Posts Tagged ‘Vauxhall’

Vauxhall XVR

Wednesday, July 27th, 2011

 

Vauxhall’s XVR from back in 1966 still manages to tweak the inspir­ation with its slick, ‘vette-​​ish lines.

We always were reminded of seemed to ape the imagined futurism of the Durango 95 from A Clockwork Orange (which was actually a Nova kit car, appar­ently).

The XVR was one of the most inter­esting products of a very creative period from Luton, a collection of which we saw at Goodwood a couple of years ago.

Did the ‘Farrah Fawcett’ version of the Corvette Stingray, which launched in 1968, gain inspir­ation from this concept. Could a Vauxhall really have inspired an American Icon?

 

 

Thirty Reasons...

Friday, July 16th, 2010

Firenza! Vauxhall Exotica

Tuesday, June 29th, 2010

At one level Britain in the early seventies must have been a pretty dreary place. There were power cuts. There was widespread indus­trial strife. The sixties were over, the Beatles had split and things looked bleak.

And the usual array of British-​​made motors that populated the streets was reflective, on the whole, of the dour times.

This must have been glaringly apparent for the folks at Vauxhall, who in 1973 decided to launch a high performance, radically styled version of their somewhat workaday two door coupé.

The droop-​​snooted creation was supposed to be badged with the butch and burly moniker ‘Magnum’, but people still thought of the four cylin­dered, 2.3 litre engined screamer with the free flow exhaust as a flash Firenza.

Inspiration for the design of the front end obviously came from the early versions of the much more long lived Renault Alpine A310. Everything aft of that distinctive hooter stayed the same as the standard model (except for the stuff under the skin).

Disastrously for Vauxhall, the oil crisis of 1973 scuppered the projected run of 30,000 plus Droop Snoots — but the 200-​​odd examples that rolled off the line quickly became cult classics.
The car’s enduring cool was undoubtedly nurtured by Gerry Marshall’s deft manhandling of saloon car racing version. Enjoy.

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Geneva Salon Roundup

Monday, March 8th, 2010

The 918 takes the classic Spyder fomat and plugs it into the 21st century

I’m not the greatest lover of motor shows. They’re all titil­lation and no consum­mation. I’ve never really under­stood their appeal in the same way I don’t get strip clubs. Just looking at cars is the same as looking at an attractive member of the opposite sex; very pleasant, as far as it goes, but you only get about ten per cent of the pleasure that should be had.

And it may be also that motor shows will wither away. The British show was once one of the most important but has effect­ively died off. Even the mighty Detroit, Tokyo and Frankfurt shows have been clobbered by the recession: non-​​attendance by a big carmaker at one of those was once unthinkable, but as the recession struck they bailed out in such numbers that last year’s Tokyo show was almost cancelled.

But it’s superfast broadband that might finally kill the motor show. Why would you travel for hours to a grim part of town to traipse around a draughty exhib­ition hall when you’ll be able to download hi-​​def, 3D renderings of the latest models which you can configure with your choice of colour and trim, look at without the backs of other people’s heads getting in the way, and then get into (virtually), start up and drive?

But if one show survives, I hope it’s Geneva. For a start it’s five minutes’ walk from the airport, so you can Sleazyjet in from anywhere. Second, it’s small enough that your feet won’t hurt by the end of the day. Third, despite the size, all the major carmakers and lots of insig­ni­ficant but insane ones are here: nobody bails on Geneva, yet.

I’ll get to the important cars of this year’s show in a moment, but those tiny, loopy tuning firms alone make Geneva worth the trip. You’ll see stuff you just won’t see elsewhere; really outrageous cars that it would be completely unacceptable to launch anywhere else. Thought the flagrant, aggressive SUV was a thing of the past? Oh no. Maybe it’s because Switzerland is neutral territory and non-​​EU that Hamann feels safe revealing its Range Rover Sport-​​based Conqueror II, or its BMW X6-​​based Tycoon Evo M. Carlsson brought its €429,000, 735bhp, Mercedes SL-​​based C25, whose envir­on­mental impact will be limited only by the fact that just one will be supplied to each of 25 countries. Swiss tuner Mansory has somehow managed to get hold of a Rolls-​​Royce Ghost already and pimped it with a shocking electric blue and gold paintjob, which looked even more garish alongside its more subtle but otherwise entirely pointless carbon-​​fibre bodied Mercedes G-​​wagen.

Ugliest was probably the Malaysian-​​made, V8-​​powered Bufori Geneva limo: slogan, ‘A Statement of Pride,’ though ‘a statement of staggering bad taste’ might be more truthful. Who in their right mind buys these things? Is Switzerland so awash with idle cash that these excres­cences are needed to soak it up? Even Bentley wasn’t immune, displaying a foul purple-​​and-​​cream Continental.

