Wether or not Penn’s subjects were the rich and the famous or a bunch of hairy bikers he always managed to capture something lasting and resonant about the individuals involved. And these two prints manage to be incisive without resorting to cliché; revealing without being intrusive.
This is an incredibly sensitive portrayal of what must be one of the most widely hyped and misunderstood subcults in human history, from a time when the clubs’ notoriety was perhaps at its peak.
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"We couldn't help but chat bikes when we spoke to Mal Pye about his art, and it turns out he's a true motor fan, so we ended up ogling his four-wheeled work too. Influx: Hi Mal. Why cars and bikes? "
