Posts Tagged ‘Road Trip’

HWY: An American Pastoral

Friday, December 17th, 2010

In our constant trawl of the archives to find fresh and inter­esting material on the mythology of the road trip, we recently came up with this obscure but spookily resonant flick. HWY: An American Pastoral is a 50 minute exper­i­mental piece led by and featuring Jim Morrison — the much-​​vaunted lizard king of West Coast American pysyche­delia and frontman of The Doors. Morrison was in film school in Los Angeles as a student and was always inter­ested in the creative and transcendent possib­il­ities of 24 frames per second.

When collab­or­ating on the film with photo­grapher Paul Ferrara in the Mojave desert, he drew on his extensive hitching exper­ience as a kid — and in the process weaved together many of the threads that were lifelong obses­sions: among them the road, the desert and the blues. It’s all weaved together with that partic­u­larly dark brand of Americana that could only emanate from California in 1969. Some nice motors in there too.

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It's Better in the Wind

Monday, April 19th, 2010

Screen grabs. Social networking. Iphone apps. A world without walls was dreamt up by software marketing people to make you think that working every­where, any time would be a benefit to your own sense of freedom and transcendence of the bread and butter drudge of making a living.

In reality, this ‘world without walls’ has enslaved so many of us to the computer screen, the SMS and the email account.

Respect then, to people like those at It’s Better In the Wind, who use the tech at their disposal to dissem­inate a message that when all’s said and done getting out there in the elements on the road, looking for adventure, accepting what ever in real visceral time, may come your way — that that is the way to transcend the dull realities of simply getting by.

Have a great weekend. Load up, and get out there.

The Road is Life!

Thursday, August 6th, 2009

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OK, despite the meteor­o­lo­gical evidence out there, it is the height of summer. And the height of summer is the time of the Road Trip. For any dyed-​​in-​​the-​​wool lover of cars, there is no better way to pay homage to the Holy Month of August than to jump into your ride of choice and head for the horizon.

So, in honour of this time when the automotive shackles come off and you reach out to the further reaches of road-​​going possib­ility, we have put together a thread of features to highlight the best things about being out of the workaday realities of existence and heading out on the road.

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No road trip, for example, could be complete without the perfect playlist. We have selected, from a straw poll of the Influx devotees, some of the most essential tunes to keep the motorway tripping through peripheral vision and the landscape opening up around you.

If you’re just about to set off on the big adventure, we’ve selected our top ten cinematic road trips. The road has been mytho­lo­gized by film makers since the dawn of the moving image, from Vanishing Point to Easy Rider and beyond. We respect­fully present some on-​​screen action that will inspire you to take your trip further.

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And while we’re on the subject of road trippin’, who better to evoke the essential creativity of being behind the wheel than King of the Beats and Holy Goof of the Road Neal Cassady. Jack Kerouac’s wing man is bought to you by in-​​house artist Paul Willoughby and Cuckoo’s Nest author Ken Kesey.

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Thinking about the purchase of the ultimate road trip vehicle? Then check out Mickey G and Justine’s classic Canterbury Conversion Transit Camper. Never was a road-​​wagon more suited to exper­i­ential discovery. And never was an affordable vehicle more suited to nurturing and appre­ci­ation than one of the truly classic retro campers.

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For pure unadul­terated adventure, take a look at the selection of tales from Influx scribes Rich Beach, Ben Oliver and Michael Fordham, who have used their hard-​​earned press cards as magic carpets in miniature, little tickets to the back and beyond of automotive adventure that tell us something serious about the road as metaphor for the best things in life.

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Probably more road miles have been travelled in the VW camper than any other road-​​going ride meanwhile: and we take a look at the evolution of this classic – from utopian family vehicle to Extreme Sports icon and everything in between.

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The Road is Life: Influx brings you some tales from the fringes….

Top Ten Road Movies

Thursday, August 6th, 2009

We think these are the best road movies ever made. Disagree? Then let us know…

Two Lane Blacktop

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James Taylor (yes that one) and Dennis Wilson (from the Beach Boys) and a tricked out sleeper of a 55 Chevy. Put them together and you have the coolest road movie ever.

