Posts Tagged ‘Supercar’

Friday Car Crush Sixth Sense

Friday, December 23rd, 2011

When in the Autumn of 2010 Lambo released the first pictures of their outrageous design study the Sesto Elemento, there was a collective gasp from anyone vaguely inter­ested in automotive aesthetics. And between thee and me, we are still gasping.

Just look at the thing! Its as if a million little boys’ dreams have been condensed, stuck in a magic machine loaded with an acreage of carbon, a magic spell has been intoned and Shazam! A legend created.

Lamborghini has pushed far from its agricul­tural roots into a place where it can redefine the future of the supercar. Their collab­or­ation with Stuttgart has made every car a Romanesque/​Teutonic treat. But with this thing it’s the equivalent of Puccini and Wagner collab­or­ating on a defin­itive final drama, full f exploding canons. glori­ously fatal beauty and decadence unmatched by the most hedon­istic of baccus’s indulgence!

Imagine how that fat lady would sing!

The name of this technology demon­strator is derived from the periodic table, where carbon is classified as the sixth element. Flexing Audi’s expertise in carbon tech, the boss of the company promised that every subsequent Lamborghini would be touched by the processes and design innov­a­tions wrought in the devel­opment of the Sesto Elemento.

True genius, outrageous design. We love it.

Ludicrously Freakin' Awesome Lexus in Action

Tuesday, December 15th, 2009

LFA

Ok, so you’ve probably heard that the long awaited Lexus supercar has been badged with the silly pricetag of £350K and that it goes like stik and that anyone with a heart and two ears could not but love the sound of its V10 engine. But now there’s a way to exper­ience the sound of the LFA without being a jammy car hack or the heir to a tobacco fortune.

When designing the LFA’s exhaust system, the team at Lexus appar­ently studied the noise made by a Formula 1 car at maximum revs, then applied detailed design features to create an exhaust note for the LFA that is unlike any other car on the road, enhancing the sensation of speed and acceleration.

The car’s main silencer is made of titanium and has a valve-​​actuated, dual-​​stage structure that channels the exhaust flow according to engine speed. Up to 3,000rpm, the exhaust valve stays closed, routing the flow through multiple chambers, creating an unobtrusive note. Above 3,000rpm the valve opens, allowing the exhaust to bypass these chambers and flow into a single resonance chamber, before exiting through the stacked trio of tailpipes.

The V10’s induction system was also modified to complement the engine’s acoustic qualities. The uniquely formed horizontally split resin surge tank – a unique design – mimics the acoustic chamber of wind and string instru­ments: up to 4,000rpm it emits the engine’s primary firing frequency of 300Hz; this changes to 400 to 500Hz as the engine revs climb to 6,000rpm; and a peak is reached at 600Hz as the engine wails towards its 9,000rpm red line.

The air intake is made from a porous duct material to generate bass to mid-​​range tones. The LFA devel­opment team called this acoustic effect ‘Resonated Complex Harmony.’

If the above couple of paragraph read like Greek mumbo jumbo to you, then you’re not alone: but any fool can under­stand that piping the exhaust note into the cabin can only improve the driving experience.

The engine’s induction and exhaust soundtrack are channelled into the LFA’s cabin, so people on board can enjoy the exper­ience as much as those on the outside. The main sound channel that pipes in the engine’s induction notes runs from the surge tank into the cabin below the main dashboard panel.

Two further sound channels run to an opening in the upper cowl on top of the dashboard structure and a reflector panel low down at the front of the cabin. Together with the primary sound channel, these put the driver at the centre of the LFA team calls the ‘3D Surround Sound Concept.’

This thrilling acoustic performance of theV10 engine can now be heard online, available in the sound library at the dedicated LFA site www.lexus-LFA.com

Veyron Grand Sport: Final French Fling?

Wednesday, June 10th, 2009

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The Bugatti Veyron Grand Sport, a roadster version of the epoch-​​making hypercar, launches this month. With only 100 up for grabs, even a €1.4 million base price won’t stop the global élite from grabbing the ultimate in alfresco driving.

Like the Lamborghini Countach, McLaren F1 and Ferrari Enzo before it, the closed top Veyron has already redefined the supercar genre – standing as a monument to power, consumption, speed and not a little bit of greed. When VW revived the dormant Bugatti name in 2000 then Chairman Ferdinand Piech promised the fastest production car in history.

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Now, as the Bugatti brand celeb­rates its 100th anniversary with a year-​​long celeb­ration, the open topped Veyron Grand Sport stands unchal­lenged as the most outrageous convertible ever built.

There are strong German overtones, with chief designer Hartmut Warkuss and Jozef Kaban taking respons­ib­ility for the bluff Germanic looks. But the Bugatti remains fiercely French. It is even named after Pierre Veyron, who won the 1939 Le Mans 24 Hours in one a Bugatti.. A space age factory to build them was created next to Ettore Bugatti’s château in Molsheim, France, and clients visit the quaint Atelier – that is part meeting room, part museum – to select their chosen two-​​tone colour scheme with the aid of polished stones stored in a bespoke cupboard. No online car config­urator necessary.

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Totemic fashion brand of the super rich Hermes is also on hand, providing an optional interior upgrade for Veyron customers who want that little bit extra exclus­ivity. other special editions include the Pur Sang, Sang Noir, and the one-​​off Bleu Centenaire which bears the all-​​blue racing livery of the original French GP cars.

Bugatti’s customers, including designer Ralph Lauren, are drawn to this distinctly Gallic flair, combined with the resonant and romantic image of Ettore Bugatti, who built an empire with racing cars driven by gentlemen racers that dominated the early days of Grand Prix. The Type 10, Type 25 and more were the cutting edge supercars of their day and though the techno­lo­gical times have changed, Bugatti is still out in front.

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The styling of the Veyron, however, is more about impact and aerody­namics than tradi­tional supercar beauty. The bullshark front end, the muscu­larity of those sloping flanks and the monstrous square exhaust, which looks like it should be firing grenades, create a cohesive vision of brutal power applied with finesse and exactitude. Its true elegance lies in its simplicity, and the way that the designers managed to wrap a drivetrain as powerful as a freight train in a car the size of a Ferrari 430.

An eight-​​litre W16 engine with four turbochargers and 10 radiators is overkill on a grand scale, but then it does send almost two tonnes of car to 60mph in just 2.5s, which is superbike fast, and, of course, to that near mythic top speed of 253mph.

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The Grand Sport allows for 217mph wind in the hair motoring after the removal of the Veyron’s roof. And as the overjoyed owners speed off into the sunset this might just mark the end of a wondrous motoring adventure. The tide is turning against such extra­vagant machines and now even the supercar manufac­turers are looking at reduced emissions and fuel consumption. And in the current economic climate a €1 million supercar that costs €40,000 a year to run, before the insurance, is not a simple sell.

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So the Veyron Grand Sport could be the end of an era, and it will almost certainly be the most spectacular, most powerful petrol-​​powered car the world will ever see. And though it’s heavily influ­enced by Germanic neigh­bours, this car will fly the French flag for the rest of motoring history.