Posts Tagged ‘Volvo’

Cool Volvo Ads

Wednesday, February 23rd, 2011

We’re not sure exactly what the copy means.

Our knowledge of Swedish is far from accurate, and even google’s trans­lation service seems to be a little knocked out of whack by the copy line.

But we think we get it.

There is, basically, a Volvo for you ; whether you’re a whacked out psyche­delic sort of chap or a card carrying granny out on a day trip.

But no matter: the visual commu­nic­ation says it all: and we’ll be damned if everything from the boxed out wagon to the Amazon doesn’t here look to have that precise sort of character that the Swedish brand has always been known for.

And while you’re here: check out the air on these 740s in a Japanese TV commercial…

YouTube Preview Image

First Hand: The Volvo S60

Thursday, September 9th, 2010

Upon arrival at Aberdeen airport, two very estab­lished, very male motor journos and I were presented with a shining row of old Volvo estates. We were assigned one that was a year younger than me – an F reg. Thankfully being in my early twenties and of the ‘fairer sex’ meant that I was instantly relegated to the back seat, safely away from the non-​​power assisted steering and the directions.

These retro­spect­ively cool yet cumbersome machines repres­ented the old dependable family wagon that is instantly associated with the brand. This long in the tooth Volvo image, though, that eclipsed the brand’s pre 1970s stylish raciness, is to become a thing of the past. Volvo’s target buyer is now younger, more fun and style conscious. They are, in oher words, Twilight viewers.

Volvo really did their research for the road test. The big cheese Duncan Banister reckoned the route we took included some of Britain’s finest driving roads. He wasn’t wrong. Winding through the Aberdeenshire hills, past Lecht Ski Centre and through some small towns, the chance of a traffic jam or even speed camera was laughable.

The S60 looks pretty sexy in an under­stated kind of way – and certainly has enough technology to put an Apple store to shame. But ultimately you can’t help feeling that when safety is such a primary focus, the Teutonic panache of brands like BMW, Mercedes and Audi will tend to eclipse Volvo’s efforts to get noticed.

Nevertheless, Volvo’s aim across the 60 range is to create vehicles that are fun to drive, and to demon­strate their success the press people have enlisted the help of very adept racing driver John Cleland. As demon­strated by John the S60 does have a fair bit of oomph — but this oomph seems to have been created with the mantra; ‘with great power comes great responsibility.’

This brings us to this machine’s ground­breaking piece of technology — City Safety. A radar in the grill commu­nicates with a camera on the windscreen that is home to 100, 000 images of people in order to recognise wayward pedes­trians. When travelling at 22mph or less the car will apply a full break — after a noisy warning — if someone steps in front of the vehicle and the driver shows no sign of being in control. Or, if the car is moving faster than 22mph the car will slow to 10mph to minimise damage.

In addition to being Joe Public’s knight in shining armour, the car protects itself with more sensors than you can shake a stick at. The body may as well be covered in indus­trial goose down pillows. City Safety not only decreases the chance of causing carnage on a city street: it also banishes the chance of those annoying Tesco carpark dings decreasing your residuals. Yes the beeping of the sensor alarms can get annoying. But like all good automotive technology you can turn it all off.

Ultimately, Volvo has succeeded in keeping safety at the heart of their company with a car that is quite pretty, nippy and that handles well. As just the sort of urban twentyso­mething that Volvo need to court to be cool – I would defin­itely consider ownership. But, then again, I never watch Twilight.

Inside Out

Tuesday, August 17th, 2010

It might be that we’re getting old, or spending too much time in inferior cabins of late: but car interiors really seem to matter to us of late. Of course, out favourite interiors are usually direct analogues of our favourite all-​​round motors. But every now and then, there comes along a cabin that outstrips the quality of the car.

The 458’s super high tech contruction is reflected perfectly in its display. It might seem illogical to some, but we’ll take the progression for chance to drive the future.

On a more classic note the lounge of the Volvo p1800 smacked of Euro bohemi­anism. And we like that very much.

The Jag XJS interior, on the other hand, was a rakish piece of leather and walnut that was directly of its time and place.

One of our all-​​time faves was The Citroen SM’s vision of the techno future.

Your Car Was Born in the Seventies

Friday, July 16th, 2010

Your car was born in the 1970s. Car-​​nerds will argue about this, but the seventies mark the start of the modern era for the motor car. The economic and energy crises of the decade shook the car-​​world hard. It had to radically remake itself, and wound up looking nothing like it did before, and a lot like it does now.

These are the years that saw the decline of the US and British car indus­tries and the ascent of the Japanese. Cars got safer, smaller and more efficient. We started driving hatch­backs and the MPV was invented. In fact, for an industry that often didn’t know where its next meal was coming from, a lot got done. So unless your car predates 1970, it owes a lot to the 1970s.

