Posts Tagged ‘VW’

Karmann Cheetah by Italdesign

Friday, September 30th, 2011

images Italdesign

German coach­builder Wilhelm Karmann is of course most widely known for having created the Karmann Ghia and various other cult classics for Volkswagen.

One of his lesser known projects was the Cheetah — a small sports concept for VW via Giugiaro’s firm Italdesign.

The Cheetah is a real child of its times; having debuted at the 1971 Geneva Salon.

The X1/​9–ish front end and flatbed rear was fitted over a modified Beetle floorpan bore obvious resemb­lance to various other Guigiaro projects — but less obviously the roof of the Cheetah was straight out of Mr Karmann’s stable of influences.

This pretty unique roof consisted of a a soft top with a trans­lucent sunroof panel over the cockpit, which could be stored under the car’s twin seats.

Nice bit of period futurism that probably could have foreshadowed the success of Bertone’s X1/​9.

File under missed oppor­tunity, we think.

The Beetle Pitch...

Thursday, April 28th, 2011
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Cars don’t come much more iconic than the Beetle. Love em or hate em, no automobile has repres­ented the ideals of everyman motoring more than the original “peoples car”.

It’s not surprising then that some strato­spheric stars have repres­ented the brand — From Paul Newman to Marty Feldman and even Buzz Aldrin of the Apollo 11 mission — have chosen to lend their image to this most basic of family cars.

To put this into context back in 1970 Aldrin, along with número uno Moonwalking astronaut Neil Armstrong, was perhaps the most famous celebrity on the planet.

To get an idea of the brand value of the Astronaut’s face, he was paid a cool $300,000 dollars for endorsing the car. Forty years ago that was an almost unima­ginable money for an endorsement of a car campaign.

In choosing a man that walked on the moon — an individual with a doctorate in Astronautics from MIT as well as an epoch-​​making claim to fame — was associ­ation of forward thinking tech way before Audi dreamed of Vorsprung Durch Technik.

And this for a car designed originally in Nazi Germany in the thirties.

It’s difficult not to mention the Werner Von Braun connection. Sometimes history has a fearful symmetry.

VW's SP Series

Tuesday, March 22nd, 2011

There hasn’t been much written or much inter­esting steel produced, it seems to us, about the Brazilian car industry. Apparently the Karmann Ghia was produced in signi­ficant numbers in Brazil — but apart from that a 1970s import ban simply resulted in poor quality facsimiles of European cars being produced.

Ot might be one of the biggest and most populous nations on the planet — but as far as car culture is concerned, it seems that the spirit of Samba, carnival and very attractive individuals seems to eclipse anything produced in a factory.

But, there is an exception to every rule: and Volkswagen’s SP series is it.

Originally conceived at the end of the 1960s by VW’s Brazilian operation, 10,000 odd of the resulting SP was produced in Brazilian factories. The car was based on the frame of the Variant and was powered by an air cooled four cylinder engine which displaced 1700 — and was appar­ently a little weedy.

Shame, because the lines of the car with that sporty looking ‘brake’ style back end and air-​​friendly lozenge shape, the car’s looks wrtoe cheques that its performance couldn’t cash.

The final version of the car was undoubtedly the most inter­esting, and was an attempt to solve the power problem by running with a tweaked version of the Passat 1.8. Unfortunately, it never went into widespread production.

With Brazil one of the few countries bucking the worldwide trend of downturn, how long can it be until the boys from Brazil come up with some thing interesting?

Cars in Skirts

Friday, March 4th, 2011

We don’t really know why skirts ever went out of fashion. There’s something obvious about the flow of air afforded by fared rear three-​​quarters. To quote Charlie Sheen (sooth-​​saying nutcase du jour) “Duh, win!”

And the fact that overt slipperyness has never been everyone’s idea of automotive style shouldn’t be a surprise. Classic car design has always been primarily about aesthetics rather than aerody­namic efficiency.

But VW’s long-​​drawn out explor­ation of a the possib­ility of a one litre car that can travel 100 KMs on a single litre of fuel has inspired a succession of inter­esting looking concepts. The idea that covering a car’s wheels leads to quickness and fuel efficiency is essen­tially a pre-​​WW2 modernist notion.

And the XL-​​1 concept captures that futurist spirit whilst at the same time being a realistic explor­ation of the marketable poten­tials of hypermiling.

If fuel prices keep rising at this rate, the slippery virtue will soon become a necessity.

Your Car Was Born in the Seventies

Friday, July 16th, 2010

Your car was born in the 1970s. Car-​​nerds will argue about this, but the seventies mark the start of the modern era for the motor car. The economic and energy crises of the decade shook the car-​​world hard. It had to radically remake itself, and wound up looking nothing like it did before, and a lot like it does now.

These are the years that saw the decline of the US and British car indus­tries and the ascent of the Japanese. Cars got safer, smaller and more efficient. We started driving hatch­backs and the MPV was invented. In fact, for an industry that often didn’t know where its next meal was coming from, a lot got done. So unless your car predates 1970, it owes a lot to the 1970s.

It all started so well. In 1970 Steve McQueen made Le Mans, and at the wheel of a Porsche 911 and 917 made driving cooler than it ever had been. But it all went wrong almost immedi­ately with the US Clean Air Act of 1970. If you’re under 50, you’re one of the children whose health and future the Act was designed to protect, and of course we’re very grateful. But we can’t help but mourn the US muscle car, which was at its maddest in 1970 with the monstrous, bewinged Plymouth Superbird. But because of the Act, the muscle car was stone dead in just a year in the most extraordinary, instant mass-​​extinction event in automotive history.