National Lampoon’s European Vacation

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Chevy Chase and family cross the Old Continent as the perfect approx­im­ation of the American güber. A classic of comedic errors.



Duel

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Spielberg’s first feature and a terri­fying ode to sustained road rage.

Thelma and Louise

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In the top ten because girls love it. And so do we.

Easy Rider

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Definitive Americana with Jack Nicholson and Peter Fonda.

Little Miss Sunshine

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Sweet, succinct and features a killer VW camper. What’s not to like?

Motorcycle Diaries

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The reason Che Guevara is an icoc of revoution is because he knew how to live a true road trip.

Mad Max

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Classic Aussie apoca­lyptica before Mel Gibson went weird.

Sideways

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Two men of a certain age get on the road to taste fine wine and have menopausal misad­ven­tures. The Saab 900 convertible reflects the washed-​​up nature of the main characters. Elegant and touching.

Vanishing Point

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Extreme GTO-​​pedalling in the mode of the sexually promis­cious seventies.

Fear and Loathing in Las Vegas

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Depp as Hunter S Thompson into the Dantean inferno of Vegas. On Acid.

Feel free to tell us your additions to the list…

Gonzo! Three tales from the road

Thursday, August 6th, 2009

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BUILT FOR SPEED
Breathless to Bogota in a battered old Dodge.

I never realised what a nutter she was. Sure, before we went to Colombia, I should have taken the hint. There was the midnight madness of a cross-​​London spank in her convertible Twinspark Alfa after the meeting where we discussed the trip, after all. Then, when her interest in all things automotive was made plain to me by the fact that her father raced with Stirling Moss, and her middle name was Hawthorn. All I know is that I shouldn’t have let the photo­grapher drive the most dangerous road in the world. With me in the passenger seat.

Cartagena to Bogota: it had a ring to it. We’d spent the majority of the budget on extended our stay in the National Park up north. A one-​​way flight back to the Capital was super expensive and the flight path passed danger­ously close to the war-​​wracked hills of Colombia’s central massif. The bus journey up there had been horrific. So, the only thing left was to borrow a motor. The Photographer had a mate down in Bogota who wanted to take delivery of the old clunker , so that was it. Thing is, I’d left my driving licence at home, so therefore, she told me I shouldn’t drive. It’s a laughable contra­diction. To be insured compre­hens­ively in Colombia can be likened to being swaddled by a 2 ply contin­ental duvet from Argos at the South Pole, and feeling smug about it.

The two things I remember about this road trip from hell are the treacle thick sensation of fear and the pounding, relentless Salsa that emitted from the speakers of the old wreck. Colombians know nothing about traffic engin­eering. Road laws are non-​​existent, and the cops are of course more dangerous than the milita that control the countryside. The two lane highways were a testament therefore to the exuberance of the Colombia temperament and the anarchy that the cocaine economy had bestowed upon its people.

The Photographer was a certified nutcase behind the wheel, though I have to admit, she was rather skilled if ragged in her style. At first I was all for it, the dick and run and jerk and madness of it seemed to fit the surroundings. She’d inter­sperse her manic jigging to the local rhythms with anecdotes automotive and generally debauched. It was only into the twelfth hour of the trip when the tropical night closed in and the paucity of working head lamps in the nation-​​state of Colombia began to be all too apparent.

It came to a head when The Photographer insisted on picking up a couple of hitch hikers we met at a midnight road side stop. The two narco­tourists from the leafier sides of Surrey and Lincolnshire respect­ively had been on it for three months solid, all the way up from Cuziosco, via a Yage session communing with spirit guides in the Venezuelan bush, and had lately been shored up in the prettier parts of Caribbean Colombia. Sweaty and mind-​​bruised to a man and reeking of chemicals and unwashed clothes, they insisted on encour­aging The Photographer to race every lampless artic and wobbly wheeled dumper truck to every narrow bridge and around every blind corner that long, viscous night.

