Posts Tagged ‘Volvo’

Eleven Ice-Cold Scandinavian Cars...

Wednesday, May 12th, 2010

Top 11 Scandinavian cars

Zenvo ST1

Where do you start with the Zenvo ST1? With the fact this it is Denmark’s first and only supercar? With its extreme, angular, ground-​​breaking looks? With its equally extreme power and torque figures, both of which are in four figures? With the fact that its top speed has to be electron­ically limited to 233mph, at which speed it will cross its home country in just 18 minutes? Whichever way you look at it, the ST1 is a staggering new sportscar from a brand — and indeed a country – with no automotive heritage. Zenvo’s Nordic logo incor­porates a shield with the name at the top and a stylized drawing of Thor’s hammer, intended to represent “massive cars with plenty of strength”. Just 15 units are scheduled for production.

Fisker Karma

Although its HQ is officially in LA, we think the Fisker Karma deserves inclusion here. The firm’s founder and chief designer Henrik Fisker is Danish; previous credits include most of the current Aston Martin range, so he has form. His radical, gorgeous £80,000, 400bhp plug-​​in hybrid Karma will be built by Valmet in Finland; it can cover 50 miles on emissions-​​free electric power and give an average of 100mpg.

Volvo XC90

A relat­ively rare example of a Swedish car company producing an iconic car while under foreign ownership. On its launch in 2003 the XC90 was so popular that there were waiting lists a year long in the UK – and this for a Volvo, remember, not some new Ferrari. Early versions had a lethargic diesel engine-​​gearbox combin­ation but apart from this, the firm’s first SUV was pretty much flawless in concept and execution. The seven-​​seat cabin layout is its strongest suit, with a usable third row that folds fully flat, a genius integ­rated child-​​seat that slides forward to within reaching distance of the fronts, and a front cabin almost without equal for comfort and ergonomics.

Koenigsegg CCR

Sweden makes dull, safe, dependable cars. Italy does the outrageous supercars with unpro­nounceable names, right? Not entirely. In 1994 Sweden added a third automaker to Volvo and Saab, and it makes rather different cars. In 2005, a Koenigsegg CCR broke the McLaren F1’s long-​​standing record as the world’s fastest production car at a test at the Nardo high speed circuit deep in southern Italy; home territory for its exotic rivals. Two other cars have since bested it, but Sweden’s only sports car maker had finally arrived. Founder Christian von Koenigsegg founded his firm at the age of 22. Owning a supercar by that age would be impressive; starting your own supercar maker and creating a new model that bears your name seems barely credible. He sketched the original design and two years later he had a prototype. His first client took delivery of his car at the Geneva Auto Show in 2002. Top Gear famously binned one at its test track and criti­cized the aero package, but your corres­pondent did 214mph in one and found it pretty composed.

Porsche Boxster

Eh? What’s more German than a Porsche? But since 1997, over 220,000 Boxsters and Caymans have been built for Porsche by Finnish coach­builder Valmet at its near-​​unpronounceable factory in Uusikaupunki, Finland. It is the only company or factory licenced to build Porsches outside Germany, and a sign of real confidence from a company obsessed with build quality. Other than a letter on the VIN plate, you just can’t tell the difference between a Finnish and a German-​​made Boxster or Cayman.

Volvo Venus Bilo

The first concept car is generally thought to be the sensa­tional Buick Y-​​job of 1938, created by Harley Earl, head of General Motor’s famous ‘Art and Colour’ section. But Volvo would disagree with that claim. In 1933 it built the one-​​off Venus Bilo, intended, like the Y-​​job, to test public reaction to futur­istic, stream­lined styling. The production car it spawned, the radical-​​looking 1935 PV36 wasn’t a great success, but it didn’t put Volvo off making mad concepts.

Saab 900

If space constraints mean we could only include one ‘standard’ Saab, I guess it would have to be the 900 Classic, though plenty of Saab anoraks will argue. But this car lasted 15 years and united all the attributes that we now think make a Saab a Saab, from the wraparound, helmet-​​visor screen to turbocharged engines. There was a lot that was odd about it, like the combin­ation of front-​​wheel drive and longit­udinal engine that was so space-​​inefficient you could fit a couple of suitcases in lengthwise between the motor and the wings. But much was brilliant too, like comfort, space, ride, torque, quality and reliab­ility. 900 Classics are rightly going up in value.

Saab 96

Oh, okay, one more Saab. You can’t really leave out the 96, which although it didn’t sell in such big numbers as the 900 has a madder and more distinctive and recog­nizable shape, and which opened up Saab’s most important export markets in its 20-​​year production run. Erik Carlsson’s three RAC and two Monte Carlo rally victories in the early sixties in the 96 had the same effect on Saab’s image and acceptance as Mini’s exploits in the Monte.