It all started so well. In 1970 Steve McQueen made Le Mans, and at the wheel of a Porsche 911 and 917 made driving cooler than it ever had been. But it all went wrong almost immedi­ately with the US Clean Air Act of 1970. If you’re under 50, you’re one of the children whose health and future the Act was designed to protect, and of course we’re very grateful. But we can’t help but mourn the US muscle car, which was at its maddest in 1970 with the monstrous, bewinged Plymouth Superbird. But because of the Act, the muscle car was stone dead in just a year in the most extraordinary, instant mass-​​extinction event in automotive history.

The oil crisis of ’73 and the recession that followed nearly did for the supercar industry too. Some of the most famous names changed hands more often than an old fiver and bounced in and out of bankruptcy; car magazines regularly arrived at the factories of Italy’s Supercar Valley to test a new model only to find the gates locked shut, or the paint still drying on the car they were meant to be driving. But Lamborghini somehow still managed to make the Countach. It was the defin­itive seventies supercar; shocking and angular to look at and terri­fying to drive. First shown in 1971, it took three years to get the cash together to get it into production.

The British car industry pretty much did die in the seventies; from making 1.9 million cars in 1972 it slumped to half that number by the end of the decade, and soon not a single British-​​owned volume carmaker was left. But the oil crisis wasn’t to blame; just look at the cars the British carmakers were insulting us with. The Austin Allegro, launched in 1973, had all the dynamism and sex appeal of your elderly Auntie Flo in her mauve Sunday best. By comparison with VW’s Golf, launched just a year later with Giugiaro’s hallmark seventies ‘folded-​​paper’ styling — and a practical hatchback – the Allegro looks dumpy and retarded. No wonder buyers – Brits included – deserted the British carmakers.

Others were showing the old powers how it ought to be done. Honda’s super-​​clean, super-​​frugal CVCC-​​powered cars led the Japanese assault on the US. American buyers, once chauvin­istic but now desperate for reliable, economical cars loved them, and the US car industry has never really recovered. Volvo’s VESC exper­i­mental safety vehicle not only presaged how Volvos would look for the next 20 years but had two decades’ worth of safety advances aboard too; some of which we now take for granted (crumple zones, airbags) and some, like reversing cameras, that are still reserved for high-​​end cars.

But Giugiaro’s Megagamma concept was arguably the most signi­ficant of the seventies, though its impact wouldn’t be felt until much later. It started life as a sketch for a compet­ition run by New York’s Museum of Modern Art in ’76 to design a new checker cab for the city. To cut congestion but create more cabin space Guigiaro decided to build upwards, and the people carrier was born.

If you want to see how the car moved on the ‘70s, look at the performance cars that bookmark the decade. At one end, that crude Plymouth Superbird. At the other, the Audi Quattro; turbocharged, four-​​wheel drive and beauti­fully made. And frankly, not all that different to the 270bhp, turbocharged, four-​​wheel drive and beauti­fully made Volkswagen Golf R that’s sitting on my drive as I write this. The logbook for my car says 2010, but I know it was born in the seventies.

Stars of the Seventies

Friday, July 16th, 2010


1970 Plymouth Superbird

A few more muscle cars trickled out in ’71, but the Superbird’s massive rear wing marks the literal high-​​point of muscle car design, and also its swan-​​song.

1971 Lamborghini Countach concept

Why are all the best supercars – McLaren F1, Bugatti EB110 – launched into the teeth of reces­sions? Fortunately, the Countach’s incan­descent styling meant it lasted into the nineties.

1972 Volvo VESC

This ESV embar­rassed some of the bigger players who had taken a distinctly lax approach to their buyers’ health. Volvos have sold on safety ever since.

1973 Austin Allegro

Just bloody awful: epitomized everything that was wrong with the British car industry. Some say there’s no such thing as a bad car now, but there was back then.

1974 Volkswagen Golf

There had been hatch­backs before, but none looked as good, or mixed premium feel with affordable price like the Golf. Set the template that family cars still follow.

1975 Porsche 911 Turbo

911’ and ‘Turbo’ put together have always seemed slightly tauto­lo­gical, and were certainly terri­fying in these early cars. But 35 years on they’re still being made.

1976 Aston Martin Lagonda

William Town’s insane styling is one of the stand-​​out designs of the decade. Digital dash and computer-​​controlled everything meant they broke down as much as they stood out.

1978 Lancia Megagamma

At the Turin motor show Giugiaro unveiled a concept that would spawn not just a new car, but a whole new type of car.

1980 Audi Quattro

It might have been launched in 1980 but the Audi Quattro  –  full of brawn but laced with new tech – was the ultimate expression of seventies automotive ethos. A truly modern performance car; still sensa­tional to drive, and still inspiring current fast cars.

Volvo Gets Air!

Friday, June 4th, 2010

In a little reprise of our recent Scandinavian theme, we felt the need to share with you an incredible picture of a rare moment of Volvo Air.

Imagine the momentum the driver of this 240 would have had to carry to release all four wheels to such a great height!

Makes that hump I traverse on the school run every morning in my 740 Estate look all the more interesting!

I’ve always liked the classic three box profile of the 240 saloon. This makes me want one even more.