By the time we arrived in Bogota my nerves were shot, and I wanted, almost craved _​ a serious smashup to wake the photo­grapher from her insane dependence on forward trajectory. Passing the suburbs to the north of the city we saw a dead body rotting in a layby. The cadaver of the middle aged man had on his yellow T-​​shirt a black logo. BUILT FOR SPEED, it read.

by Michael Fordham

Russian Roulette:
A Cab Through Moscow

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The New Russia might have chosen a better ambas­sador than the taxi driver who collected me from the airport in rare, intense sunshine and heat. The trip would take me straight through the heart of this extraordinary place; it was my first visit, and it wasn’t starting well.

His Ford Focus estate was so trashed the bootlid was jammed shut and we had to fold the rear seats down to load the bags into the boot. Inside, he had a knuckle­duster taped to the dash, a knife stabbed into the door trim and a hammer under the seat. There was a picture of a soldier taped to the rear view mirror (brother? Boyfriend? Army buddy killed by the Chechens?) and once we were underway he rolled up his sleeves, trouser legs and the body of his shirt to reveal some horrific scarring, which he proceeded to scratch vigor­ously for the hour and half it took to get to the centre of the town, a journey lengthened by regular pauses to shout at women by the roadside, and a novel driving technique in which he slowed to 20mph when the road was clear, but weaved at insane speeds through traffic like a crackhead on the run in Police Camera Action. It was the single most terri­fying taxi ride I will ever have, but bailing on the well-​​armed Scratchy and getting lost in this alien city of ten million just wasn’t an option.

In those brief periods when my eyes weren’t tight shut with fear I marvelled at Moscow. The Russians might have come late to capit­alism but they’ve embraced it with extraordinary enthu­siasm. The billboards here are bigger than anywhere else; we drove past one for BMW next to the Kremlin on the Moscow River that covered an acre and a half and featured all four M-​​cars suspended on their sides as if they’re racing across it.

Russia’s car boom – and subsequent bust — has brought chronic congestion and parking shortages to this city of 10 million. It is so cold in winter (minus 20 is normal, but they often see minus 35) that Muscovites start their cars and leave them running for an hour before they need to drive. There is an under­class of ancient Ladas, vast, square Volgas, more modern but utterly unremarkable Lada hatches and plenty of Chinese models too, including the infamous Chery QQ, a direct rip-​​off of the Daewoo Matiz. The bulk of the cars competing with our cab were your standard inter­na­tional small hatch or saloon – Toyotas, Hyundais, Fords and Renaults. But there are probably more high-​​end cars on the streets here than in any other European city I’ve been to, London excepted, though most of the Bentleys there are driven by Russians anyway. Government officials treat themselves to long black S-​​classes, A8s and 7-​​series with discreet blue lights on top, and in that one taxi ride I clocked half a dozen Maybachs, three Murcielagos and my first F430 Scuderia.

Moscow’s roads are a wet dream for those militant motorists’-rights nutjobs you hear on British radio phone-​​ins; fourteen lanes across in places, with no congestion charge, gas at 50p per litre and virtually no cyclists. But if the police see the slightest infringement they’ll stop you and expect a bribe. There’s an unofficial but well-​​understood price list, pegged at about half the official fine. Russian motorists are well advised not to protest; one drivers’ – rights activist wound up in hospital for a month with severe head injuries.

If only they’d stopped Scratchy, I’d have happily paid his fine, and got another cab. He got me there physically intact, but mentally scarred. I didn’t offer a tip.

by Ben Oliver

Loebmania!

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Don’t you mean merde?” grumbled James, the photo­grapher. Busy fiddling with his cameras in the passenger seat, he hadn’t seen the blue Ford Focus with ‘Gendarmarie’ along its side. That other French word meant police but spelt trouble. The enemy was sat at the side of the motorway on a dusty side road, a speed gun aimed squarely at us, poking out of the driver’s window.

No, you’re right, it is merde.”
We had only left Calais half an hour earlier and had 500 miles to get to Valence. The Monte Carlo Rally was getting underway and we didn’t need any hold-​​ups on this 8-​​hour drive.