Volvo 240

If the 900 is the defin­itive Saab, then the 240 is defin­itely the defin­itive Volvo, with almost 3 million made over nearly 20 years from 1973. Unlike the Saab, its super-​​square looks owe nothing to aerody­namics but everything to Volvo’s seminal early ‘70s Experimental Safety Car concept. It unques­tionably saved lives, but the hearse-​​like styling looked like it was better suited to carrying those already deceased. But if Sweden had a national car, this would be it. British designer Peter Horbury, asked to style the later Volvo V70 estate, said it was ‘like being handed the Swedish crown jewels’.

Volvo P1800

Proof that the Swedes can do cool as well as cold when they try. The P1800 was designed by a Swede working for Italian styling house Frua, and its launch at the ’61 Geneva motor show was overshadowed by Jaguar’s lissome E-​​Type with its claimed 150mph top speed. But the P1800 won the public’s attention back by providing Simon Templar’s wheels in the original run of The Saint, making it one of the iconic shapes of the sixties.

Think City

Nineteen years of devel­oping electric cars, including a flirtation with Ford which cost the bigger firm $150m might finally be about to pay off. Think is putting its 60mph electric city car with a 100-​​mile range on sale in its native Norway, Austria and Switzerland, is eying other markets and planning to start production in the US too. Buyers are desperate for usable electric cars, govern­ments are keen to encourage them, and the falling cost of batteries will soon make them more affordable; expect Think to capitalize.

S60 and 95 - New Swedish Ambassadors

Wednesday, May 12th, 2010

There are at least two key launches this year from Scandinavian manufac­turers, and both of these are in the rather crowded ‘premium saloon’ segment.

After announcing their best first quarter for eighteen years, Volvo are throwing their hat in this compet­itive ring with the all new S60. Prices will range from £23,295 for the D3 ES (163PS) up to £36,745 for the top-​​of-​​the-​​range T6 AWD SE Lux Geartronic Premium. Orders can be placed now ahead of the car’s arrival in dealer showrooms in July, with first customer deliv­eries in August.

The design of the S60 is certainly sportier and more dynamic than most other Volvo launches of late– and the company are claiming that chassis, running gear and engine refine­ments will make this the most dynamic drivers’ cars they have ever produced.

Is that visage Insignia-esque, or a chunky new Swedish mush?

This is probably in part due to the high level of criticism levelled in that direction of the latest manifest­a­tions of the V70 and the older S40s and S60s which were relative plodders at every level. The Desiel D3 and D5s will offer an admirable level of twist, horespower and economy, while the T6 updates the tradition of the T5 series of hot Volvos with seven second pullaway and a top end of over 150MPH.

Graphite aluminium trim and interesting diallage help make the interior a winner

The company are also making a huge feature of the disturbing Pedestrian Detection system, which purports to be able to recognise movement and act accord­ingly, whamming on the anchors if the human involved fails to react. We doubt this is a selling point to real drivers, as the thought that a computer combined with lasers and motion sensors override driver input with little warning is frankly, a little bit frightening.

Dynamic new styling evolves further from the classic Volvo box

The Saab 95, meanwhile, while offering a new lease of life to an increas­ingly broad and passionate Saab faithful, may not have put clea-​​enough water between it and its mediocre forebears. Sure, there are appar­ently a host of high tech new features. But the car doesn’t well, look that different from the last 95.

The new 95's lineage looks intact: perhaps too much so??

The innov­ation Saab claim is mostly under the skin. For example, there’s an aircraft inspired head-​​up inform­ation display (HUD), MP3/​iPod integ­ration, Harman Kardon audio system, DAB radio, adaptive cruise control, DriveSense adaptive chassis with continuous damping control, keyless entry and starting, dual-​​zone climate control, adaptive parking assistance, and XWD with electronic LSD — the all-​​wheel-​​drive system.

Saab enthusiasts will enjoy the chunk of the new 95's design

The all-​​turbo power­train line-​​up carries forward Saab’s right­sizing engine strategy, focusing on responsible performance through the devel­opment of highly efficient and four cylinder turbo engines. Starting at 1.6-litres* (180PS) all trans­mis­sions are six speed and with diesel power, CO2 emissions as low as 139 g/​km are also on offer.

But, then, Saab interiors were always a strong point, as were the drivetrain.

For us, there’s something lacking in the whole package, that difficult-​​to-​​define element that made Saabs like the 900 and the 96 solid but stylish cars and ones that could achieve cult status through their driver feedback and offbeat character. We would like to have seen a return to the innov­a­tions of apparent style rather than loads of invisible tech.

Wether either of these essential new launches gets these fine companies, both of which have a true heritage of producing memorable cars, back on track remains to be seen.

P1800ES: Our Coolest Scandinavian Car

Wednesday, May 12th, 2010

Ok, so Volvo’s P1800 was a cool car. But, by the end of the decade that gave it birth, it’s was looking outdated. It was cramped, a little slow, and couldn’t keep pace with its rivals in either styling or performance.