The oil crisis of ’73 and the recession that followed nearly did for the supercar industry too. Some of the most famous names changed hands more often than an old fiver and bounced in and out of bankruptcy; car magazines regularly arrived at the factories of Italy’s Supercar Valley to test a new model only to find the gates locked shut, or the paint still drying on the car they were meant to be driving. But Lamborghini somehow still managed to make the Countach. It was the defin­itive seventies supercar; shocking and angular to look at and terri­fying to drive. First shown in 1971, it took three years to get the cash together to get it into production.

The British car industry pretty much did die in the seventies; from making 1.9 million cars in 1972 it slumped to half that number by the end of the decade, and soon not a single British-​​owned volume carmaker was left. But the oil crisis wasn’t to blame; just look at the cars the British carmakers were insulting us with. The Austin Allegro, launched in 1973, had all the dynamism and sex appeal of your elderly Auntie Flo in her mauve Sunday best. By comparison with VW’s Golf, launched just a year later with Giugiaro’s hallmark seventies ‘folded-​​paper’ styling — and a practical hatchback – the Allegro looks dumpy and retarded. No wonder buyers – Brits included – deserted the British carmakers.

Others were showing the old powers how it ought to be done. Honda’s super-​​clean, super-​​frugal CVCC-​​powered cars led the Japanese assault on the US. American buyers, once chauvin­istic but now desperate for reliable, economical cars loved them, and the US car industry has never really recovered. Volvo’s VESC exper­i­mental safety vehicle not only presaged how Volvos would look for the next 20 years but had two decades’ worth of safety advances aboard too; some of which we now take for granted (crumple zones, airbags) and some, like reversing cameras, that are still reserved for high-​​end cars.

But Giugiaro’s Megagamma concept was arguably the most signi­ficant of the seventies, though its impact wouldn’t be felt until much later. It started life as a sketch for a compet­ition run by New York’s Museum of Modern Art in ’76 to design a new checker cab for the city. To cut congestion but create more cabin space Guigiaro decided to build upwards, and the people carrier was born.

If you want to see how the car moved on the ‘70s, look at the performance cars that bookmark the decade. At one end, that crude Plymouth Superbird. At the other, the Audi Quattro; turbocharged, four-​​wheel drive and beauti­fully made. And frankly, not all that different to the 270bhp, turbocharged, four-​​wheel drive and beauti­fully made Volkswagen Golf R that’s sitting on my drive as I write this. The logbook for my car says 2010, but I know it was born in the seventies.

Stars of the Seventies

Friday, July 16th, 2010


1970 Plymouth Superbird

A few more muscle cars trickled out in ’71, but the Superbird’s massive rear wing marks the literal high-​​point of muscle car design, and also its swan-​​song.

1971 Lamborghini Countach concept

Why are all the best supercars – McLaren F1, Bugatti EB110 – launched into the teeth of reces­sions? Fortunately, the Countach’s incan­descent styling meant it lasted into the nineties.

1972 Volvo VESC

This ESV embar­rassed some of the bigger players who had taken a distinctly lax approach to their buyers’ health. Volvos have sold on safety ever since.

1973 Austin Allegro

Just bloody awful: epitomized everything that was wrong with the British car industry. Some say there’s no such thing as a bad car now, but there was back then.

1974 Volkswagen Golf

There had been hatch­backs before, but none looked as good, or mixed premium feel with affordable price like the Golf. Set the template that family cars still follow.

1975 Porsche 911 Turbo

911’ and ‘Turbo’ put together have always seemed slightly tauto­lo­gical, and were certainly terri­fying in these early cars. But 35 years on they’re still being made.

1976 Aston Martin Lagonda

William Town’s insane styling is one of the stand-​​out designs of the decade. Digital dash and computer-​​controlled everything meant they broke down as much as they stood out.

1978 Lancia Megagamma

At the Turin motor show Giugiaro unveiled a concept that would spawn not just a new car, but a whole new type of car.

1980 Audi Quattro

It might have been launched in 1980 but the Audi Quattro  –  full of brawn but laced with new tech – was the ultimate expression of seventies automotive ethos. A truly modern performance car; still sensa­tional to drive, and still inspiring current fast cars.

Influx people: Seventies Stylists

Friday, July 16th, 2010

Chris Ryan
Chris Ryan is Cornish based surfer, musician and collector of offbeat vehicles. His Beach Buggy is a creation from the early 70s — with fibre­glass frame strapped onto a ’61 beetle chassis. The motor is your standard 1500 VW job. “I bought the buggy from a friend who used it on a farm about 10 years ago with a view to restoring it,”, he tells me. ” The project hasn’t really taken off yet,” he says, “But I like it because it isn’t a shiny gadget: it’s a bit nasty.”

Neville King
Chef and co-​​proprietor of the Old Station Inn in Hallatrow, Somerset, Neville bought his Corvette 13 years ago whilst he was living in the US to keep in the UK as a runaround. The plan had been to buy a British classic motor car, but this was a little piece of the American dream he wanted to keep close.
“She has dangerous curves — great going in a straight line, but gets inter­esting in the wet. She’s still a very comfortable drive, if a little noisy. Last weekend she was driven up to Newcastle and back without a problem.“
www.theoldstationandcarriage.co.uk

Elsie Pinniger
Pro surfer and seamstress Elsie Pinniger bought ‘Mo’ the 1976 Morris Marina in Harvest Gold, 18 months ago. Though Marinas haven’t had the best press of late, Elsie is in love.
“It’s so easy to fix! All you need is the manual. I always surprise the AA men by knowing what to do with Mo in a crisis. Mo’s also long enough to keep the longboard in. Huge priority.
www.goodneon.co.uk