Five minutes later and the Focus cop car was on our tail but hanging back. Normally, passing a speed trap in France in an English-​​plated car would automat­ically warrant trouble, or at least the raping of an English wallet. But on this trip our ride of choice threw the Gendarme into a world of confusion. We were in a modified Citroen C4. The car belonged to Citroen’s UK press office and was such an accurate replica of Sebastien Loeb’s rally car, we had been causing a right stir since we entered France.

I had no idea Loeb was so popular” James said.
Since hitting France we had been mobbed at one petrol station, chased by cars with phone cameras waving out the windows and were now being followed by a cop car. Ten minutes of tailing and the police over took and sat in front of us for another five minutes.

Just as we approached a turn off towards a péage booth, the blue lights went on and we were signalled to follow. As we stopped the driver called another officer over from a police station by the edge of the péage. A spikey blonde-​​haired cop bounced towards us, his wide eyes fixated on the car. He was an amateur rally driver – the first of many we were to meet.

While the young wannabe Loeb looked around the car, the driver showed me my speed on the gun. I had been caught doing 142kph; the limit is 130. “Too fast” he said. Oh bugger, here we go… “Can you take picture please?” Huh?! The chubby lead copper handed me his pocket camera and positioned himself next to the C4 where his exuberant sidekick already stood, wearing a cheesy grin. Fine. We snapped away. They got on their knees and studied the exhaust system, not for legal­ities but as enthu­siasts. We were safe. A few hand shakes and we were on our way. We were driving the ultimate get-​​out-​​of-​​jail –card.

After a weekend of driving where no-​​one else was allowed, fending off middle-​​aged female rally fans who wanted to marry Loeb, and a swift police escort up the to the start of the Col de Turini stage, we began our 4-​​hour trip north. Beaune was our overnight stop before our dash to Calais the following morning.

We were making good time back to Calais. About one song on the iPod later and we barrelled past a speed trap: a camera on a tripod in a layby with a cop car sitting a few metres back from it.

Merde!!” (again). Thinking we were better off maintaining speed to the next rest area, signposted ahead, and hide, we didn’t slow down, assuming it would take them a while to catch up. We hadn’t considered these speed traps mean a chase car sits further up the road and is radioed by the first.

As we spotted the second Gendarmerie waiting up ahead, our hearts sank. But before I could lift off the gas, it happened again. The uniformed driver, already informed by the first car about us, stuck his upper body out of the window and punched his fist in the air in our honour, before clapping with both hands. We had fooled them and they didn’t care how quick we were going. In fact they saluted our pace. Well, we had just won the rally again.
“Holy shit! Thank God for that,” blurted James.
“No,” I said. “Thank Loeb”

Same thing over here.”

by Rich Beach

Road Trip Playlist

Thursday, August 6th, 2009

These are our top 20 tunes for a roadtrip. What tunes make your long distance drives go a little quicker? Leave a comment and let us know…

Tame Impala1. Half Full Glass of Wine: Tame Impalas
Driving Indie Blues Rock you’ll recognise from the TV. Directional and rocking.
 
 

Betty Harris
2. There’s a Break in the Road: Betty Harris
Down and dirty funk perfect for laying down rubber.
 
 

Free
3. Mr Big: Free
Elliptical shifting from the Spinal Tap tribute band from the early seventies.
 
 

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4. Driving South: Stone Roses
Manc attitude par excel­lence with pounding riffs from the Monkey Men.
 
 

Kraftwerk

5. Autobahn: Kraftwerk
Glorious misan­thropy from the centre of Euro dystopia.
 
 
 

Bobby Fuller Four

6. I fought the Law: The Bobby Fuller Four
Original Rebel Music: let the desert winds blow!
 
 

Davie Allan and the Arrows

7. Left turn on arrow only: Davie Allan and the Arrows
Obscure and burning strings straight out of the Lost Highway.
 
 
 

Foo Fighters

8. Learn to Fly: Foo Fighters
Dave Grohl and co bring you a contem­porary classic that sounds better than sex on the car radio.
 