Norse Gods

Wednesday, May 12th, 2010

Sometimes, to really under­stand a car, you have to see it in its native habitat. So if you’ve never really got Swedish cars, and never really under­stood why some people are so obsessed with them when they don’t handle, don’t have much power and seldom look that sexy, it might just be that you haven’t spent much time in Scandinavia.

The driving up here is unlike anywhere else on earth. Power and handling just aren’t important when it can take two days to drive between major towns on sheet-​​ice roads you’d struggle to stand up on, across which Arctic gales blow powder snow so hard and fast that your headlights illuminate what looks like a weird white conveyor belt running at right angles over the road. There are orange markers to show where the road is, or was, but you lose sight of them when the snowdrift blows higher.

It is  — without question — the most beautiful envir­onment I have ever driven through. It starts out Alpine, then turns polar as you head north. It is stark, monochrome and alien. Much of the time you can only see three things – rock, water and snow – and three colours; blue, grey and white. The feeling that you’re driving through a Tolkein novel is exaggerated by the place names; on one 2000-​​mile Norwegian Arctic road trip I passed through Hell, Moan, Hammerfest and Orcanger. There’s something Mordor-​​ous about the long, narrow, rough-​​hewn rocky tunnels through the mountains, and the weird optical and climatic effects you get this far north. As well as the Northern Lights, there’s the midnight sun and the Fata Morgana, where the dry atmosphere and low temper­atures combine to reflect images of the landscape onto places they couldn’t possible be, like a mountain range on the sea horizon. It’s beautiful, but deadly at the same time. You look at the whiteness, feel the painful cold, and realize that man is simply not welcome there.

So you start to realize why Swedish cars are the way they are; why their prior­ities are different. Longevity, utter depend­ab­ility, seat comfort and clever cabin design suddenly assume huge signi­ficance. And while it’s dangerous to gener­alize about whole nations, Scandinavian cars reflect their national traits as much as their driving condi­tions. They are a deeply democratic, practical, unflashy lot, and that – together with punitive new car taxes —  means exotic metal is rare. Despite the condi­tions, cars are made to last longer, and you see healthy, cared-​​for, Cold War-​​era kit that you wouldn’t find in a scrapyard elsewhere in Europe. Until you get very far north they don’t bother much with SUVs, despite daily driving condi­tions that would bring Britain grinding to stasis. The Scandinavian car of choice is an old Volvo, Saab, Merc or Audi estate, maybe all-​​wheel drive but always running dinner-​​plate fog lamps, studded tyres and a roofbox for the skis, sides streaked with salt and being driven flat-​​out through a white-​​out, powder snow billowing out behind it.

And I’d be amazed if there’s a part of the world with a better standard of driving. Stop a Norwegian to ask for direc­tions and you expect to get it in pace notes. “Post office? Down to the end of the road, then left 60 over crest, don’t cut.” The entire country seems to drive just beyond the available level of grip; I was once overtaken at 70mph on sheet ice by a VW van whose driver calmly corrected a massive oversteer moment as he came off the gas, and I tried to follow another in an Audi estate whose flick­ering tail-​​lamps told me he was left-​​foot braking into every bend. This is why they’ve produced so many Formula One and world rally drivers; if you learn to drive in these condi­tions, driving on anything else is easy.

The cars produced by these condi­tions and this mindset are distinctive. Ask a Saab nut to name ten things his car should have and you’ll find he can run on to a dozen pretty easily; the firm and its products have just about the clearest identity you’ll find. Cupholders; cool ones. A wraparound screen and an equally envel­oping dash. The ignition down by the handbrake, one-​​touch air vents and folding rear seats. Viewed in profile, a hatchback, teardrop-​​shaped glass and trian­gular rear lights. Front wheel drive, a turbocharged engine and as many fighter-​​jet cues as you can cram in.
But building a new one isn’t simply a question of ticking the boxes. Saab has a philo­sophy too, one where safety and comfort and quality are more important than simple dynamism. It adds up to a very complete picture of how a car should be. You’d have thought this distinct­iveness would have made it a success. Despite the recent financial hiccup, sales of premium-​​brand cars have skyrocketed in recent years. Saab and Volvo only needed to capture a small slice of that market; people who wanted something a cut above a boggo Ford, but not another predictable, me-​​too BMW.

But they didn’t. GM’s bosses had plainly never been to Scandinavia either. They owned Saab, but they never really got it, and it did so badly that they almost had to shut it down when the recession hit. Ford did a better job with Volvo, but both have now been sold as their parent companies restructure. Volvo is now controlled by Chinese firm Geely, and Saab has the owner it deserves in Dutch multi-​​millionaire and borderline madman Victor Muller, owner of sports car maker Spyker.

He’s exactly what Saab needs; car-​​obsessed, deep-​​pocketed and as idiosyn­cratic as the brand he now controls. If Geely has the sense to let Volvo do its thing unmolested, and with Koenigsegg and now Zenvo making nutcase supercars, Think Nordic making electric cars and Valmet in Finland coach­building cars for Fisker and Porsche, maybe more people will ‘get’ what makes Scandinavian cars so cool.