So, toward the end of the sixties, someone at the heart of the Volvo estab­lishment came up with a wheeze: restyle the roof and create a sporty estate. There had been precedents, of course. The ‘shooting brake’ format, in which a sports car was extended to the rear in order for the landed gentry to be able to store the Purdeys and the downed pheasant yet retain a modicum of raffish style, had been seen on the odd Aston. Ferrari’s 250 ‘breadvan’ was an extreme version of the idea that style didn’t neces­sarily have to compromise utility. The Reliant Scimitar GTE, though, had broken ground in that particular area in Europe to a broader audience, whilst Chevrolet’s burly Nomad wagon had been created out of the Tri Chevy saloons of the mid fifties.

But wherever they got the idea, in 1971 Volvo intro­duced the p1800ES. Lopping the roof off and extending it with elongated side windows and a sexily raked C-​​pillar as well as a frameless glass hatch (that was resur­rected by the cute and stylish c30 in 2006), pretty soon the wagon version of the existing classic had achieved a wealth of new admirers.

The ES gained a couple of hundred pounds in weight and so was a little slower on pullaway than the Coupé, but a young rakish family cold retain its stylish integrity of a weekend: an idea that has echoed down the automotive decades. This is why the 1800 ES remains for us the coolest Scandinavian car ever produced.

The Beauty of Utility

Monday, December 21st, 2009

volvo_Ute

At the first hint of falling snow, thoughts turn to utility as the prime motivator of automotive choice. Of course the SUV genre has had some killer bad press over the last couple of years. They don’t make sense for most of the year, but in these days of proper winters, they certainly have their place. And right now, with food and gifts to shop, kids to transport to seasonal festivity: which one of us wouldn’t want a big lump of Iron driven at all four corners in our driveway?

Here are our three faves.

1979_Toyota_Landcruiser_FJ40_Rear_1

As well as the classic Volvo take on utility as encap­su­lated in the Volvo 445 Duett (top) there a host of other early practical vehicles and offroaders that float our aesthetic as well as shed-​​haunting, daddish sensib­il­ities. The Landcruiser FJ 40 (above, is an obviously delectable classic – but for us, even the tarted-​​up version of the humble and perennial Landrover Defender (below) is more than a little worthy of desire.

If Rudolph ever did run out of steam, then surely Santa would choose on the these stylishly workaday whips for his yuletide deliveries.

Landy

Encounters with Swedish Amazons

Friday, November 6th, 2009

volvo-amazon_fs1

love this rendering of the humble, but subtly phat and menacing Volvo Amazon.

Volvo must be one of the most misun­der­stood automotive brands ever created. Tarnished with decades of middle-​​of-​​the-​​road, family focussed earnestness, I’ve always thought there has been something innately stylish about most of the cars the company has marketed.

The 240s, 740s, 850s and V70s had the boxy utilit­ari­anism that was a template for getting the job done. The P1800s meanwhile were rakishly dashing, and many were produced with Jenson DNA here in England.  The C30 remains an inter­esting little hatchback with a stamp of individu­ality amongst the cookie cutter mass.

The Amazon may have reminded the world of the stolid end of the Scandinavian identity, but as the creator of the bad-​​looking Amazon above drew out, there was an element of that clichéd cool sexiness there too. Watch this space for more Scandinavian adven­tures.

Progress is Beauty

Tuesday, February 10th, 2009

In terms of marketing, cars are not quite as much of a blank page as soft drinks. They have corporeal presence. They stick around – sometimes for decades. Over the span of their useful lives, they come to occupy the popular consciousness peren­nially as pop music and vocal affect­a­tions of news anchormen. But despite their non-​​negotiable presence and imper­meable reality, the marketing of a brand and the models within its range are forever fluid. What a certain make of car comes to represent in one era will almost certainly be trans­formed within the lifetime of a single vehicle. When you cross continents, the complexity gets deeper. Witness for example, this ad for the Volvo Amazon from America in the early 1960s.

In its casual misogyny the ad is something that Don Draper and his acolytes on Madison Avenue would have been more than proud of. All that talk of women being automot­ively challenged whilst domin­eering their husbands’ finance and aspiring ultimately to the lofty heights of furniture and fur coat aquistion. The thought that that sort of aesthetic could sell Volvos is hard to get your head around. Particularly in light of this recent French TV ad for the C30.

The whole ethos of the campaign is fragrant with a colourful, pre-​​credit crunch frivolity and inclus­iveness. But those days are over. Open any magazine or switch on any TV for the next year or so and the car ads you do see will be reeking of worthiness and screaming about engin­eering solutions to envir­on­mental problems. Look closely. There’s not much frivolity out there. The current trend, rather, is exemplified by the 2009 campaign for Audi A4. Progress is beauty. It’s basically a subtle evolution of the classic strap “Vorsprung Durch Technik”. We couldn’t agree more.