The design houses like Giugiaro have always used Geneva to show their own work, unfettered by the restric­tions of a commission from a big carmaker, and these cars are another good reason for coming. Pininfarina’s take on an Alfa spider is bewitching; Bertone’s Pandion, a variation on the same theme, more challenging. But you’ve never seen anything like the Pandion’s rear grille: a mad, asymmetric jumble of spikes, somewhere between a porcupine’s quills and broken glass. This is proper, free-​​thinking car design; you wonder if a big carmaker would have the balls to put it into production.

There were some great-​​looking cars from the major makers, though. The show-​​stopper was unques­tionably Porsche’s 918 Spyder. It was a genuine surprise; when the covers are whipped off new cars at motor shows they have almost always been leaked in advance or shown to car magazines so they can put them on their covers in time. But this was a genuine shock: a plug-​​in hybrid supercar with over 500bhp and a 3.2sec 0-​​60mph time, yet returning 90mpg and 70g/​km of CO2. Those figures are greener than a Prius, and Porsche is not in the habit – unlike some other car firms – of making claims it can’t prove. For once, looking was almost enough; the 918 manages to appear compact, delicate and light but raw and aggressive all at once. It also looked bored on that stand; bored being looked at when it’s built to be driven. And you just know it will be incan­descent to drive.

The most signi­ficant car of the show is probably Audi’s A1, because it sits at the nexus of a series of inter­con­nected trends. Audi is on a roll, despite the downturn. People want cool small cars again for a bunch of reasons and they want a premium badge. The Mini better watch out. Ford showed its new Focus, more signi­ficant than the A1 in terms of numbers, but the looks are a little Korean and you just know it will be more of the same from Ford; great dynamics, great quality, and a car that doesn’t treat the ‘ordinary’ driver like a schmo.

Alfa’s new, Focus-​​sized Giulietta was much better-​​looking, but like I said, the looks are only ten per cent of the appeal.
Elsewhere, like every other motor show for the past two years, pretty much every big carmaker had some sort of electric/​hybrid/​whatever concept on display, but there’s a big difference between just saying your new concept runs on manure and emits only butter­flies, and actually putting an appre­ciably greener car into profitable mass production.

And like every other motor show, Geneva’s halls are crammed with car-​​anoraks festooned with cameras and laden with brochures, with the garishly-​​dressed and bouffanted ‘valued clients’ being buttered up by the more exclusive carmakers (so that’s who buys a Bufori…), with teams of Chinese engineers taking digital pictures of obscure parts of the latest models, and with the angular, archi­tec­tural, intim­id­at­ingly beautiful stand-​​girls.

I’ve never quite under­stood this either; if a carmaker wants us to look at its new model, why does it distract us with beautiful women wearing very little? And why does the car industry continue to get away with a ‘marketing’ tactic that should have died off at the same time the Miss World contest was taken off TV? Maybe there’s a parallel with motor shows in general; maybe predic­tions of their demise are premature. A few more will die off, certainly. But if you don’t mind just looking, go to Geneva.

Vauxhall Concepts & Insignia VXR @ Goodwood

Tuesday, June 23rd, 2009

vauxhall

Vauxhall will use this year’s Goodwood Festival of Speed to unveil the all-​​new, 325 horsepower Insignia VXR for the first time in the UK, and provide visitors with the chance to see two stunning historic concepts that have not been exhibited in public for many years.

The high-​​performance version of this year’s European Car of the Year winner will be displayed in the popular Supercar Paddock throughout the event, which runs from July 3 – 5, ahead of its official media launch the following week.

In time-​​honoured FoS tradition, the Insignia VXR – which has just completed a final 10,000 kilometre shakedown at the Nürburgring – will demon­strate its excep­tional Adaptive 4X4 chassis twice a day at 9.00am and 1.25pm on Goodwood’s notori­ously tricky hillclimb course.

bathurst

Joining the Insignia in the Supercar Paddock will be Vauxhall’s most powerful production car ever, the super­charged, rear-​​wheel-​​drive, 6.2-litre V8-​​engined VXR8 Bathurst S Edition. Rumour has it that the Bathurst has been commis­sioned to create a new ‘Smoke Gets in Your Eyes’ display in front of Goodwood House, although this has been strongly denied by officials…

In pride of place on the Cartier lawn, just across the way from the latest VXRs, will be two historic Vauxhall concepts that have not been seen outside its Luton-​​based Heritage Centre for nearly two decades.

Originally shown at the 1966 Geneva Salon, the XVR was largely the work of David Jones, Vauxhall’s charis­matic head of design in the 1960s. Featuring gullwing doors, pop-​​up headlights and all-​​independent suspension, the XVR’s unique dash treatment was used to test reaction to ideas he had for the later Firenza.

Joining the VXR will be another wholly in-​​house Vauxhall concept, the radical SRV (below). First shown at the 1970 Earls Court Motor Show, the sleek, imposing shape belies its four-​​door practic­ality. But with an aerofoil, electric self-​​levelling suspension and a ‘manometer’ to measure air pressure on the car’s hull, the SRV illus­trated a very particular brand of period futurism.

