented the interior concept of their forthcoming four door GT the Panamera. The long awaited challenge to the upper echelons of the saloon market is due to go on sale in the UK from 12 September 2009, and will come with V8 power units and a luxurious, hi-tech interior ambience. One defining feature of the Panamera’s cabin is the centre console, which extends from the fascia to the rear seating area – and another is a truly cockpit-like environment for all four seats. From the look of the pics, it won’t just be mum and dad up front who get the full Porsche GT experience. And as every good Grand Touring family need to be protected as well as thrilled, the car will come with driver and front passenger airbags, curtain airbags as well as – on the front seats – side and knee airbags. Side airbags will be available for the rear seats as an optional extra. Four-zone automatic air conditioning is available as a further option, providing individual adjustment of temperature, blower intensity and air distribution for each seat. Porsche have introduced a truly cutting edge ICE system to the Panamera range in the Burmester, which features more than 2,400 square centimetres of ‘sound membranes’ which apparently deliver a near live quality audio experience. 16 speakers, each of them routed by its own amp channel will put out more than 1,000 watts complemented by an active subwoofer together with a 300 W Class D amplifier. This little gadget will of course, be an optional extra! At the head of the Panamera line-up is the Panamera Turbo, which will offer a twin-turbo 4.8-litre V8 developing 500 bhp (368 kW), with power transmitted by the Porsche ‘double clutch’ transmission (PDK). With all-wheel drive as standard, the Panamera Turbo accelerates to 62mph (100 km/h) in 4.2 seconds and reaches a top speed of 188mph (303 km/h). Fuel consumption in the EU combined cycle is 23.2mpg (12.2 ltr/100 km) and Co2 emissions are 286 g/km. Pricing and other detailed information is et to be released, but we think it’s fair to say that the Panamera will be cheaper than the Ferrari 612 Scaglietti, but a fair bit more pricey than your Audi A8!