 
 

Chuck Berry

9. Johnny B Goode: Chuck Berry
Essential roots rock meant for swift cruisin’.
 
 
 

The Wipeouts

10. Dead Man’s Curve: The Wipeouts
A dispatch from the begin­nings of street racing culture.
 
 
 

Beach Boys

11. Shut Down: The Beach Boys
Leave the Noseriders alone chaps. Stick to the four to the floor.
 
 
 

Leftfield

12. Phat Planet: Leftfield
A tick and a tock. Put the pedal to the metal!
 
 
 

Upsetters

13. Live Injection: The Upsetters
A downshift and a change of pace that still goes with the flow.
 
 
 

AC/DC

14. Highway to Hell: AC/​DC
Nod your head and flash the steer’s horns on the highway, baby.
 
 
 

Muse

15. Plug In Baby: Muse
Contemporary roughness for the blacktop in our time.
 
 
 

Blur

16. Song 2: Blur
Whoo-​​Hoo indeed.
 
 
 

Tom Robinson

17. 2−4−6−8 Motorway: Tom Robinson
Perennial dad rock that evokes the British Leyland vehicle of your imagin­ation.
 
 
 

Johnny Jenkins

18. Down the road I go: Johnny Jenkins
Dirty harp-​​driven blues from the southland.
 
 
 

Eddie Cochran

19. Something Else: Eddie Cochran
He died in a Ford Consul in Chippenham. What a rocker!
 
 
 

Ricky Valance

20. Shaking All Over: Ricky Valance
We end with a slick rocking classic.
 
 
 

VW Transporter: Evolution of the Legend

Thursday, August 6th, 2009

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I bought my left hand drive, 1968 VW camper for £100. When we picked it up, the vendor gave us a nod and a wink while he showed us the dodgy MOT. “Make sure you pump the brakes, lads,” he said brightly with a wave as we roared off down the road, happy as a couple of hippies on their way to Woodstock.

He wasn’t lying. In fact, what you had to do to stop the thing was to pump the brakes three times. On the third pump, the offside front drum brake locked up violently, causing the steering wheel to tug violently to the left (mercifuly, away from the oncoming English traffic.

Still, we didn’t mind. We initially bought the thing to transport our KX 250 motocrosser to and from the Thames-​​side wasteground we would ruin on summer nights and sunday mornings – but pretty soon we had sprayed the rusted blue coachwork with ridiculous colourful flowers, had patched up the gaping holes in floorpan and the sills and our group of friends were using it for weekend long jaunts in the discos that littered the Essex coast, where wave-​​your-​​hands-​​in-​​the air dance­floor debauchery would be followed by hilarious rides home down the A13, where we would try to judge the dual carriageway traffic signals at the constant thrum of fifty (the bus had a stopping distance roughly approx­imate to that of a super­tanker fully loaded with Brent Crude.)

It was desper­ately dangerous and highly illegal, but that van’s person­ality remains burned into the consciousness of all of us that exper­i­enced the hard yards we accom­plished in it.

And that’s why the VW van remains such an iconic steed. A vehicle originally desinged with European family utopia in mind has been re-​​imagined by three or four gener­a­tions of road-​​happy riders – from card carrying hippies to Observer-​​reading families, taking in extreme sportsers, AA engineers, medics, rangers and rapscal­lions along the way.

It might be that the Split Screen classics will always be the most sought after, but the new gener­ation of California campers and Sportline crewcabs are some of the most practical, reliable and desirable multi-​​use vehicles ever to be designed.

But the abiding memory of that old rust bucket remains its rock solid reliab­ility. After one partic­u­larly rancid, snowbound winter back in the day, when the old warhorse had spent three months entombed in snow drifts and ice, I thought I’d step out to see if she would start. That beautiful March morning, just one turn of the key was enough to send the air-​​cooled engined coughing and wheezing into life. It sent a feeling of possib­ility shivering through me. And that’s why you love the VW Transporter.