Here’s hoping the Insignia’s success can under­write the Luton based company’s future.

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Insignia VXR: Everyman Bad Boy

Thursday, April 16th, 2009

vxr_1

Packing the power of 325 horses, a clever four-​​wheel drive trans­mission and chassis and a sub-​​six second 0 – 60 time. Vauxhall’s new Insignia VXR is set to take lovers of everyman beefcake salivating.

First reports from GM’s press office tell us that based on the 2009 European Car of the Year, the muscular kid brother of the vanlla version will be available in hatch, saloon and Sports Tourer body styles. This will be Vauxhall’s first VXR model to adopt 4×4 technology, using a bespoke chassis developed through an extensive test programme at the Nürburgring .

vxr_2

Vauxhall are exceed­ingly proud of their are a ‘HiPerStrut’ (High Performance Strut) front suspension system, adaptive 4×4 with electronic Limited Slip Differential (eLSD). The HiPerStrut system is unique to the VXR and appar­ently serves two functions: to reduce torque-​​steer (that horrible pulling you get on FWD cars under accel­er­ation), and also to maintain negative camber during cornering, thereby improving ultimate grip levels in wet or dry conditions.

19-​​inch alloy wheels come as standard ( with light­weight 20s as an option) with bespoke tyres, revised bushing and damper settings on both axles, and Brembo brakes with colour-​​keyed callipers and vented/​cross-​​drilled discs. Nice.

vxr_31

The soul of the car is Vauxhall’s advanced 2.8-litre V6 Turbo ECOTEC engine, with its micro-​​alloy forged steel crank, 60-​​degree cylinder angle and die-​​cast alloy oil sump – all features found in many a race engine. Producing 325PS (65PS up on the Élite V6), the engine uses a single, twin-​​scroll turbocharger and variable valve control for quick throttle response, and accel­erates from 0-​​60mph in 5.8 seconds, achieving an electron­ically limited top speed of 155mph.

vxr_4

With a design inspired by the Vauxhall/​Opel GTC, many of the Insignia VXR’s styling cues will be familiar to those who saw this ground­breaking concept at the 2007 Geneva Motor Show. A deeper bumper, incor­por­ating bold, twin mesh grilles either side of the main grille, dominates the front of the car, and at the rear, hatch and saloon models gain a rear spoiler, while all VXRs have a bespoke bumper moulding incor­por­ating dual matt chrome exhausts.

vxr_interior

This sporting theme continues in the Insignia VXR’s cabin. Recaro front seats, a new VXR steering wheel, VXR gearknob and unique mouldings are standard on all cars, along with different instrument graphics, VXR sill plates and a black headlining.

Now, we’re not neces­sarily fans of all things Vauxhall. But with this accessible piece of street sex, we just might be convinced.

Let’s hope it doesn’t cost as much as an M3.

Geneva 2009 Spotlights Great Design

Tuesday, March 3rd, 2009

Despite the near universal gloom purveyed in the mainstream media, and daily apoca­lyptica emanating from commentary on the auto industry, the Geneva Motor Show opens its doors to press today. Early dispatches point to a predictably hair-​​shirt-​​like attitude in the aether. There are, though, some visually captiv­ating stars domin­ating the press releases this morning that combine forward-​​thinking, emissions-​​reduced driving with the holy grail of consumer-​​friendly sexiness.

A case in point is the unveiling of GM Europe’s electric vehicle, The Vauxhall Ampera. The Ampera’s exterior design takes up cues from the Flextreme and GTC Concept show cars. For example, it features dramatic, boomerang-​​like headlights that seamlessly integrate with the lower fog lights. The car has a dynamic, almost aggressive low stance seen most promin­ently in the front and tail.

ampera_500

Vertical slots in the outboard edges of the rear bumper not only give the car a low sporty look but also play a key role in creating a clean separ­ation feature for the air, supporting the highly efficient aerody­namic performance. Aerodynamics, too, play a partic­u­larly important role in maxim­ising driving range. GM engineers and designers worked together to optimise the air flow around the front fascia and outside mirrors of the Ampera.

ampera_3_500

Significant attention was also given to the rear with a specifically designed spoiler and clean separ­ation features. Lightweight materials were added in the form of clear polycar­bonate covers to the front grille and disc inserts on the 17-​​inch, five-​​spoke sport alloy wheels. These helped to reduce aerody­namic drag in critical airflow areas.

ampera_rear

Detailed technical spec on the propulsion system is as yet unavailable, and it is unclear as to if and when the Ampera will go on sale in the UK. But from a purely aesthetic perspective, the Ampera’s looks to build nicely on the flowing lines and sculp­tural forms of many of the best Vauxhalls. If electric cars look good, and drive nicely with enough of a practical range, then wouldn’t we all want one?

Watch this space for more daily dispatches from the Geneva Salon.