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Le Mans Classic 2012

Images: Magneto for Influx

There's probably been more motoring column inches dedicated to the Ford GT40 than to any other racing car of the last half a century. There's a reason why.

At the Le mans Classic, to see these monstrously powerful, fathomlessly rakish racing cars powering through the straights of la Circuit de la Sarthe at speeds of over 200MPH hour is breathtaking. Fifty years on from their conception, they remain the most spectacular example of race-focussed design and engineering we, at least, have ever witnessed.

And the thing is about the GT40 is, that unlike, say, the Porsche Racers, which came to dominate the 24 Hours in the seventies, there isn't a sense of individuality about them. In fact, each GT40 seems, in a way, to be cut from the same cloth as one another - though the format developed and evolved greatly in terms of its beneath-the-skin identity from the early sixties until the Mark IV cars of the late sixties; that Ford brawn remained unrepentantly, unapologetically, the same.

But for us, the MK IVs are not what we think of as true GT40s. The true GT40s where the ones with that devastatingly snarling visage and the long, stubby-ended profile, the ones that dominated and slew Ferrari's - a mission that was of course, the car's birth right.

And one thing that is often missed - associated as it was so much with Henry Ford, Detroit and Carroll Shelby - that the MK I & 2 were British through and through.

Yet another superb victory for Team GB.

Classic Summer: Rudge Motorcycles

Images: Magneto for Influx

In the pre-war years, The Rudge was the British bike to have. With a reputation for reliability, brawn and style, the company was the result of a the merger of two bicycle manufacturers in 1894. "Rudge it, do not trudge it." was their natty sales blurb - and by the mid thirties Rudge bikes had enjoyed success in Isle of Man TT as well as dirt track racing.

The Rudge enthusiasts club was founded in 1957 with the objective of keeping Rudge motorcycles, which were last manufactured in 1939, on the road for as long as possible.

Today the club has around 800 members, a comprehensive spares scheme, and a dedicated website that continues to produce a quarterly journal for its members.

There are probably around 2000 Rudge machines still in existence around the world. These machines excel in the vintage racing scene and continue to win awards, some 70 years after they were last manufactured.

Aleks Rümmel (below) brought this bike, a 1934 Rudge Special, in 2008 from legendary builder Derek Leigh. It was raced by Tim Johnson in vintage races against Norton Manxes.

The engine is a shortstroke (90mm bore, 84 stroke with 9.5.1 compression running on methanol). The transmission is a four speed Norton 'dollshead' gearbox. Jawa speedway hand made the cam profiles, which were altered to suit Rudge roller camfollowers.

The engine was lowered approximately 5cm for a lower racing centre of gravity. The bike has been raced on the continent in Hillclimbs and in England with British Historic Racing as a pre 48’ bike with maximum speed of over 100mph.

Though a mint-condition Rudge is a rare and expensive item these days, there is a workaday burliness to them that appeals way outside of the notoriously purist vintage bike scene.

Long live the Johnny Rudge!

Classic Summer: The Hayride

Images: Magneto for Influx

Held from the 27-29th July at Bisley Shooting Ground in Surrey, The Hotrod Hayride this year was the eighth event staged by Jerry Chatabox & Anna Porter.

It's a unique UK gathering bringing together Europe's best traditional rods, customs & bikes - shot through with a sense of humour and fun that few such events can muster.

Bisley's unique collection of turn of the century wooden architecture and the general atmosphere of purist retroprogression can make you think you're in the most delicious kind of automotive timewarp.

A saturday gravel hillclimb is hosted by The Detonators Car Club of South London. This proved to be an amazing wheeze, and featured the bare minimum of interference from the contemporary scourge of 'health & safety'. Unlike most mainstream motorsport events, crowds could get up close and personal, close enough, in fact, to smell the burn of rubber, oil and fear!

Cars featuring in the event ranged from ratty early 20s jalopies to slammed, candy-painted works of auto art from the 50s.

But it's not all about the steel and the grease. Evenings are spent drinking & kicking back with like minded cats & watching the ladies go by - and there's always a Freak Circus or a Burlesque show from the lovely Missy Malone to entertain you - if all that automotive loveliness wasn't enough to keep you satisfied.

BSA: King of Marques

Images: Magneto for Influx

In terms of totemic British brands, you can't get more classic than BSA. Evocative of all the positive aspects of Empire: industrial ingenuity & community, technological boldness and design brilliance, the motorcycles produced by the Birmingham Small Arms company in the mid 20th century remain chrome-clad motifs of a time when Britian was unashamedly proud of the goods it produced.

At this summer's West Kent Run, members of the BSA Owners Club displayed some typically refined examples of the brand's most famous bikes, including Gold Stars (like the award winning example above). These were the bikes that developed from the modified Empire Star that won the TT in 1937. This iconic bike was produced right up until 1963 and enjoyed success right up to then and beyond in the Clubman class at the famous Manx event.

And while BSAs might not be as sought-after amid the new generation of custom-building, retro-fetishising hipster youth that is grabbing hold of bike culture by the throat these days, the brand is redolent of a much more enduring, and subtle legacy than, we think, the Nortons, Triumphs and Tritons that have been so ubiquitously caffed, tracked and scrambled in the trendier environs of our cities.

This fascinating clip evokes how industries like BSA were at the heart of England's image of itself, it lends a vital clue to why the bikes they produced are so perennially appealing for those of us who live in these islands. Cue Elgar.

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